Best Sellers

Bringing familiar elements of the original CE-2 like a two-knob layout for rate and depth and lush, analog chorus with a few new tricks like an added stereo mode and variable chorus depth, the Boss CE-2W Waza Craft Chorus takes the best bits of a classic pedal and dolls them up with modern boutique versatility. A flick of a switch also allows players to summon the circuit of the CE-1 chorus pedal of the late '70s. Part of the Waza Craft series reimagining the favorite pedals of the company from yesteryear, the CE-2W's dual mono/stereo nature makes it an attractive option for the discerning audiophile while the build and features make it a great choice for anyone who wants organic, room-filling chorus.

Since its debut in 1989, the Boss CH-1 has been heard on countless hit records. Level, EQ, Rate and Depth knobs feed into a stereo output to create the classic clean swirls that have become standard at this point. Turn it all the way up for a vibe feel, or keep it turned down for subtle thickening.

Released in 2019 with top mounted jacks, soft switch bypassing, and updated art, the Walrus Audio Julia V2 is a chorus and vibrato pedal offers the same deep, analog chorus and vibrato shapeable by a myriad of controls as the first version.

The MXR M-234 Analog Chorus uses all-analog bucket brigade technology with extremely granular controls - separate high and low filters with Rate, Depth and Level knobs - to provide one of the warmest and most shapable chorus tones available today.

While this may look like a plain aluminum box, the Fairfield Circuitry Shallow Water K-Field Modulator douses your playing in an ocean of undulating chorus, vibrato, pitch-shifting and more that will keep even the most adventurous pedal head adrift at sea for days on end. Built on the theory of simulation mathematics, the Shallow Water generates a short delay and continually modulates the effect for lush, morphing sound reminiscent of a tape echo traveling through space and time. Watching the demo is an odyssey in and of itself.

Employing a single Depth switch and Rate knob to traverse an entire world of lush, room-filling analog chorus tones, the Electro-Harmonix Small Clone is an effect-defining pedal that would be a welcome addition on boards of any genre. Even light tweaking between the Rate and Depth allows for sounds from a deluge of wave-like chords to raining cascades of chiming twinkle, the Small Clone is a no-nonsense route to classic tone at an affordable price.

A painstaking recreation of an iconic 'effect plus the rackmount unit it was based on, the Boss DC-2W Dimension C Chorus Waza Craft revitalizes a world of modulated stereo chorus in a modern package. All-analog audio circuitry faithfully summons the original depth and space of the DC-2 along with the powerful SDD-320 Dimension D studio rack it was based on, each with four settings for eight distinct voices.

Featuring patented StompLock technology, a dual-color LED display and three unique vintage, modern and rotary voicing options, the DigiTech Ventura Vibe is a revelatory step forward in vibrato emulation. Another sterling example of DigiTech's ability to craft faithful, versatile effects in the most compact of units, this pedal is capable of transforming from a vintage Leslie cabinet to a classic Uni-Vibe pedal with the flick of a switch and adds full, lush warble perfect for psychedelia, garage, or post-rock.

The CE-5 is the fourth entry in the Chorus Ensemble series, taking that chorus sound that immediately hearkens the pop of the 1980s. Featuring knobs for high and low-pass filters, the pedal allows you to craft your own signature chorus tone.

The MXR Uni-Vibe is a chorus/vibrato combo effect designed to emulate the original Leslie-like rotating modulation popularized by Jimi Hendrix. The Vibe mode is switchable.

The TC Electronic Mimiq Doubler is a unique pedal that instantly creates the sound of ADT, multi-tracked and layered guitars. Get the effect of having two to four guitars or stereo keys at once with subtle variations in timing, attack and pitch to create the same massive sound you'd get overdubbing in the studio. Stereo I/O lets you spread the effect out across the stage and turns stereo synths and keys into mammoth walls of sound with a stomp of the footswitch.

The Unicorn V2 is JHS’s 2018 update to the original circuit, which was released in 2015 and sought to bring to market the world’s first bulb-driven photocell modulator with tap tempo.

Released in 2016, the Walrus Audio Julia is a chorus and vibrato pedal named after a mysterious sound emanating from the ocean not unlike the famed Bloop. Julia draws its inspiration from the dark waters of its namesake, offering deep, analog chorus and vibrato shapeable by a myriad of controls. Select LFO wave shapes or use the Julia's Lag control, which changes the delay time on the LFO modulation. Rate and depth are familiar knobs on the Julia, while its final control, labeled "d-c-v," is a wet/dry knob that ranges from dry to chorus to a full-on vibrato.

