Best Sellers

The Bliss Factory and is a collaboration between Chase Bliss Audio and Zvex. It's a two-germanium-transistor fuzz described as "a souped-up Fuzz Factory with digital control and a resonant lowpass filter." The pedal was created in support of Reverb's first feature-length documentary, "The Pedal Movie," on the history and culture of effects pedals.

Bringing together the familiar thick, even tone loved by chicken-pickin' and funk players with new, streamlined controls that dial in even more possibilities, the Keeley Compressor Plus infuses one of the company's staple effects with even more power for silky-smooth tone. A compressor complemented with an expander and sustainer, the new Release switch lets you toggle between single-coil and humbucker modes for tailor-made punch with nuanced Tone and Blend knobs which retain highs and sculpt peaks with ease. A do-it-all compressor for any style of play.

The TC Electronic Ditto Looper is the perfect entry point for players looking to break into the world of looping. Whether at a gig or practicing in your bedroom, the Ditto Looper is a great way to build your own backing tracks and unlock a new galaxy of writing and playing for guitar or any other instrument.

Arguably the most popular distortion pedal of all time, the ubiquitous Boss DS-1 is bulletproof, classic and affordable. Nearly every guitarist has had (or should have) at least one on his/her board at some point. Steve Vai even had two - one at the front of his chain and one at the end.

Before there was a Klon, before there was an explosion of boutique overdrives, there was the Ibanez Tube Screamer. Its subtle, mid-boosted sound changed the way guitarists thought about their place in the sonic spectrum and spurred a wave of imitators. Today, it remains one of the most popular and borderline requisite items on any pedalboard.

The Electro-Harmonix Canyon Delay & Looper Pedal is a marvel of size, packing a world of digital delay styles and features into a chassis that fits on the palm of your hand. Laid out with an intuitive four-knob design of delay, feedback and effect level, the fourth knob allows you to select from 11 modes ranging from the analog presence of a Memory Man emulation to a freezing Sample and Hold mode. As if that weren't enough, the Canyon contains a 62 second looper, tails switch, and unprecedented tap tempo divide for one of the most versatile delays in this price range.

Whether you're new to the world of delay or an old pro in need of a no-nonsense workhorse, the MXR M-169 Carbon Copy is a great choice when choosing an analog delay pedal. Just ask the thousands of players who've kept the MXR Carbon Copy on their board for years.

Offering the same fan-favorite polyphonic, chromatic, strobe, and alternate tunings modes as its predecessor with the addition of a might Bonafide Buffer to preserve your tone, the TC Electronic Polytune 3 Polyphonic Tuner Pedal is an essential presence on any pedalboard. The 109-LED display gets you clear readings whether you're on a dark stage or sitting in your bedroom, and the diehard design ensures years of use. A must-have effect.

The ProCo RAT ranks as one of the most widely used distortion pedals ever, a favorite of such disparate musicians as Jonny Greenwood, Nels Cline, Kurt Cobain and John Scofield. The ProCo RAT 2 emerged in 1988 and continues to be a popular pedalboard staple for both guitarists and bass players with its characteristic jagged gristle, courtesy of the legendary LM308 chip.

For just a touch of dirt and push, the Boss BD-2 Blues Driver has been a perennial favorite for both bedroom players and celebrities such as John Mayer and Brad Paisley. Falling somewhere between your amp's natural clean tone and the mid-soaked scream of an Ibanez TS-9, the Blues Driver hits the sweet spot of articulation and grit.

Featuring up to twelve minutes of recording time, three separate loop modes and a 24-segment LED Loop Indicator, the Boss RC-1 Loop Station is a looping powerhouse in a compact pedal. Streamlined in design and easy to use, this pedal is a great introduction to looping or the perfect unit for more advanced musicians looking to save pedalboard space.

Though modeled off of Ibanez's classic Tube Screamer, the EQD Plumes is not merely a clone. Instead of using an IC op-amp in the circuit, EQD replaces it with what it calls a "low-noise JFET op-amp for a more robust and precise signal, with a significantly lower noise floor." So whether you crank it or use the pedal at more modest gain levels, you’ll keep extraneous noise to a minimum. A 3-way toggle lets you choose between clipping options for either a more compressed or more transparent sound. While the Tone knob lets you add bass or high-end without losing mids.

Built in the image of the coveted late '70s models made famous on the Smashing Pumpkins' enormous album Siamese Dream, the Electro-Harmonix Op Amp Big Muff Reissue Fuzz summons iconic '90s snarl in a compact chassis. Renowned for its enormous, biting presence thanks to the presence of op-amps instead of transistors and three gain stages instead of four, this much-demanded Big Muff is a fast, affordable avenue to the vicious tone of a company classic.

