Best Sellers

The Fender Rumble 40 bass combo amp is a compact solution for practice or small gigs, and a fantastic option for players of any skill level. This small 40-watt combo puts out impressive bottom end from its single 10" speaker, and with switchable voices and selectable overdrive circuit for rock'n'roll crunch, there's a wealth of sounds available at the turn of a knob or push of a button.

Featuring a contoured bass boost, 100 watts of pure low-end power, and an onboard gain control, the Fender Rumble 100 Bass Combo is built for heavy-duty playing on stage or in practice. Far more than just a meathead, nuanced controls like bright and vintage-voiced amp modes here provide added versatility and an easy avenue to diversifying your sound.

The Fender Rumble 25 bass amp is a great choice for practice and even home studio recording, with a beefy low-end (they don't call it "Rumble" for no reason...) and a headphone jack for silent practice. A specially-designed Jensen speaker and newly designed power amp put out some serious bass, even though the amp itself is rather compact and light-weight. Switch on the special overdrive channel for grinding distorted tones that rock with the best of them, and and jam along to your favorite songs on your MP3 player or laptop using the aux input to really nail down those difficult parts.

The Fender Rumble 500 2x10 Bass Combo answers the call for a lightweight, gig-ready amp that doesn't skimp on power or tone. Built with a pair of 10" Eminence speakers, the Rumble 500, as the name suggests, pumps out 500 watts of pure sound in a package that clocks in at a portable 36.5 pounds. Looking onboard, you get the power of an onboard overdrive circuit with separate gain control, four-band EQ with dedicated low and high mid knobs, and a compression horn to always have your tone dialed in.

The Aguilar Tone Hammer 500 Head expands on the popular Aguilar Tone Hammer pedal, shaping it into 500w bass head form. Four pounds of versatile, solid state tone with a three-band EQ and a Drive control to add flavor to your harmonics and won't put a strain on bass players on the move.

The Tech 21 SansAmp RBI Rackmount Bass Preamp packs the power of one of the company's most popular pedals in a convenient rackmount chassis with a new armada of features. Built with all-analog components, the RBI sports 50/50 effects loop, dedicated Mid control, and an XLR output control for maximal performance when going through a PA system. If you're after streamlining your live setup and traveling light, the SansAmp RBI is right up your alley.

Crafted with features like a full, responsive three-band EQ, active and passive operation, and a Class D power rating operating at a hefty 500 watts, the Orange Terror Bass Head BT500H brings together an easy to transport size along with the earth-shaking tone you know and love from Orange. Fashioned in a lunchbox design to fit in even the most packed touring van, the 12AX7-based preamp blasts the big, mean sound that's kept players coming back to this company for decades.

For those after aggressive sound that plays well in an apartment, the Ampeg Micro-CL Mini Bass Stack delivers signature SVT bite without fear of noise complaints. 100 watts of solid state power and nifty onboard features like an FX loop, three-band EQ, and dual inputs with an option for -15dB to tame hot signals are all housed in a package about the size of a slim bookcase.

The Darkglass Electronics Microtubes 900 V2 900-Watt Bass Head builds on the success of the company's flagship amp with the same pristine power and even more tone-shaping features. An amp just over six pounds gets you 900 watts of class D power and studio- and stage-ready features like the Microtubes distortion/OD engine, a six-band graphic EQ, VCA compressor, and IR cab simulators to afford players a world of tone-shaping options.

The Fender Musicmaster Bass Amp is a 1970s silverface combo amp designed to pair with the student-level Musicmaster bass guitars of the day. As simple as can be, with just a volume and tone control for treble frequencies, the Musicmaster Bass Amp makes a fine home practice amp if you're in need of some good amount of fuzzy vintage tones. These also make for great little recording amps for electric guitar, giving a unique texture that other small silverface amps don't offer.

Packing features like a built-in compressor with dedicated controls, ultra hi/lo boost buttons, midrange controls with a five-position frequency selector, and pre and post EQ control, the Ampeg PF-500 Portaflex 500W Bass Amp Head offers a dizzying array of features in one of the most compact heads on the market. A tiny titan, the MOSFET preamp and Class D power section in this model push up to 500 watts of solid state power for possibly the most powerful 11 lbs of bass-centric amplification on the market.