If you want warm, organic chorus but built specifically for the low-end, the Electro-Harmonix Bass Clone Nano Analog Chorus translates a company staple into your rig's next staple. All the same controls as the original Small Clone are in place with a few tweaked features: in the two-band EQ, the treble knob hits the whole signal while the bass only hits the dry half, and the Crossover switch cuts low-end from the modulation for better articulation. A trusty addition to any board big or small.

Featuring a Tri-Chorus switch for toggling between three separate chorus types and TonePrint technology for signature artists' settings, the Corona Stereo Chorus offers a lush, well-built effect with features for days. From classic to modern, this pedal serves up a wide spectrum of chorus possibilities.

Though called the 3 Series Chorus, this is actually both a chorus and a vibrato pedal. In its standard chorus mode, you get a doubled signal with a variable modulation rate (from slow to super-quick). By dialing up the Depth knob, you can travel from gentle to turbulent waters. For true vibrato, just flip the Vibe toggle on. (Find the rest of JHS' 3 Series for affordable, essential effects.)

Featuring independent chorus and flanger which can be blended, a filter matrix mode for manual flanger control and independent stereo output, the Electro-Harmonix Stereo Electric Mistress builds on the possibilities of the original with true stereo modulation capabilities. Compact in size and attractive in price, this effect is a perfect choice for shoegaze, stoner rock, or indie.

Based around Zvex's original Lo-fi Loop Junky, the Vexter Series Instant Loop Junky allows you to make your instrument sound as if it is being playing through a well loved vinyl record or old dirty tape machine. This pedal will compress your tone and add ebb and flow to the signal with subtle chorus and vibrato effects for an overall nostalgic sound. Like other Zvex pedals, the Lo-fi Junky is available in a hand-painted enclosure.

The Monterey Rotary Fuzz Vibe from Keeley is a multi-effect pedal meant to capture the classic sounds of the '60s, and the tones of Jimi Hendrix in particular. This pedal combines a vintage-tinged octave fuzz circuit with a rotary speaker emulator and vibrato. The result is a pedal that can achieve all-time classic guitar tones, yet is versatile enough to create something entirely new.

The Electro-Harmonix Good Vibes Analog pedal brings back the iconic 1960s chorus/vibrato sound, in a pedal for the modern player. With a rugged and compact die-cast chassis, boosted power rails that provide extended headroom and definition, and an expression pedal input that puts control of speed and intensity at your feet – the EHX Good Vibes Analog Modulator pedal creates a warm, groovy sound. And yes, it’s true bypass.

Part of Boss's Waza Craft series, these pedals take traditional effects and incorporate boutique-quality construction and features.

The VB-2W incorporates an all-analog BBD (bucket brigade) with added Latch/Unlatch modes and an expression input.

From '82 to '92, the Boss CE-3 Chorus Ensemble was the workingman's chorus effect, heard on countless recordings and seen on thousands of players' pedalboards. Boss chorus pedals have a strong legacy connected to Andy Summers, John Frusciante, and Herbie Hancock among others. Mostly known as the stereo version of the earlier Boss CE-2, the CE-3 had a slightly sharper tone. Why buy new when you can get a made-in-Japan classic for half the price?

With circuitry based on the famous, discontinued Boss VB-2 Vibrato, the Behringer UV300 Ultra Vibrato is an option to get the sound at a musician-friendly price. Sound shaping takes place through the UV300's Depth, Rate, Rise, and Mode controls, and its true bypass function is maintained by a first-class on/off switch. The Behringer UV300 provides classic, dimensional '60s and '70s vibrato at a fraction of the price of your typical pedal.

The Boss CEB-3 Bass Chorus applies chorus treatment selectively to the higher frequency band, letting your bass foundation remain solid. The Low Filter is adjustable.

The Electro-Harmonix Neo Clone offers lush, creamy chorus sounds similar to the legendary EHX Small Clone but in a minuscule chassis sure not to take up much pedalboard space. Its totally analog design is complemented by simple controls - only a Rate knob and Depth switch. Its easy to get classic analog chorus tones with the Neo Clone Chorus using its intuitive controls and its updated Small Clone circuitry.