For those of us after those enormous ambient spaces filled with depth and modulation, the Walrus Audio Slö Multi-Texture Reverb is a dream in a pedal. Sub-octave, auto-swell, and latching pad algorithms are accessible via a single switch and are available for further tweaking via decay, filter, and depth controls, as well as an "X" function that alters a specific trait in each mode. Add three distinct wave shapes for even more tone-sculpting power and you have a formidable effect that rivals its big-box counterparts.

The Line 6 HX Stomp brings the power of Line 6's much-celebrated Helix line to a smaller, more affordable format. This mutli-effect gives you a robust library of amp and cab models and effects, all of which can be tweaked and combined in virtually limitless ways. If you've been looking for a way to wade into the waters of digital modeling, the HX Stomp is a fantastic option. Line 6 also produces the HX Effects, which provides just the effects library without the amp simluations.

When it comes to wah, the Dunlop Cry Baby is one of the founding fathers. Rugged, classic and reliable, the Cry Baby Wah can add instant emotion, funk or sensuality to anything you play. Stomp on it for the first time and say goodbye to the next couple hours with a smile on your face.

Packing 11 variations on a staple effect into a single pedal that range from traditional Room and Plate to Echo and Trem to an infinity mode and polyphonic three-dimensional tone, the Electro-Harmonix Oceans 11 Reverb offers decades of sound and streamlined functionality. Built in the image of its successful predecessor the Canyon Delay, the Oceans 11 gives you three easy controls for tone, time, and effect level for control over sounds from vintage resonance to infinite swells with an internal reverb tails switch and mode button that unlocks secret functionality in each setting.

Sporting separate modes for chromatic or guitar/bass-specific tuning, a High Brightness setting for the clearest readings and the same precision 21-segment LED display as its predecessor, the Boss TU-3 is an industry standard in tuning pedals. No matter what genre you play, every guitarist needs a reliable tuner, and the TU-3 is one of the best on the market.

The Electro-Harmonix Soul Food pedal seeks to mimic the classic Klon Centaur tone and succeeds in fooling most ears. The real value, however, is recognized by discerning listeners who appreciate the original and satisfying sonic territory that the EHX Soul Food overdrive provides in the spaces where it differs from the Klon.

Debuting in 1981, the Boss SD-1 is the second longest running Boss pedal and a pioneer in the world of compact overdrives. Even today, people still use it as an alternative to a Tube Screamer. Why pay $200 for a boutique overdrive when you can dial in the right amount of crunch and dirt for less than $50 with time-tested, original overdrive circuitry?

The master pedalboard would just be a rack of metal and circuits without the juice to back it up, and the Pedal Power 2 Plus is the ultimate in power supplies. The unit features eight completely independent 9v outputs, two outputs with adjustable voltage sag to capture the vintage "dying battery" sound, and is capable of powering all ASA, PCA, Line 6 Stompbox Modelers and ToneCore pedals, and twin Boss pedals.

Featuring double the headroom as the previous model, a new boost mode incorporated into the gain toggle and a tap switch input for essentially serving up two pedals in one on the fly, the JHS Morning Glory V4 brings even more gain-laden sparkly goodness than ever before. Still able to dial in that perfect transparent overdrive in a wide range of gain from bluesy warmth to screaming breakup, this flagship of JHS retains its place as the centerpiece firework on any board.

Combining a wide spread of reverb options with the delay circuitry from the company's Magnetic Echo, the Keeley Caverns V2 provides a versatile delay/reverb combo in a package that saves both board space and funds.

• Reverb Modes: Spring ('60s blackface amp w/ tremolo), Modulation (big presence w/ touch of chorus), Shimmer (trails with octave up voicing


• Delay Modes: Standard, Light, Deep


• Controls: Dual Blend knobs, Decay, Rate, Repeats, Warmth, Time


• Other Features: Top-mounted jacks, True Bypass or Trails operation

The Strymon Flint harnesses the full power of the company's formidable SHARC DSP technology to capture classic reverb and tremolo tones. Capable of operating the reverb and tremolo independently or in tandem, each effect features a three-way switch for selecting unique vintage tones ('60s, '70s, and '80s for reverb, '61 Harmonic, '63 Power Tube, and '65 Photo for tremolo) for the perfect avenue to nailing surf rock tones, putting a psychedelic edge to your sound, or crafting post-rock soundscapes.