Best Sellers

When it comes to wah, the Dunlop Cry Baby is one of the founding fathers. Rugged, classic and reliable, the Cry Baby Wah can add instant emotion, funk or sensuality to anything you play. Stomp on it for the first time and say goodbye to the next couple hours with a smile on your face.

The Electro-Harmonix Micro Q-Tron is an easy-to-use envelope filter pedal that'll have you feeling like the Lord of Funk. An internal envelope follower analyzes the volume and dynamics of your playing to sweep the center of the filter for a wah-like tone that changes as you play. Three simple controls at the top of the pedal set the filter mode, the bandwidth of the filter, and the amount of drive going in. Experiment with the funky vintage sounds of the Micro Q-Tron and you'll never want it to leave your pedalboard.

Now in it's fifth generation, DigiTech's whammy pedal allows easy pitch bending over notes or entire chords. Countless players have used various Whammys over the years including Rage Against the Machine's Tom Morello, Radiohead's Johnny Greenwood, and Pantera's Dimebag Darrell.

Featuring Low, Vintage, and GCB95 wah settings selectable via side switch and an ultra-compact design, the Dunlop CBM95 Mini Cry Baby brings classic wah tone in the smallest package on the market. Capable of fitting onto even the most crowded boards, the Mini Cry Baby is ideal for conserving board real estate or acting as a backup when out at a gig.

The Electro-Harmonix Q-Tron Plus takes all the tone and function of the standard Q-Tron pedal and adds a handy FX loop and switchable attack response. Use the loop to place other effects in between the preamp and filter, and the attack control adds a slower and smoother ramp up for vowel-like sounds in addition to the standard Q-Tron's fast, biting response. Grab an EHX Q-Tron Plus today and bring the funk.

If you're looking for classic, authentic wah sounds, look no further than the Vox V847A Wah. Built to the exact specifications of the original 1960s model, the V847A is a renowned pedal used by the likes of Hendrix and Page.

Featuring a rugged chassis, controls for tone, volume and gain plus the unit's own built-in speaker and amp driver, the MXR Talk Box pairs modern appointments with one of guitar's most iconic effects. Heard on countless recordings ranging from Daft Punk to Frampton to Metallica, this pedal brings a completely new facet of expression to any board.

The Dunlop 535Q Cry Baby Multi-Wah takes a legendary wah-wah pedal and tosses it straight to the top of the heap. Dial in your desired center frequency, then tighten or widen the bandwidth with the "Q" control to find your signature sound. Need a boost? No problemo. A handy volume control gives you a gain range of up to +16dB to hit your amp a little harder and dig in deep for sweeping solos. Compare prices on new & used 535Q wah pedals on Reverb today for the best deals.

Classic analog filter pedals for bass may be harder to come by than their guitar-oriented counterparts - but the MXR Bass Envelope Filter is here to fill that gap. Dry and Effect controls help you dial in your desired mix of affected and unaffected signals, and you can shape those filters using the Decay and Q controls. Sleek and intuitive in the small classic MXR housing, the MXR Bass Envelope Filter will help you add the subtlest of filters or totally bring the funk.

The Bass Mono Synth from Electro-Harmonix is a bass-specific pedal designed to transform your signal into eleven distinct synthesizers styles. Each of these synths is tweakable via a sensitivity knob along with a CTRL knob that alters a set parameter for each mode. The Bass Mono Synth tracks exceptionally well and is an ideal option for bassists who need to handle a synth part in a cover band, or just those tired of the same old four-string timbres.

The Boss AW-3 Dynamic Wah includes multiple settings for classic wah sounds, auto-wah and human vowel sounds. With four adjustable controls, a wide array of tones can be shaped, including tempo, decay and range.

Sporting a two-band EQ, variable Q control and a versatile bias knob to drive the signal from vintage warmth to modern growl, the Xotic XW-1 wah provides classic tone with modern functionality. Packing precise tone-shaping controls into a housing 20% smaller than the average wah, this pedal can cover everything from classic Clyde McCoy tones for psychedelic rock to cutting-edge funk and metal, all while saving you space on your pedal board.

Electro-Harmonix packs a plethora of sound-shaping possibilities into a small space with the Cock Fight Talking Wah & Fuzz stompbox. Set the filter frequency halfway up its travel for a classic "cocked" wah sound, flip the switch to "Talk" for a vocoder-like speech effect, and fuzz the whole thing up with signature EHX gain and sustain. For more on-the-fly control, patch your favorite expression pedal into the party and step into a whole range of tones not typically available in one effect.

Featuring internal Q and gain trim pots, dual high-end/low-mid Fasel inductors for distinctive wah flavorings, and a built-in Boost/Line Driver for more muscle to the sweep when wanted, the Dunlop MC404 CAE Wah is built to go above and beyond the call of duty. Designed in tandem with Bob Bradshaw of Custom Audio Electronics, this unit's boutique appointments and construction summon consistent, point-on sound year after year.

Bringing together features like a Q control for specific bandpasses, four different frequency sweeps for a range of tone, and an onboard boost switch, the Dunlop CBM535Q Cry Baby Mini Wah delivers a full wah experience in a chassis half the size of the original. Achieve the full, authentic flavor that made the wah a staple effect in rock and funk setups across decades in a new build that allows players to maximize pedalboard real estate without sacrificing tone.

Essentially an octave, fuzz, and envelope filter all in one, the Electro-Harmonix Bass Micro Synth sports ten sliders for a virtually limitless array of analog synth sounds. The pedal has four voices (Guitar, Octave, Sub-Octave, and Square-Wave), each of which can be completely independent or fully mixed. Create tones ranging from the sounds of vintage Moog synths to wilder, more modern sounds with the Electro-Harmonix Bass Micro Synth pedal.

The Dunlop GCB-95F Cry Baby Classic Fasel uses an Italian-made fasel inductor based on the original version of the Cry Baby wah pedal. It features the same rocker pedal enclosure as the regular Cry Baby.

Sporting the iconic black powdercoat chassis, durable metal housing, and and straightforward design, the Vox V845 Classic Wah channels the origins of a legendary effect into a modern pedal. Easy to use, this iteration of the wah also features adaptability with AC power so you don't have to keep burning through batteries. Whether you're new to the world of wah or looking to re-up on a classic, the V845 is the place to go.

Highly sensitive and reactive, the DOD Envelope Filter 440 Reissue is designed to give you a wide, sweepable range of control over your filter. Simple Level and Range controls give you the ability to choose your envelope's sensitivity and the frequency range of your envelope's sweep. And with an UP mode that'll give you a classic, resonant filter for guitarists and a DOWN setting for basses who like a little boom, the Envelope Filter 440 has a little something for everyone.

The Electro-Harmonix Bassballs Nano is an ultra-compact version of the classic bass envelope filter from the 1970s. Sonically identical to the regular Bassballs, the Nano version is just a smaller enclosure for smaller pedalboards. Two sweeping filters dynamically adapt to each note you play, producing vowel sounds that are perfect for funk bass. Need some extra dirt and sustain for a solo section? Flip on the fuzz circuit and have at it.