Best Sellers

The GE-7 is a versatile seven-band equalizer with bands ranging from 100Hz to 6.4kHz and a boost or cut of 15dB for each band. The wide range of parameters allows for precise control over your sound and the ability to muffle unwanted feedback from other effects in your loop.

Crafted with 10 carefully-selected frequencies and a towering +/-12dB boost and cut range for each channel, the MXR M108S Ten Band EQ gives you the juice to drive your sound and the tools to sculpt it in one package. The roughneck aluminum chassis and LED sliders with separate gain/volume controls house a versatile effect that easily rids your rig of unwanted frequencies and feedback while smoothing out your tone. A two-in-one boost/EQ that lasts for years.

No effect can do more to simply expand and enhance the sound of your rig than a boost pedal. The TC Electronic Spark Booster does exactly this while providing the flexible controls to craft a distinct set of tones. In addition to gain, volume and two-band EQ, the Spark includes "fat","clean", and "mid" modes to select the right frequency curve for your boost needs.

Apart from an amplifier, nothing gives guitar players a greater degree of control over tonality than an equalizer. Boutique pedalmaker MXR has decades of EQ know-how, and it shows in its M109 Six Band Graphic EQ. Guitarists can really stretch their tone with this pedal, whether it’s low-end warmth or higher-frequency boost. LEDs allow guitarists to see the levels in both dark concert venues and direct sunlight.

Featuring a range down to 50Hz and functionality as a boost/cut via the volume knob, the Boss GEB-7 is a seven-band equalizer attenuated for bass instruments but capable of functioning with others as well for experimental effects. This pedal is an ideal choice as a staple on any bassists' board and even has applications in acoustic bass instruments.

The BBE Sonic Stomp Sonic Maximizer uses a proprietary circuit that enhances and clarifies your signal to help you carve out a space in your group's mix more easily. The casing has changed over the years, but the circuit has remained the same.

The Electro-Harmonix Hum Debugger is designed to eliminate any hum produced by your amp. No matter the source or frequency of the noise, the Debugger rids your signal of any hum or buzz. For home recording, small clubs, or even large venues, the EHX Hum Debugger is a supremely useful tool to keep as part of your rig.

For musicians who amplify acoustic instruments, getting a consistent sound and avoiding feedback from one venue to another is a constant struggle. The L.R. Baggs Venue DI solves that problem, allowing you to be in control of your tone night after night regardless of the system, the tech or the rushed sound check.

The MXR Ten Band EQ is the current iteration in a long line of graphic equalizers that the company has produced. Each fader has its own LED to improve visibility in darker settings. Great for mid-boosted blues rock or scooped metal tones.

The Boss GE-7 Graphic EQ is an intuitive 7-band EQ pedal, allowing you to tweak frequencies ranging from 100 Hz to 6.4 kHz and adjust by 15 dB per band. This pedal gives you a huge level of control over your tone and eliminates unwanted feedback. It's so popular that it's been in continuous production since 1981, so it might be time to pick one up and give it a try for yourself.

Recreating acoustic tone on stage accurately is a huge difficulty that most musicians face - the Fishman Aura Spectrum DI seeks to remedy this. Its Aura Acoustic Imaging technology restores studio-miked sound to your instrument's pickups. A 3-band EQ, compressor, feedback suppressor, tuner, effects loop, and more are all available to a constantly expanding list of acoustic instruments, including guitar, violin, and mandolin. Fight feedback and show your guitar's true colors with the Fishman Aura Spectrum DI.

Sporting a three-band equalizer, Color switch for a pre-attenuated EQ, phantom/ground power switch and adjustable noise gate, the MXR Bass D.I. + is nothing short of a tonal Swiss army knife for your bass. Whether you're dialing in a pristine clean boost, pumping a warm sustain or crafting a searing distortion, this effect has your back at every turn.

Built with the iconic Danelectro food series pedal chassis and a seven-band EQ with a range from 100Hz to 6.4kHZ, the Danelectro Fish and Chips EQ is a staple in one of the most used effects rosters ever. A great place to start for those interested in learning the ropes of equalization, the Fish and Chips also benefits from a 15 decibel cut or boost on each channel for an affordable pedal that still brings the features.

Walk into any club with nothing more than the Fishman Platinum Pro EQ and your instrument, and you'll be able to dial in studio-quality tone on your own in under a minute. No more lengthy frustrating soundchecks. No more sonic roulette with the venue's sound system. For the touring act or serial open mic performer, this is a must-have.

