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When it comes to wah, the Dunlop Cry Baby is one of the founding fathers. Rugged, classic and reliable, the Cry Baby Wah can add instant emotion, funk or sensuality to anything you play. Stomp on it for the first time and say goodbye to the next couple hours with a smile on your face.

Now in it's fifth generation, DigiTech's whammy pedal allows easy pitch bending over notes or entire chords. Countless players have used various Whammys over the years including Rage Against the Machine's Tom Morello, Radiohead's Johnny Greenwood, and Pantera's Dimebag Darrell.

Classic analog filter pedals for bass may be harder to come by than their guitar-oriented counterparts - but the MXR Bass Envelope Filter is here to fill that gap. Dry and Effect controls help you dial in your desired mix of affected and unaffected signals, and you can shape those filters using the Decay and Q controls. Sleek and intuitive in the small classic MXR housing, the MXR Bass Envelope Filter will help you add the subtlest of filters or totally bring the funk.

Featuring Low, Vintage, and GCB95 wah settings selectable via side switch and an ultra-compact design, the Dunlop CBM95 Mini Cry Baby brings classic wah tone in the smallest package on the market. Capable of fitting onto even the most crowded boards, the Mini Cry Baby is ideal for conserving board real estate or acting as a backup when out at a gig.

The Dunlop 535Q Cry Baby Multi-Wah takes a legendary wah-wah pedal and tosses it straight to the top of the heap. Dial in your desired center frequency, then tighten or widen the bandwidth with the "Q" control to find your signature sound. Need a boost? No problemo. A handy volume control gives you a gain range of up to +16dB to hit your amp a little harder and dig in deep for sweeping solos. Compare prices on new & used 535Q wah pedals on Reverb today for the best deals.

Featuring internal Q and gain trim pots, dual high-end/low-mid Fasel inductors for distinctive wah flavorings, and a built-in Boost/Line Driver for more muscle to the sweep when wanted, the Dunlop MC404 CAE Wah is built to go above and beyond the call of duty. Designed in tandem with Bob Bradshaw of Custom Audio Electronics, this unit's boutique appointments and construction summon consistent, point-on sound year after year.

Essentially an octave, fuzz, and envelope filter all in one, the Electro-Harmonix Bass Micro Synth sports ten sliders for a virtually limitless array of analog synth sounds. The pedal has four voices (Guitar, Octave, Sub-Octave, and Square-Wave), each of which can be completely independent or fully mixed. Create tones ranging from the sounds of vintage Moog synths to wilder, more modern sounds with the Electro-Harmonix Bass Micro Synth pedal.

Featuring a rugged chassis, controls for tone, volume and gain plus the unit's own built-in speaker and amp driver, the MXR Talk Box pairs modern appointments with one of guitar's most iconic effects. Heard on countless recordings ranging from Daft Punk to Frampton to Metallica, this pedal brings a completely new facet of expression to any board.

If you're looking for classic, authentic wah sounds, look no further than the Vox V847A Wah. Built to the exact specifications of the original 1960s model, the V847A is a renowned pedal used by the likes of Hendrix and Page.

The Boss AW-3 Dynamic Wah includes multiple settings for classic wah sounds, auto-wah and human vowel sounds. With four adjustable controls, a wide array of tones can be shaped, including tempo, decay and range.

The Electro-Harmonix Q-Tron Plus takes all the tone and function of the standard Q-Tron pedal and adds a handy FX loop and switchable attack response. Use the loop to place other effects in between the preamp and filter, and the attack control adds a slower and smoother ramp up for vowel-like sounds in addition to the standard Q-Tron's fast, biting response. Grab an EHX Q-Tron Plus today and bring the funk.

Vintage voiced wah, handbuilt with premium components, including the coveted red Fasel inductor. The Plus model features a six-position rotary pot to control the frequency range of the sweep. 

The Electro-Harmonix Micro Q-Tron is an easy-to-use envelope filter pedal that'll have you feeling like the Lord of Funk. An internal envelope follower analyzes the volume and dynamics of your playing to sweep the center of the filter for a wah-like tone that changes as you play. Three simple controls at the top of the pedal set the filter mode, the bandwidth of the filter, and the amount of drive going in. Experiment with the funky vintage sounds of the Micro Q-Tron and you'll never want it to leave your pedalboard.