Sporting a bucket-brigade analog design, finely attenuated bass and treble controls plus two buttons for Flanger and X-Over modes allowing high-frequency modulation focus, the MXR Bass Chorus Deluxe brings choral and flanging capabilities together in a high-quality chassis. Allowing for easy adjustments on the fly thanks to the easy-to-use interface, this effect summons swooshes, sweeps, and liquid chorus goodness all with the warmth and inflection only an MXR analog design can deliver.

One of Universal Audio's first effects pedals, the Astra includes three varieties of classic modulation units: the Boss CE-1, MXR Flanger/Doubler, and the rich tremolo of a Fender '65 Reverb amp. With best-in-class sound and the precision controls you'd expect from UA, there's a long lineage of audio greatness on tap.

Featuring a custom-designed Fulltone Opto-1 photocell, a footswitch for hard/soft tremolo styles and oversized speed and mix knobs for easy adjustment, the Supa-Trem is a boutique tremolo emulating vintage amp tremolo. If you're looking for that classic tremolo without the hassle of buying a vintage amp, the Supa-Trem is right up your alley.

Produced from 1979 - 1992, the Boss CE-2 Chorus was the original compact chorus pedal. Thanks to its extremely durable made-in-Japan construction, many original specimens are still around and sound great. If you want a classic no-frills chorus, this is the pedal to get.

The RetroVibe from JAM Pedals is a hand built take on the legendary Univibe circuit and its unique swirling chorus-vibrato-rotary speaker effects.

The TC Electronic Corona Mini Chorus provides all of your classic chorus needs along with TC Electronic's TonePrint in an extra small enclosure. Whether you're trying to emulate classic swells to the speed-driven sounds of the Leslie, the Corona delivers in every way while saving valuable real estate on your pedal board. Additionally, the Corona features the classic SCF and Tri-Chorus engines that will fill you with more lush and complex chorus sounds than you could ever imagine.

From the Beatles to Jeff Beck, Santana to Stevie Ray, many guitar greats have incorporated the rotary speaker into their rigs. With this in mind BOSS proudly presents the RT-20 Rotary Sound Processor. Employing COSM®-modeling technology, the RT-20 authentically reproduces classic rotary-speaker sounds. It offers adjustable Rise Time, Horn and Bass speed, Overdrive, and more. And not just for classic twirl, the RT-20 can be used to create unique overdrive and pulsating effects as well.

Featuring a compact design, expansive speed controls, an acceleration knob and two-knob drive section, the Electro-Harmonix Lester K Stereo brings mammoth rotary speaker sound in a tiny package. Designed for keyboardists who want solid on-the-fly organ emulation, the Lester K is also an affordable, quick option for guitarists looking to expand their board and add organic choral presence to their playing.

Behringer has been a German professional audio equipment outfit for some time, but they didn't produce effects pedals until 2005. Their affordable line of standard effects is similar to the Boss line of stompboxes, though at entry level prices. 

Featuring the same two-knob layout of speed and depth controls and two-way chorus/vibrato switch for a world of swirling, watery textured and sound, the Way Huge WM61 Smalls Series Blue Hippo Analog Chorus Mini squeezes the original pedal's ocean of tone into a pedalboard-friendly chassis. An ideal addition for the sound experimentalists and tone sculptors, The Blue Hippo Mini covers modulated ground from lush waves of analog choral deluge to the madcap whirr of a rotary speaker with a surprising breadth of crossover.

The TC Electronic Stereo Chorus + Pitch Modulator & Flanger has a history as long as its name. For decades, this has been one of the most loved "old school" TC Electronic effects, mostly for its lush chorus sound. Eric Johnson has had one on his pedalboard for years. If you're looking to do the same, just be aware that this has its own power chord and doesn't take a 9V lead.

Featuring a nuanced fast and slow speed knob section, low/hi balance attenuation, acceleration control and a full onboard compression section, the Electro-Harmonix Lester G Deluxe Rotary Speaker turns an eight-pound guitar into a 200-pound rotary cabinet with the stomp of a switch. Convenient and intuitive while sporting one of the most authentic organ emulations in a pedal, the Lester G is tailor-made for organic organ goodness on guitar and rounded out with a tube-emulating overdrive to take a tone from flittering treble notes to a bass-laden choral blast in no time flat.

