Best Sellers

Arguably the most popular distortion pedal of all time, the ubiquitous Boss DS-1 is bulletproof, classic and affordable. Nearly every guitarist has had (or should have) at least one on his/her board at some point. Steve Vai even had two - one at the front of his chain and one at the end.

The ProCo RAT ranks as one of the most widely used distortion pedals ever, a favorite of such disparate musicians as Jonny Greenwood, Nels Cline, Kurt Cobain and John Scofield. The ProCo RAT 2 emerged in 1988 and continues to be a popular pedalboard staple for both guitarists and bass players with its characteristic jagged gristle, courtesy of the legendary LM308 chip.

Debuting in 1981, the Boss SD-1 is the second longest running Boss pedal and a pioneer in the world of compact overdrives. Even today, people still use it as an alternative to a Tube Screamer. Why pay $200 for a boutique overdrive when you can dial in the right amount of crunch and dirt for less than $50 with time-tested, original overdrive circuitry?

The Electro-Harmonix Soul Food pedal seeks to mimic the classic Klon Centaur tone and succeeds in fooling most ears. The real value, however, is recognized by discerning listeners who appreciate the original and satisfying sonic territory that the EHX Soul Food overdrive provides in the spaces where it differs from the Klon.

Few stompboxes have shaped the sound of rock like the Electro-Harmonix Big Muff Pi. Fewer still have gone through as many variations while still maintaining their fan bases. From David Gilmour to Billy Corgan to J. Mascis and Dan Auerbach, the Big Muff Pi continues to be the life blood of fuzz.

Featuring an ultra-compact enclosure and the same controls for volume, tone and sustain, the Electro-Harmonix Nano Big Muff Pi brings the same creamy fuzz and distortion as the original in a pedalboard-friendly package. Built using the same Big Muff Circuitry in a nano format, this effect is a great introduction to the Big Muff World or just a great fuzz pedal that won't eat up pedalboard space or cash.

The Boss MT-2 is an undeniable icon of metal guitar tones and remains one of the most popular pedals in Boss' whole catalog. For players who need a one-way ticket to over-the-top distortion worthy of the legands of thrash, the MT-2 is an easy choice.

One of the most popular overdrive pedals in the world, the Fulltone OCD pedal is well known for enhancing the natural tones of your guitar and amp while adding a healthy dose of classic grit. The Fulltone OCD began an era of boutique overdrive pedal building, and is an inexpensive addition to any pedalboard. For a slight wicked sparkle or as extra muscle to a stacked chain, the Fulltone OCD is a must-have.

When an octave bass accompaniment just isn't enough, the Boss OC-3 Super Octave steps in to sweeten the deal. In addition to the original OC-2 mode allowing for one and two lower octave notes, the OC-3 includes a Drive and Polyphonic mode for overdriven tones and an adjustable polyphonic effect. The OC-3 is used by The Black Keys, Van Halen and Tony Iommi.

So many pedal companies have tried to put their own spin on the classic Klon KTR, but only the original could give the legend a successor to the throne. J. Rockett Audio's Centaur is a versatile boost and overdrive perfect for the likes of stoner rock, dirty blues, or the wide world of shoegaze.

Containing six separate Muff circuits, the JHS Muffuletta Fuzz is one of the most comprehensive fuzzes on the market, particularly for fans of the Muff sound. The Muffuletta has the circuitry of the '73 Rams Head, The Triangle, The Pi, The Russian, The Civil War, and JHS' own modern take on the Muff circuit. Choose between each of the six circuits and then shape your fuzz using Tone, Volume, and Sustain knobs. Artists like David Gilmour, J. Mascis, John Lennon, Jack White, The Edge, Pete Townshend, Jeff Tweedy, and many more have all had at least one of these five Muffs as pedalboard staples.

Featuring a responsive spectrum control, streamlined interface and heavy-duty all-metal chassis, the Nobels ODR-1 is a highly organic overdrive/boost that's also ready for use in minutes. Designed for the working guitarist thanks to low battery consumption and a design built to take road abuse, this tough little customer gives years of warm, bluesy goodness without missing a beat.