The Bass Mono Synth from Electro-Harmonix is a bass-specific pedal designed to transform your signal into eleven distinct synthesizers styles. Each of these synths is tweakable via a sensitivity knob along with a CTRL knob that alters a set parameter for each mode. The Bass Mono Synth tracks exceptionally well and is an ideal option for bassists who need to handle a synth part in a cover band, or just those tired of the same old four-string timbres.

Featuring controls for sensitivity, control and range and seven different bass-oriented filters including sub-octave and envelope, the Digitech Bass Synth Wah is a versatile funk machine. Capable of summoning classic Bootsy sounds and even used on Daft Punk's "Human After All," this pedal is perfect for adding experimental new facets to your pedalboard at an attractive price.

Sporting a two-band EQ, variable Q control and a versatile bias knob to drive the signal from vintage warmth to modern growl, the Xotic XW-1 wah provides classic tone with modern functionality. Packing precise tone-shaping controls into a housing 20% smaller than the average wah, this pedal can cover everything from classic Clyde McCoy tones for psychedelic rock to cutting-edge funk and metal, all while saving you space on your pedal board.

The Dunlop GCB-95F Cry Baby Classic Fasel uses an Italian-made fasel inductor based on the original version of the Cry Baby wah pedal. It features the same rocker pedal enclosure as the regular Cry Baby.

The Dunlop 105Q Bass Cry Baby is a wah pedal made specifically for bass players. It only applies the wah effect to the mid and high frequencies, and features separate Q and Volume controls.

The EarthQuaker Devices Spatial Delivery is a powerful voltage-controlled envelope filter wrapped in a small enclosure. It has three modes: upsweep, downsweep, and the unique sample and hold function similar to the infamous Maestro Sample & Hold stompbox, which randomizes the voltage filter producing a drippy, almost ringmod-like effect. Perfect for auto-wah lovers and fantastic either by itself or with a drive, the EQD Spatial Delivery is hard to beat for filter fanatics and sonic experimenters.

The X-Series DigiTech Synth Wah Envelope Filter is considered by many to be an industry standard in adding spice to a riff. This Synth Wah pedal offers 7 different synth effects including envelope filters, synth tones, filter sweeps, and more. For a sound as unique as you are, grab one of these pedals and play around a little to find something unquestionably you.

The award-winning Moog MF-101 Low Pass Filter is a successor to the original modular Moog synths, containing two modular functions: voltage-controlled low pass filter and an envelope follower. Use the MF-101 to create dynamic-controlled filter sweeps for your guitar, bass, keys, or essentially any instrument that can be plugged in. You can even choose between brighter 2-pole filter frequency and the deeper 4-pole - the MF-101 tries to give you as many options as possible in building your tone.

Designed in conjunction with Dimebag Darrell himself, the Dunlop DB-01 Cry Baby From Hell pays homage to the legendary guitarist. This incredibly versatile, robust wah sports a super-wide sweep range that can be fine-tuned with a knob on the side of the pedal. It's even got a 6-way range selector with additional volume boost that you can kick on with ease, and LED indicators to top it all off, so you know whether it's the wah or boost that's on. This wah lives up to its namesake in terms of rockin' power.

Electro-Harmonix packs a plethora of sound-shaping possibilities into a small space with the Cock Fight Talking Wah & Fuzz stompbox. Set the filter frequency halfway up its travel for a classic "cocked" wah sound, flip the switch to "Talk" for a vocoder-like speech effect, and fuzz the whole thing up with signature EHX gain and sustain. For more on-the-fly control, patch your favorite expression pedal into the party and step into a whole range of tones not typically available in one effect.

Bringing together features like a Q control for specific bandpasses, four different frequency sweeps for a range of tone, and an onboard boost switch, the Dunlop CBM535Q Cry Baby Mini Wah delivers a full wah experience in a chassis half the size of the original. Achieve the full, authentic flavor that made the wah a staple effect in rock and funk setups across decades in a new build that allows players to maximize pedalboard real estate without sacrificing tone.