Featuring a compact chassis and streamlined design of only one rate knob, the Micro Chorus offers a durable effect perfect for the working musician. Designed with analog bucket brigade circuitry, this pedal is ideal for lo-fi, shoegaze, or indie.

The Vibe Machine V2 by Drybell is the second iteration of the brand's circuit and maintains the same optical system the original features while making some feature improvements based on five years of feedback. The pedal now features three new "set and forget" controls: chorus for adjusting the swirling character of the chorus sound and the low-end, grit for controlling the presence of the tone within your chain, and custom for trimming input impedance.

The Voodoo Lab Micro Vibe was built as a no-frills model of the original Uni-Vibe released in 1968 and made famous by Jimi Hendrix on such recordings as "Machine Gun." With only two knobs - Intensity and Speed - it's easy to dial in the level of warble or full-on Leslie effect that you want.

The Dunlop Rotovibe is a pedal like no other. Combining the vintage appeal of a rotary speaker with a chorus or tremolo effect, the JD4S provides a wealth of Hendrix-like warble with real-time control over the extend of the sound.

The DOD Stereo Chorus FX65's first series was initially produced in 1985 as an improvement upon DOD's beginner FX60 Stereo Chorus. Its analog chorus, using an MN3007 BBD chip, is controlled using Speed, Delay Time, and Depth knobs to thicken up your tone. Two output jacks give you great, subtle stereo chorus sound.

Designed to simulate the iconic Shin-Ei Uni-Vibe, the TC Electronic Viscous Vibe gives you a vibrato powerhouse in one tiny enclosure. TC Electronic was able to recreate this classic analog sound with their digital Viscous Vibe to give you Pink Floyd and Hendrix-like tones that you can dial in using the Intensity, Volume, and Speed knobs and a Chorus/Vibrato switch.

Featuring a die-hard chassis, Bucket Brigade Driver chip and independent chorus/vibrato effects, the Boss CE-1 Chorus Ensemble provides the endless warm, analog effect musicians have come to covet. Created in 1976 when Roland founded Boss and viewed as one of the progenitors of the chorus/vibrato effect, the CE-1 is a timeless original ideal for guitar, bass or keys.

The JAM Pedals Waterfall is a combination chorus and vibrato pedal that excels at a variety of modulation effects from glassy modern chorus to vintage rotating speaker tones. 

The original CS9 Stereo Chorus by Ibanez was originally manufactured in Japan in the early '80s. Their vintage, analog quality lends warmth to the tone they produce and they can produce a wide array of chorus and vibrato effects. Rich, lush undulation is made by blending the delayed signal with the dry input, creating a multiple voicing effect. Sweep speed and depth control knobs dictate the quality of your sweeps, from languid waves to rapid vibrato.

Packing room-filling sound in the smallest of deliveries, the Ibanez Chorus Mini covers a wide range of choral effects with three easy knobs for depth, level, and speed. Modeled after the beloved CS9 Chorus but built with modern manufacturing and components, the Chorus Mini adds a classic Ibanez effect to your setup without eating up board space or funds.

The Arion SCH-1 Stereo Chorus pedal creates a tasteful, smooth chorus that can range from subtle to enormous. The SCH-1 was in production in the '80s and is known for producing a fantastic faux-Leslie tone at faster settings, as well as killer vibrato and rotary effects. If you're into awesome vintage pedals that have been used by the likes of Clapton, Michael Landau, and more, check out the Arion SCH-1.

Sporting dBucket circuitry, a powerful onboard signal processor and six modulation and dynamic settings, the Strymon Old Chorus and Vibrato pairs vintage effect sensibilities with modern production for a formidable effect. Able to go from psychedelic '60s vibe to modern pulsating tremolo and anywhere in between, the Ola is one of the most powerful chorus/vibratos available on the market.

Featuring a design suited for pedalboard economy and controls for level, rate and depth, the Mooer Ensemble King is a compact chorus with a compact price to match. Built as the company's rendition of the CE-3, this pedal functions well in shoegaze, indie, or pop.