The Fender Rumble 200 combo is a large-yet-lightweight bass amp with a big, fat sound, plenty of power for the stage, and handy features for practice. A single 15" speaker booms around the room with thunderous low-end (they don't call it "Rumble" for no reason...), and your sound can be precisely shaped with the 4-band EQ section and overdrive switch. When it's time for practice, connect your MP3 player/smartphone/laptop/drum machine to the aux input to jam along, even plug in your favorite headphones for late night woodshedding.

The Fender Rumble 15 Combo makes jamming or practice or kicking out a show an easy affair with features like easy portability, three-band EQ, and special design 8" Fender speaker. Designed for ease of use whether you're slapping the four-string in a solo sesh or getting together for an impromptu groove fest, this little beast pumps classic Fender tone with an attractive price tag to sweeten the deal.

The Tone Hammer 350 Head is a compact solid state bass head designed as an a financially accessible and portable alternative to the company's more expensive models.

Features: Class D power section, 350w power, solid state preamp, treble, mid-level and bass EQ, pre/post button

Combining features like active EQ, 700 watts of solid state power, and company standards like contour and voicing, the Gallien-Krueger 1001RB-II 700/50W Biamp Bass Head is a lightweight workhorse ready for practice or the stage.

• Power: 700W solid state with 50W horn


• Inputs/Outputs: One instrument input, two speakON, two 1/4", one XLR, one tuner outputs


• Onboard Effects: Four-band active EQ, contour, presence, and four- or five-string voice controls, Gate Valve Induced Effect boost (GIVE)


• Other Features: Effects loop, level, ground lift, and pre/post XLR controls

Orange's OB1-500 is a 2U 19" rackmountable bass head with 500-watts of Class A/B power. The instrument input is switchable for active and passive instruments, and the signal is split between a clean path and a more driven harmonic path which can be blended together for a composite sound.

A 300W version (OB1-300) is also available.

If you want to channel the legendary growl and bite of the SVT series into a package made for lower volumes, look no further than the Ampeg Classic MICRO-VR 200W Bass Amp Head. Real Ampeg snarl comes accompanied by a three-band EQ with Ultra Mid control and balanced line out with pre/post options and a 15dB pad, all well-suited for recording applications and smaller gigs.

The Mesa Boogie Subway D-800 bass head stuffs tons of power and classic Mesa tone into a lightweight amp that can fit into a backpack or the pocket of your gig bag, perfect for a busy city musician. A hefty 800 watts by way of a modern Class-D power section can fill any size room, from the smallest club to the biggest halls.

The AD200B 200 Bass MK 3 is a bass head built with modern appointments such as four 6550 power tubes and a full-band, onboard EQ.

Features: ECC83 and EC81 vacuum tubes, 200w power

The Magellan 800 is Genzler’s flagship amp. Its design is as modern as a player could want, from its lightweight aluminum chassis and mute switch to a semi–parametric EQ right on the amp. It clocks in at a formidable 800 watts running at 4 ohms. Two of Genzler’s newest innovations include a dedicated drive channel and a contour control for dialing in just the right voicing. The Magellan 800 is a fantastic option for bassists seeking a lightweight package (6.25 lbs) that delivers a great deal of tonal flexibility.

With the Bass Block 800 Ultralight 800W Bass Amp Head, Quilter gives bass players a dynamic amp for live and studio settings. Like the 101 Mini Reverb 50-Watt Guitar Head for guitar players, it's incredibly light but packs 800 watts into its modest chassis. With this much power and depth, bass notes won’t bottom out or clip on players.

Clocking in at just 3.5 pounds and featuring 350w at 4 ohms (175W at 8 ohms), a three–band active EQ circuit with a parametric mid control, a switchable two–mode contour response curve selector, and a balanced line out, the Magellan is a workhorse amplifier that can satisfy even the pickiest tweeter tweaker.

Featuring an all-tube design, responsive bias adjustment and five-position midrange switch, the Ampeg PF-50T Portaflex 50w Bass Head brings studio-quality output in a portable, compact package. Designed for fast, easy tube replacement and built with a balanced line-out, this might little head provides the utmost in tonal versatility without breaking your wallet or back.

Powerful? Check. Portable? Check. Versatile. Give it a check. For the gigging bassist who needs tone-shaping features and venue-filling muscle, the Bugera BV1001T 2000W Class-D Bass Amp Head is an option that should be considered. A 12AX7 preamp gets you tube-powered warmth in a nine-pound piece of gear that comes with an adjustable optical compressor, Bass/High Baxandall EQs and selectable midrange voicings.