The Ibanez WD7 Weeping Demon Wah is a member of the Tone-Lok Series and lives up to its name, producing wailing wahs straight from a demon's mouth. It comes with special features like the ability to switch between spring and normal footboard action, a tweakable wah range, and other fine-tuning controls to get the special sound you're looking for. With its "set and forget" Push-Lok rotary pots, you can press the knob down and not have to worry about losing your settings. Hi-fidelty, highly rugged, and highly affordable, the WD7 Weeping Demon has it all.

The Boss AC-2 Acoustic Simulator can take your electric guitar signal and model several different types of acoustic guitar tones, including jumbo, standard, piezo pickup-equipped and even some tones an acoustic couldn't naturally get. It might not be the real thing, but it's a good substitute for amateurs playing out at the bars who don't want to bring an acoustic with.

Sporting the iconic black powdercoat chassis, durable metal housing, and and straightforward design, the Vox V845 Classic Wah channels the origins of a legendary effect into a modern pedal. Easy to use, this iteration of the wah also features adaptability with AC power so you don't have to keep burning through batteries. Whether you're new to the world of wah or looking to re-up on a classic, the V845 is the place to go.

Bold and snarling, the Dunlop KH95 Kirk Hammett Cry Baby Wah features exact replications of the Metallica axeman's EQ, volume, and tone settings along with a wicked design for one bad pedal. Capable of sending your tone to the Sandman or looking for an extra bit of filtered Fuel for your rig, the KH95 finds itself at home in any rig searching for that signature Metallica sound.

Highly sensitive and reactive, the DOD Envelope Filter 440 Reissue is designed to give you a wide, sweepable range of control over your filter. Simple Level and Range controls give you the ability to choose your envelope's sensitivity and the frequency range of your envelope's sweep. And with an UP mode that'll give you a classic, resonant filter for guitarists and a DOWN setting for basses who like a little boom, the Envelope Filter 440 has a little something for everyone.

Crafted with features like functionality with any instrument with a 1/4" output like guitar, bass, and keys, controls for level/blend, tone, and color, and four unique modes like electro-synth laden Vintage, harmonically rich choir, and iconic Talk Box, the Boss VO-1 Vocoder takes a legendary '80s effect and places it in the easy-to-use pedal format.

Featuring custom pots, expansive frequency sweet and a high Q inductor, the Dunlop EVH Signature Wah captures the guitarist's tone for the working guitarist. Striking in both appearance and sound, this effect is perfect for covering Van Halen, playing heavy metal, or incorporating a signature sound into your rig.

Featuring a wah intensity control, volume boost and Dunlop's Auto-Return technology, the 95Q Cry Baby Wah is a versatile pedal that provides far more functionality than your typical wah. A staple of any working musician's pedalboard, this effect is an ideal choice for funk, soul, rock, and even metal.

Sturdily constructed and encased in a sleek chrome chassis, the Dunlop John Petrucci Signature JP95 Cry Baby is a wah that will last you a lifetime. While certain wahs may be limited in their range, the JP95 doesn't suffer from that affliction; the lows on this wah are almost synth-like, and the highs are smooth without being piercing. The entire range of the pedal's big, throaty curve is useable. And with cool blue LED indicators, you'll have no doubt about when the JP95 is on and ready to sing.

Boasting two filters in one compact pedal, the Aguilar Filter Twin dual envelope filter will give you both iconic '70s funk sounds and entirely original tones. Its two filters sweep simultaneously in opposite directions, one up and one down, for an incredibly expressive filter pedal. And with a simple layout featuring blend, threshold, and two velocity knobs, the Filter Twin is a breeze to play with.

This analog envelope filter pedal, first made in 1972, is one of the greats. Used by Jerry Garcia, Bootsy Collins, Stevie Wonder, and a whole host of talented musicians, the Mu-Tron III allows for low-pass, bandpass, and high-pass filter responses. Whatever instrument you choose to throw at the Mu-Tron III, it'll take and produce a glorious array of tones.

Featuring a manual control for the frequency of the wah modulation along with nuanced depth and sens controls for an effect that truly responds to playing, the Boss AW-2 Auto Wah pairs funky envelope sounds with Boss construction and reliability. The heir to the popular TW-1 when it was discontinued, the AW-2 is a sure shot for funk, classic, or blues.