EarthQuaker Devices' new Aqueduct Vibrato is a pitch-shifting stompbox that can bring all manner of warp and wobble to your tone. The Aqueduct comes with eight different modulation settings, offering a variety of vintage-style vibrato and newer, synthier pulsations. The Envelope-Controlled Pitch mode—or, as EQD has internally nicknamed it, "the My Bloody Valentine setting"—adds a bit of chorus and flanger to vibrato-arm-like pitch shifts to approach MBV's swirling, undulating sounds.

The Sea Machine V3 Super Chorus for Ohio-based EarthQuaker Devices is a super versatile chorus circuit that allows users to dial in everything from subtle, shimmery chorus to warbly, pitch-bent, and Leslie speaker-esque rolling choruses. A great pedal for placing in front of your favorite fuzz, overdrive, or distortion stompbox, the Sea Machine promises to easily slide into any player's effects board setup. The V3 units feature updated circuitry work for lower noise, clearer sound, and a wider tonal range for every parameter.

Danelectro pedals often hold special places in players' hearts, much of the time for their great sound at such musician-friendly prices. The Danelectro Cool Cat offers a vintage chorus that can even simulate a rotating speaker when its speed knob is pushed to the max. This pedal provides a lush, thick stereo chorus with only two easy-to-use controls.

Packing the same pitch-shifting technology as the Whammy in a streamlined unit, the Digitech Luxe is the company's first autonomous polyphonic detuner. The 80s-tinged chorus-esque effects possible with this pedal make it an ideal candidate for shoegaze, dreampop, or indie.

Built with a dual-stomp design, six available chorus modes including Rich, Bass and Dimensional and a brilliance parameter for adding shimmer to your tone, the Boss CE-20 Chorus Ensemble is a tank of choral possibilities. Capable of retaining up to four user presets for summoning your favorite chorus sounds on the fly, this pedal brings a more lush ambience to dream pop, shoegaze, or post-rock.

The Source Audio Gemini Chorus stacks the choir not only with a trio of lush stereo effects, but also the technological execution under the hood this company's staked its name on. Sporting a single-voice Classic mode reminiscent of 70s choral effect, a creamy Dual mode for double voicing, and an all-out '80s Quad setting for enormous tone, this is only the opening act. Part of the Gemini series, this pedal can connect with Source Audio Neuro app for downloading an enormous library of additional effects and parameters right onboard.

With four chorus modes and a switchable filter, the Electro-Harmonix Stereo Polychorus offers up a wealth of stereo chorus effects in a single easy-to-use pedal. This classic chorus used by the likes of Kurt Cobain and Adrian Belew can go from a tunable comb filter to sweeping echo to a convincing emulation of the classic "ADT" effect.

The DigiTech Nautila Digital Chorus Flanger Pedal opens up a sea of morphing, undulating tones easily navigated through a streamlined interface and intuitive design. Choose between Chorus and Flange modes and then toggle between eight and four respective unique modes by tweaking wave shape (Drift knob) and the Voice knob, which operates as a Tone control for chorus and a Regen for the flange. Another revolutionary offering from a company that's staked its place on the vanguard of the effect world, this pedal is a welcome addition to experimental boards or a handy addition for synth fans.

The Stereo Chorus is a reissue by MXR that helps produce a powerful range of chorus effects. For everything from clean, shimmering chorus to a fat, distorted sound, all without excess noise, you can rely on the MXR Stereo Chorus. With two EQ knobs for shaping treble and bass of the modulated frequencies and three knobs for chorus modulation (Intensity, Width, and Rate) you can build any chorus sound you could imagine.

The Ibanez CF7 Chorus/Flanger Pedal combines the rough-and-tumble Tone-Lok series chassis with a wide spread of effect possibilities to traverse. Featuring controls for Speed, Depth, Delay Time, and Regen, the CF7 can niftily lock in your preferred parameters to avoid setting snafus on stage. Everything from warm, vintage choral effects and morphing flange are available with a Krazy switch to push your tone into synth-esque territory for totally new sounds.

Featuring a mode knob with six separate chorus types and controls for speed, level and depth, the CR-7 Stereo Chorus covers a wide spectrum of sound in the sturdy Hardwire Stomplock chassis. From a vintage surf tone to a modern choral effect, this pedal is a great choice for shoegaze, indie, or psychedelia.

The Electro-Harmonix Nano Clone lets you add some dimension and shimmer to your sound without needing a whole lot of space on your pedal board. Taking the same tech as the legendary Small Clone and shrinking it down to a bite-sized package with a sole rate control, the Nano Clone is sure to please your ears and and your wallet just the same.