Have total control over shaping your tone with the Empress ParaEQ with Boost. This impressively transparent parametric EQ allows for precision shaping of your high, mid, and low frequencies as well as +/- 15dB for each frequency range to make subtle adjustments or huge changes to your tone. The Empress ParaEQ even has up to 30dB of clean boost and will take 9v, 12v, or 18v power sources for super versatile tone adjustment.

Built with an active four-band EQ, dual mid-frequency parametric controls, and sky-high stack of boost to push your amp, the Wampler Equator Equalizer outfits a pedalboard staple with laser-precision controls for carving out the exact tone you want. Streamlined for ease of use on stage, in the studio, or just around the jam room, the Equator is a do-it-all pedal that brings out new flavor from your dirt boxes, smooths out rough frequencies, and adds smack to your sound in any setting.

Since 1987, the classic MXR 6 Band EQ has allowed guitarists to contour their tone on a fine-grained level without a studio engineer on hand. Capable of 18dB of cut/boost, this is a great pedal for creating scooped metal sounds or bass-heavy blues tones.

Bringing together a single EQ knob controlling three specific frequencies designated as most vital for acoustic, saturation control for lush harmonics and organic warmth, and adjustable gain for all pickup types, the LR Baggs Align Session adds Nashville-style compression to your setup with a single pedal. Custom-designed Session circuitry brings full-bodied country compression that brings out the natural voice of your guitar without squashing your sound.

Behringer has been a German professional audio equipment outfit for some time, but they didn't produce effects pedals until 2005. Their affordable line of standard effects is similar to the Boss line of stompboxes, though at entry level prices. 

Successfully updating the popular PDF-1, the Stone Deaf FX PDF-2 is a parametric distortion that can be used with virtually any instrument -- guitar, synth, bass, even acoustic guitar and analog piano. You name it and the PDF-2 will deliver highly customizable distortion. With a super low noise floor and a slew of updates based on actual player requests, the PDF-2 is one of Stone Deaf's most user-friendly pedals. Parametric EQ with adjustable distortion and tons of expression pedal functionality, like frequency control knob sweeps, wah, and phaser control make the PDF-2 one killer pedal.

In an effort to modernize and streamline typical EQ pedals, Source Audio released the Toolblox Programmable EQ pedal. With plus or minus 18dB of range over a band of seven frequencies, the Programmable EQ allows you to sculpt the frequencies in your tone with impressive precision. If you find a sound you like, save it in one of the four programmable presets, which can be recalled with the tap of your toes. It even has MIDI input to run into your Line 6 POD, Eventide pedal, or any other MIDI-compatible effect.

Radial was established in 1991 in Vancouver, Canada. The company originally produced only cables and began producing additional products in 1996.

The Radial Voco-Loco allows for the application of guitar effects to vocals and brass instruments through an XLR input.

Condor is an analog multi-effect that allows sophisticated control over a wide range of effects including EQ, overdrive, boost, tremolo and filter tones. The pedal has a powerful parametric mids control that ranges from 150Hz to 4kHz along with a three separate low pass filter or bass boost/cut modes. Along with expansive frequency controls, Condor has gain and volume knobs and a switchable overdrive circuit for sculpting your ideal guitar tone. Like all Chase Bliss Audio pedals, all of these settings can be stored in presets, ramped, or controlled via expression pedal. Every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog and never gets digitally processed.

Featuring the iconic, sturdy Boss enclosure and streamlined controls for rate, resonance and depth, the Boss PH-1R Phaser gives a striking but tasteful phased analog edge to your tone. Capable of adding a completely phased sound or low-end presence all without adding noise to your signal, the PH-1R is great for psychedelia, stoner rock, or garage.

Built with the same discrete transistors and nuanced bass/treble knobs as the original pedal with a new Dirt/Clean toggle switch, alternating LED colors for each mode, and a tap switch input jack to alternate on the fly, the JHS Twin Twelve V2 continues serving classic Silvertone sound with more tonal options than ever. Summoning the almost inimitable grit of the 1484 popularized by Jack White, Death Cab for Cutie, and Vampire Weekend, this successor to the throne turns any rig into a vintage beast with the stomp of a switch.

Featuring a svelte design, controls for volume, level, and body and a three-way switch with standard, jumbo and piezo acoustic emulations, the Mooer Acoustikar is an easy avenue to perfect acoustic tones from your electric. Easy to fit on any board and affordable to boot, the Acoustikar is a great way to incorporate that warm, woody presence for an acoustic song at a gig without the hassle of busting out another guitar.