This pedal by Fulltone has everything players know and love about the Fulltone Clyde Standard but with a few extra perks. The Clyde Deluxe Wah has a ten-step variable input level control, true bypass, and three selectable modes: Wacked, Jimi, and Shaft. This 3-way mode switch and input control will let you create almost any wah sound you can possibly imagine - from subtle to funky to extremely gritty, do it all with the Fulltone Clyde Deluxe Wah.

The Line 6 FM4 Filter Modeler is a filter workstation with over 13 iconic and experimental modes, including classic synth and auto-wath emulations. If you're a fan of Frank Zappa, Ernie Isley, Peter Frampton or Robert Fripp, this might be a pedal worth exploring. Pick one up and get weird.

The Electro-Harmonix Crying Tone Wah is a rocker wah pedal that allows for free expression with no moving parts. It is turned on and off by tilting the front of the pedal past the flat position, and features buffered bypass when not engaged.

The Electro-Harmonix Bassballs Nano is an ultra-compact version of the classic bass envelope filter from the 1970s. Sonically identical to the regular Bassballs, the Nano version is just a smaller enclosure for smaller pedalboards. Two sweeping filters dynamically adapt to each note you play, producing vowel sounds that are perfect for funk bass. Need some extra dirt and sustain for a solo section? Flip on the fuzz circuit and have at it.

The Boss PW-10 V-Wah offers a classic effect in a virtual package that's packed to the gills with features guitarists love. Built on the foundation of COSM virtual modeling technology, the PW-10 offers six unique wah settings like Double Resonance, Uni-V, and a Voice setting which sounds like a wah fed through a talk box. Want to set your own tone? Tap into the onboard three preset memory bank for dialing in a tone and have it saved to summon on the fly.

Housed in a sturdy chassis and featuring controls for blend, sensitivity and range, the DOD FX25B is a versatile envelope filter that adds new dimension to any pedalboard. A known favorite of guitarists such as Bootsy Collins and Wes Borland, this effect is well-suited for funk, prog, or metal.

Crafted with a nine-band sweepable range section for fine-tuning the wah's character, separate low and mid EQ knobs for tailoring the lower tonal presence, and an onboard volume boost, the Real McCoy Custom RMC3FL stands as one of the most tweakable wahs on the markets. For those dismayed by only having a volume and Q knob on their wah, the RMCFL allows players hours of dialing in unique sounds not found elsewhere in the pedal kingdom.

In order to bring you a wah pedal that will last for years, AMT Electronics create the WH-1 Japanese Girl Optical Wah. With optical control, you don't have to worry about the wear and tear done to your control potentiometer, so you can wah just as much as you want. The WH-1 comes with a switchable bandpass via a three-way toggle switch at 0.2-1kHz, 0.3-1.5kHz, and 0.4-2kHz, and its small size guarantees that it will fit on any pedalboard.

The Electro-Harmonix Wailer Wah takes the circuitry and tone of the Crying Tone wah and tucks it into a lightweight rack-and-pinion enclosure at an affordable price. This expressive wah nails the classic "cocked wah" sounds and offers a wide sweep, and also features true bypass to leave your tone as clean as can be when the pedal's not in use.

Built with a raw metal casing and high-gain specifications laid out by Zakk himself, the Dunlop Zakk Wylde Cry Baby is one of the most metal wahs on the market. Built to send a guitar into screaming wails that cut easily through any mix, this Cry Baby allows anyone to grab a piece of the Wylde signature sound.

Featuring the same rocker as a standard Whammy with the ability to parse whammy and wah sounds through 29 presets, the Digitech XP-100 Whammy Wah is an iconic experimental Digitech effect of the '90s. Discontinued for years, these older pedals are rare and collectible, perfect for the Digitech enthusiast or for a different take on the Whammy.

Manufactured in the '70s, the Thomas Organ Cry Baby 95 is a vocal vintage wah that can give you organic, classic tones. These Cry Baby models were produced pre-Dunlop and, though it's difficult to find one without some kind of cosmetic wear, it's with good reason: these wahs are well-loved.