This simple analog chorus pedal by Boss, made popular in the '80s, comes with the "Dimension" chorus effect. This effect creates a sense of thickness, depth, and width that creates a sort of 3D effect. This pedal was sold only from 1985 to 1989 and has been discontinued. The DC-2 is now rather rare, but one of these chorus effects pedals would be a fantastic addition to pedalboard.

Designed in collaboration with Ryan Adams, the JHS VCR combines volume, chorus, and reverb circuits in one decidedly retro box. This pedal features individual toggles for each effect with a master on/off to engage all three. With its '80s-tinged chorus and classic hall reverb, the JHS VCR is an instant ticket to the sounds of The Smiths, The Cure, and of course, Ryan Adams albums like Love Is Hell, Prisoner, and his self-titled release from 2014.

The Keeley Seafoam Plus Chorus expands on the lush, organic tone of the original with reconceived circuitry and two new modes for an even wider swath of functionality. Starting off with the Seafoam mode, you get big, warm BBD vintage-style chorus that fills a room with ease. Taking it even further, the Plus offers three-way switching with new Dual Chorus and ADT modes perfect not only for guitar, but bass and keys as well.

The DOD FX-64 Ice Box Chorus packs room-filling stereo goodness in a compact box with a few nifty tricks to take your sound even further. The first thing you'll notice are the standard, easy-to-use controls for level, speed, and depth to achieve lush, swirling sounds perfect for establishing the foundation of a soundscape. Built with a Stereo Out for even larger sound, the Ice Box also sports a Hi EQ knob to emphasize glassy, haunting chorus or add a low, subtle presence to your rig.

The Fulltone Mini Deja Vibe is an exact copy of the classic Univibe chorus/vibrato effect made famous by Jimi Hendrix on tracks like "Machine Gun." A toggle switch allows Vintage or Modern (higher output) modes.

The TC Electronic Afterglow Chorus Pedal basks in the glory of decades of choral effects all built into one box with an all-analog signal path and throwback design. Built with a real bucket brigade device (BBD) to elicit the warmth and organic presence that defined choruses of yesteryear, the Afterglow employs three knobs for rate, depth, and mix to traipse from a poppy touch to a pulsing rotary to a maximal '80s-style effect. Part of the Smorgasbord of Tone series, this pedal offers a high-quality effect experience at a price that won't strain your wallet.

Featuring controls for depth and rate and three switchable modes including two types of chorus and a vibrato, the Electro-Harmonix Clone Theory provides a wide array of effect options in a compact package. Bringing all of the capabilities of the original Clone Theory in EHX's updated XO chassis, this effect goes easy on your wallet and your pedalboard space. Perfect for garage, psychedelia, or dream pop.

Bringing together high and low cut knobs for precision tonal shaping ability, intuitive rate, level, and depth knobs, and a stereo build all within a slick brushed metal chassis, the MXR ZW-38 Black Label Chorus captures Zakk Wylde's monstrous tone in a box. Built on an analog design with warm, organic bucket brigade circuitry, this effect is the key ingredient to unlock room-filling presence during solos or adding a fat presence to rhythm sections and cleans. When you need a choral effect wild enough for Black Label Society, the ZW-38 gets the job done in spades.

The Boss DC-3 Digital Dimension Chorus brings spacey, organic choral sounds of the '80s in a through a four-knob control layout of E. Level, EQ, Rate, and Depth, all digital circuitry for more precise effects emulation, and a sampling rate of 50kHz. Departing from its predecessor, the DC-2, by incorporating digital as opposed to analog circuitry, this model's spatial angle in its effect is perfect for post-rock, grunge, or psych.

The Fulltone MDV-3 Mini Deja Vibe pedal, the company's third iteration of the classic Uni-Vibe circuit, gives you luscious modulation sounds in a smaller enclosure than your standard wah pedal. For this Custom Shop pedal, Fulltone went so far as to manufacture their own potentiometer for the speed control and '60s style photo-cell to get authentic action out of the MDV-3. In addition to offering better slow speed tones and higher headroom than the original Uni-Vibe, a "Vintage/Modern" switch on the side of the Mini Deja Vibe 3 gives you different voicings to make for one of the most versatile 'vibe pedals on the market.