One of Boss' longest running pedals (1987 - present), the DS-2 Turbo Distortion has two modes for either warm distortion or a more biting tone. The remote jack allows for an external foot switch to toggle between modes.

Sporting the same muscle as the standard Big Muff Pi with the addition of a three-way tone wicker switch for light or heavy treble boost, the Big Muff with Tone Wicker combines classic fuzz tones with added versatility. From classic to fierce, the Tone Wicker serves up fuzz any way you want it.

Building on the legendary design of one of the most-used transparent overdrives in history, the Fulltone OCD V2 Overdrive bolsters the amp-like roar and rich harmonics of the original with a new buffer, input section, and enhanced bypass.

• Controls: Volume/Drive/Tone knobs, HP (High-Pass)/LP (Low-Pass) Filter switch


• Other Features: Enhanced output buffer, Class A 2N5457 JFET input, True/Enhanced Bypass modes selectable via internal switch

Clear the path for the heir to the throne. The Analogman Prince of Tone is capable of everything from pure boost to an assault of distortion, perfect for blues rock, stoner metal, or shoegaze.

The REVV G3 is a distortion pedal based on the "purple channel" of the brands most revered amp models. In addition to volume and gain controls and a three-band EQ, the G3 packs a three-position "aggression" toggle that adjusts the amount of gain and overall character of the drive. Though primed largely for full-bore metal tones, the G3 is an extremely versatile drive that can play nicely in just about any rig.

The Fulltone Full Drive 2 is the most popular boutique overdrive in the world, combining two highly adjustable gain stages into a single casing. With a dizzying array of niche overdrives filling the market, the Fulltone Full Drive 2 remains a no-brainer necessity for studio or stage when you don't want to spend hours swapping out other ODs.

A collaboration between 1981 Inventions' owner Matt Hoopes and Jon Ashley of Bondi Effects, the DRV is a RAT-inspired distortion pedal featuring one distortion circuit and one preamp boost circuit packed into a sleek steel enclosure. Sounding more like a vintage pedal than a unique modification of a classic, the DRV is warm and responsive, capable of a variety of textures—especially in its lower gain section.

A legend in the annals of Boss pedals, the HM-2 Heavy Metal is, obviously enough, a pedal intended for those who play heavy metal music. For a lot of players in the heavy realm, the appeal of the HM-2 has a lot to do with the insane amount of boost and tone-shaping this pedal provides. Its unique character has spawned several imitators and landed the HM-2 a place in the signal chain as a who's who of extreme metal players.

Featuring the original JRC4558 IC circuit and intuitive interface of overdrive, balance and tone, the OD-808 reissue brings all the warm overdriven power of the first generation in an updated chassis. Reasonably priced and built with high-grade components, the OD-808 brings the vintage into the modern for a contemporary classic.

Building on the shoulders of the legendary Tubescreamer, the TS9DX incorporates the same circuitry as the original with an additional Mode knob for toggling between TS9, Turbo, Hot, and + settings. The TS9DX brings the same warm tube-like overdrive to the table as its predecessors with expansion into low-end territory for a remarkably versatile pedal.

Sporting the same iconic circuitry that made its larger predecessor famous but housed in a compact chassis, the Electro-Harmonix Little Big Muff captures all the legendary fuzz tone while saving space on your board. Built with high gain and designed for maximum sustain, this effect is an ideal choice for anyone looking to get into the world of Muffs while saving some cash.

The Xotic SL Drive is based on the iconic Marshall Model 1959, giving the feel of having a 50W head powering your amp. This little pedal can emulate the tonal response of both the Super Lead and the Super Bass, selectable via an internal switch.

As part of the Custom Badass line, the MXR Super Badass Distortion has the same reliable components typical of the series. This Super Badass pedal boasts completely analog distortion that is dynamic and sensitive, and can bring you a wide variety of tones from low-gain overdrive to heavy, scooped metal distortion perfect for singing along.