Featuring a streamlined interface of peak and sensitivity controls and a drive switch for more or less boost, the Boss TW-1 Touch Wah brings an automatic filtered funk to any board. One of the original fixed wah pedals produced in the '80s and one of the earliest pedals Boss ever produced, the Touch Wah adds an authentic vintage component to a rig and is built to perform even decades after it was made.

Featuring a mids-focused coil inductor, hard-wire bypass and grounded plane board, the Budda Wah emulates the vocality of vintage wahs in a sturdy, updated chassis. Built with modern technology and a classic soul, this effect is a perfect addition for the working blues or rock guitarist.

Talk boxes can sometimes be risky and unpredictable, but not the Rocktron Banshee Talk Box. With its own self-contained preamp, amplifier, and horn drive, the Banshee can be plugged in with the typical talk box tubing run up the mic stand to blow through without the possibility of blowing up your amp. An immense variety of amp tones and gain levels can be controlled with Gain, Tone, and Output knobs, but high-gain, banshee-like screaming is its specialty.

Featuring traditional knobs for level and distortion as well as two unique controls for Contour and Punch, the Boss XT-2 Xtortion provides traditional overdrive and distortion effects with the option for more experimentation on the table. From a bluesy drive to a crunchy distortion to an industrial screech, this pedal is an ideal addition for metal, doom, or post rock.

The Dunlop Joe Bonamassa Signature Cry Baby Wah was specially designed by the folks at Dunlop with Bonamassa himself to fit in with his signature sound and aesthetic. Classy copper and a smooth, black body bring a vintage feel to the pedal's exterior, while its Halo inductor for extra harmonics and vintage-style thru-hole components complete the package, giving you a wah pedal that has a huge vocal sweep range for the ultimate, soulful expressiveness.

The Dunlop HT-1 Heil Talk Box is a prominent effect used by Peter Frampton, Aerosmith, Joe Walsh and more -- unique in both its sound and function. Rather than being connected alongside the rest of your pedal chain, hook up the Talk Box between the speaker output of your amplifier and the input of the cabinet. A small speaker within the HT-1's metal enclosure will shoot your signal up the supplied tube which goes into your mouth near the vocal microphone. As you play, moving your mouth into various shapes will produce distinctive "talking" effects in a way far more expressive than the emulation pedals could ever dream of.

Oh, sweet child o' mine, have we got the wah for you! The Dunlop SW95 Slash Signature Cry Baby is closely modeled after the famed Guns N' Roses guitar slinger's iconic wah-wah sound. Sweep through classic Fasel tones and kick it up a notch with the onboard high-gain distortion to blow the top hat off your head with an immediately recognizable voice that you thought could only come from Slash. Shop Reverb for the best deals on new & used SW95 wah pedals today.

The Morley Power Wah Fuzz PWF combined their standard Power Wah unit was a fuzz circuit reminiscent of a Fuzzrite. It included tone and intensity controls for the fuzz circuit.

Years of Production: 1969 - 1984

The RMC10 Perfect 10 features an RMC-ICAR potentiometer, Metal Can inductor, and a double-clad circuit board.

Giving new life to the beloved V846 wah pedal, the Vox V846HW updates a classic with its hand-wired, top-tier build. Bringing on the vintage tones of old-school wahs, the V846HW contains carefully-chosen components to update the pedal, like new inductors, resistors, capacitors, even covering the potentiometer. True bypass is another modern update, giving you the chance to preserve your tone perfectly when you're not using your V846HW.

When he needs to cut through a raging mix, Tom Morello deploys his trusted Cry Baby Wah. The TBM95 is his signature model, made by Dunlop to match the aggressive bite of its GCB95. With a red-hot paint job, the pedal looks as loud as it barks, and features stenciled slogans that can propel you and your listeners into action: "Sometimes history needs a push."

This wah pedal by Dunlop bears the name of one of the most famous wah-users in history: Jimi Hendrix. The Dunlop JH-1 Jimi Hendrix Wah reproduces the timbres made famous by Hendrix in the '60s in its throwback-styled pedal. Recreate Hendrix classics from "Voodoo Chile (Slight Return)" to "Still Raining, Still Dreaming" and everything in between.