The Joyo JF-11 6 Band Equalizer pedal is a graphic EQ custom-tuned for guitar, though equally useful for bass and keys. Each band gives you +/-18dB boost and cut with smooth, musical curves that make tone shaping as easy as can be. Great on its own or as a tone-shaper for your favorite distortion pedal with a more limited tone control section, the Joyo 6 Band EQ has lighted sliders show your settings while you're on stage in a dark club, and true-bypass switching so your tone isn't altered in any way when the pedal is disengaged.

Radial was established in 1991 in Vancouver, Canada. The company originally produced only cables and began producing additional products in 1996.

The Radial HotShot DM-1 allows for direct communication with sound techs and band members' in-ear monitors.

Featuring inverse and normal mix modes, a wide spread of frequency control and sensitivity knob for finely shaping the responsiveness of the frequencies, the Boss EH-2 Enhancer brings plucky, punchy energy to a guitar with a few twists of a knob. Capable of giving your signal that extra polish and muscle for cutting through a mix, the EH-2 works wonders with a boost for nailing solos or giving your lead parts an extra bit of sheen.

The Mesa Boogie Five-Band Graphic EQ is a true-bypass EQ pedal based on the graphic EQ circuitry in Mesa Boogie amplifiers, first designed by Randall Smith in the early 1970s. It features five frequency sliders and knobs for input and output levels.

Crafted with a variable high-pass filter, three-position gain switch and phase inversion for easy feedback/level control, and a six-band EQ section, the LR Baggs Align Equalizer brings nuanced tone-sculpting power to your acoustic performance. Engineered with a sonic spectrum specifically designed to enhance acoustic instruments, this FET-powered marvel is an immediate avenue to high-fidelity performance.

Featuring Hi/Lo gain switch for toggling between the classic Flux Drive overdrive and a beefed-up version as well as an expansive five-band graphic equalizer, the Flux Five builds on its predecessor with impressively expanded capabilities. Large on features yet intuitive to use, this effect is the perfect tool for ultra-precise sound sculpting and overdrive tone.

Featuring a finely tunable frequency range from 100Hz to 3.2kHz and a compact design, the original MXR 6 Band EQ set the standard for what to expect from an equalizer. Used by the likes of Eddie Van Halen and Dimebag Darrell for that signature "scooped-mid" sound, this little blue wonder is a perfect avenue for finding just the right tone on the fly.

The 1970s MXR 10-Band EQ is the company's original rendition of the 10-band.

Featuring a semi-parametric EQ, dual-Q notch and high pass filters and discrete class-A piezo boosters, the Radial Tonebone PZ-Pre is stacked to the gills with parameters for finely tuning acoustic tone. Built for use with a wide range of acoustic instruments including violin, cello and standing bass, this effect can can dial in that perfect guitar tone for open mic night or hone in an orchestra.

Featuring a dual filter foundation, seven-pole filter design and controls for low, dry and high, the Electro-Harmonix Knockout Attack Equalizer is a versatile tone-shaping tool that can completely alter the character of your instrument. Capable of turning fat low-end sustain into a a searing high-treble soar, this pedal works wonders for providing distinct guitar voicings on the fly.

The Boss GE-10 Graphic Equalizer features a ten-band equalizer ranging from 31 Hz to 16 kHz with an amplitude range of +/- 12dB. It features a bypass switch, up to 15dB of output gain, and an external footswitch input.

The BBE Acoustimax offers an acoustic preamp in a convenient stompbox format. With switches for mute and the sonic maximizer section, the pedal also features controls for frequency response, gain, treble, mid, bass, notch level and frequency, lo contour, process, and volume.

The Boss EQ-20 is a ten band equalizer with an overall level slider and the ability to program, save and toggle through preset EQ settings.

The Boss PQ-4 Parametric Equalizer brings together a unique arrangement of Boss features like sweepable mid and high frequencies with matching level control, an autonomous low control with present and 18dB cut or boost, and an overall level control with the same 18dB cut or boost. One of the shorter-lived Boss pedals of the '90s because some users didn't care for the interface, this versatile equalizer is one of the effect giant's sleeper hits that some guitarists will immediately take to.

The Voodoo Lab Giggity is an analog preamp used for basic mastering and awesome overdrive/boost. Fine-tune your sound using the Body and Air circuits and four totally unique gain voicings, ranging from "Sun" to "Moon."

Use the Tone Job by EarthQuaker Devices to completely enhance your tone, from simple boost to a complex EQ that will control lows under 500 Hz, mids, and highs 2kHz and up. The Level control will boost frequencies up to five times the input signal. Tweak the frequencies you can produce to perfection until you find the tone you love.

The Electro-Harmonix Graphic Fuzz features a 6-band EQ to alter the sound of the fuzz, as well as sliders of Distortion, Dynamics, Sustain, and Volume.

This Ibanez "Tone Lok" pedal is designed to filter guitar tones to sounds like old radios or microphones. It features three modes with Drive, Lo-cut, Hi-cut, and Level controls

Behringer has been a German professional audio equipment outfit for some time, but they didn't produce effects pedals until 2005. Their affordable line of standard effects is similar to the Boss line of stompboxes, though at entry level prices. 

Featuring a three-mode gain toggle, dual gain stages and a 12AX7 vacuum tube built into the unit, the Radial Tonebone Classic sports one of the widest distortion spectrums on the market. Designed to emulate the evolving sound of overdriven tube amps through the '60s, '70s, and '80s, this effect fits well in classic rock, metal, or prog.

Radial was established in 1991 in Vancouver, Canada. The company originally produced only cables and began producing additional products in 1996.

The ToneBone BassBone V2 is the second iteration of the original BassBone with updated electronics.

The Radial ToneBone SwitchBone is a totally discrete ABY amp selector that allows you to switch between amps with ease, without sacrificing any tone or introducing unwanted noise. Along with its Drag control, which allows you to take care of any issues you might encounter requiring load correction, the SwitchBone even gives you the power to run cables upwards of a whopping 50 feet. With the SwitchBone, you can choose between amp A, amp B, or even combine both together. If you're looking for a super smooth amp selector, the ToneBone SwitchBone is a hot ticket.

The Boss PQ-3B Bass Parametric  Equalizer was a three band EQ calibrated to bass frequencies with an additional 18 dB cut/boost.

Years of Production: 1991 - 1995

The short-lived Ibanez GE9 had six EQ sliders and one master volume knob. 

Years of Production: 1982 - 1984

The Boss GE-7B is a discontinued equalizer pedals specifically calibrated for use with basses. It included seven bands with an additional level fader. Production shifted from Japan to Taiwan towards the end of its run. 

Years of Production: 1987 - 1995

Marshall-like distortion is the name of the game with the Radial ToneBone Plexitube, a tube distortion that boasts two channels combining the 12AX7 tubes of the original ToneBone Classic with a super saturated multi-stage solid-state drive. Channel one gives you chunky distortion with scooped mids perfect for playing rhythm parts, while channel two turns up the heat, offering searing lead tones with tons of control and sustained mids. Either way you want to play it, the ToneBone Plexitube will get you the distortion you need.

Mesa Boogie expands on the wildly popular Throttle Box overdrive pedal with the Throttle Box EQ. This tone monster adds a 5-band graphic equalizer to a killer drive capable of a plethora of modern drive tones. The HI/LO switch offers up a range of gain not found on your typical drive, and a global mid-cut switch scoops the midrange out of both sides of the pedal for blistering metal solo tones.

The short-lived Boss SP-1 Spectrum was a single band parametric equalizer pedal. Made in Japan. 

Years of Production: 1977 -1981

Radial was established in 1991 in Vancouver, Canada. The company originally produced only cables and began producing additional products in 1996.

The Radial HotShot ABO is a line selector.

Featuring a three gain stage design, passive-interactive EQ and an actual 12AX7 vacuum tube, the Radial Tonebone Hot British is built to offer big, classic distortion with the controls for minutely dialing in the tone. Constructed to emulate the sound of a classic Marshall double Plexi, this effect is a one-stop shop for any metal-oriented pedalboard or an excellent tone-sculpter for experimental noise rock.

The Radial Tonebone PZ-Deluxe Acoustic Preamp gives you all the stage tools necessary to ensure your favorite dreadnought, cello, violin, or other acoustic instrument is heard loud and clear at the gig. Sporting studio-quality features like a three-band semi-parametric EQ, a low frequency filter with three settings, and 180-degree polarity reverse switching, this little box smoothes out hot spots and peaks. If you've got a piezo on deck, the PZ-Deluxe even includes a dedicated PZB gain stage for an input impedance of 10 meg-ohms for warm, consistent tone through the whole gig.

Featuring a range of 100Hz to 4kHz along with an 18dB cut/boost on each band, the Mooer Graphic G Five-Band Equalizer brings high-quality equalization in a tiny package and price tag. Billed as the smallest EQ pedal currently in production, the Graphic G gives that extra sculpting power for dialing in perfect tone without sacrificing board space or funds for a large unit.

The Boss GE-6 was one of the original pedals that the company first produced in 1977. It featured a six-band graphic equalizer. Made in Japan. 

Years of Production: 1977 - 1981