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Luthier George Lowden began making guitars of out his Northern Ireland home in 1973. After licensing luthiers in Japan to build his designs from 1981 - 1985 and eventually going bankrupt in 1988, he revived the company in 1990 and has been producing new models ever since. 

Lowden's models are designated by their number, with most models available in four body styles: dreadnought (D) [discontinued in 2003], jumbo (O), mini-folk (F) and small body (S). 

The 025C is the the jumbo single cutaway version the Model 25. 

Wood Composition: Cedar top, Indian Rosewood back/sides, Mahogany/Rosewood neck, Ebony fingerboard, Rosewood bridge

With its jumbo body shape, the Harmony H1260 is known for its big, booming voice. This guitar was a popular acoustic built by Harmony during the company's peak in the '60s. The Sovereign series also included a dreadnought and orchestra-sized guitar. 

Years of Production: 1958 - 1971

Body Style: Jumbo flattop

Design Elements: White binding,  dot inlays, white button tuners, black pickguard

Bringing together features like a solid spruce top, solid mahogany back/sides/ and the original revolutionary mini-humbucker electronics system, the Epiphone EJ-160e John Lennon Acoustic/Electric Guitar recalls one of the legend's favorite instruments in a modern creation. The warm, full-spectrum tone easily translates to an electric setup with the onboard tone/volume knobs while aesthetic appointments like a genuine rosewood fretboard with trapezoid inlays will catch as many eyes as ears.

The new Epiphone Inspired by Gibson J-200 promises tone and feel in the spirit of Gibson's stalwart classic at a more wallet-friendly price. Features of the J-200 include: a sharp-looking solid figured maple back and sides, solid sitka spruce top for classic "Jumbo" tone, mother of pearl Graduated Crown inlays, a two-piece maple neck with a rounded C profile, gold Epiphone Deluxe tuning machines, a moustache bridge with curved block inlays, and a Fishman Sonicore under-saddle pickup and Sonitone preamp with soundhole-mounted volume and tone controls.

Offered intermittently since 1939, the Jumbo J-100 has also been termed the SJ-100, the J-100 Custom and the Super Jumbo 100. This guitar is similar to the famous J-200 but does not share all the higher-end details and features. The J-100 Extra (or Xtra) was introduced in 1991 as a Mahogany bodied version of the J-100. It also featured different binding styling. 

Years of Production: 1992 - 2006

Body Style: Jumbo

Wood Composition: Mahogany back and sides, Mahogany neck, Spruce top

Design Elements: Dot inlays, long pointed pickguard, mustache bridge, 25 1/2-inch scale length

Building upon the original 12-string in Taylor's 300 series, the Taylor 355ce 12-string acoustic-electric guitar tacks on a few extra accoutrements for some added flexibility in both playing and aesthetics. Of course, the 355ce sports a smooth Venetian cutaway, as notated by the c in the instrument's name, and onboard electronics, indicated by the e. The 355ce's jumbo body, resonant sound, and design similar to that of the Leo Kottke signature model make it an excellent guitar for fingerpicking.

Tuned from B to B, the Alvarez ABT60 is pitched between a dreadnought and acoustic bass to give you deep tones with easy playability. Chord shapes and scales are the same as a standard six string but the voicing is lower. Fitted with an LR Baggs Element pickup and StagePro EQ, the ABT60 is great for live performances as well. Whether you're looking to enter the world of baritone acoustics for the first time or need a reliable baritone for regular gigging, the ABT60 is the ideal meeting of value and quality.

Discontinued in 2006, the Taylor 555 12-string jumbo acoustic guitar sports one of Taylor's classic tonewood combos: the sitka spruce top with mahogany back and sides. Though it was originally produced in 1978, making it one of Taylor's earliest models, the 555's luxe aesthetic components, like its pearl headstock inlay, abalone rosettes, and diamond fingerboard inlays, weren't added until 1994.

The Collings SJ acoustic guitar is the brand's take on the small Jumbo body silhouette. The small Jumbo incorporates qualities of both a Dreadnought acoustic and the classic Jumbo body type, which give the Collings SJ a unique sound with pronounced mids. The SJ, which typically comes with a sitka spruce top and maple body, occasionally substituted with Indian rosewood, will give you the projection and sound of a larger acoustic while still offering a bright, clear response in the treble and mid frequencies.

Gibson's J-185 was originally produced in the '50s before being reissued starting in 1990. The J-185 uses a jumbo body shape like the famous J-200, but with a somewhat smaller overall size. Gibson also makes a cutaway version of this guitar known as the J-185EC. 

Body Style: Jumbo

Wood Composition: Curly Maple back and sides, Spruce top, Rosewood fingerboard

Design Elements: Long style tortoise pickguard, split trapezoid inlays, double ring rosette, Fishman electronics

The original 12-string of the company's 300 Series, the Taylor 355 12-String Jumbo acoustic guitar offers up some good, resonant, solid-wood sound. Get organic tone with the sitka spruce top, solid sapele back and sides, and mahogany neck, each of which add to the 355's natural sound. Though the Taylor 355 is its own beast, it features similarities to the Leo Kottke signature model and is consequently great for fingerpickers.

The L4A draws its designation from the original L4 acoustic archtop (1912- 1956). The more recent offshoot, however, was a flat top OM-bodied acoustic with a single rounded cutaway and Fishman Prefix Plus Electronics. Originally made with Maple back and sides, Indian Rosewood was offered as an option in 2004. 

Years of Production: ca. 2004 - 2004

Body Style: OM acoustic with single rounded cutaway

Wood Composition: Maple back, sides and neck (Indian Rosewood back and sides 2004-06) Rosewood fingerboard

Design Elements: Bird and beak bridge, abalone rosette, Fishman Prefix Plus Electronics

The Bob Dylan SJ-200 Player's Edition is an exact Custom Shop recreation of Dylan's own SJ-200 with the addition of an electronic pickup.

Wood Composition: Solid Adirondack Spruce top, AAA Figured Maple back and sides, Figured Maple neck, Rosewood fretboard and bridge

Undoubtedly one of Gibson's most iconic, recognized acoustic guitars, the Jumbo flattop Gibson J-200 acoustic guitar is often known as "The King of Flattops." Enormous in both size and tone, the Gibson J-200 is most noticeable due to its various aesthetic oddities, from a mustache bridge to its pineapple-style inlays. Its fashionable looks and giant sound brought it to the attention of players like Pete Townshend and Elvis Presley.

Built to maximize projection with a selection of appointments that will catch more than a few eyes, the Guild F50 Jumbo Acoustic Guitar is a big option in style and tone. Combining a solid Sitka spruce top with flamed maple sides and back in a jumbo body design, the F50's natural volume is bolstered by an arched back which improves the instrument's projection. Finished with touches like a bound ebony fretboard and a nitrocellulose finish that improves with age, this Jumbo is a player fit for a country king.

The Seagull Entourage Rustic Mini Jumbo Acoustic Guitar takes design elements from the company's popular S6 series and infuses them into a fuller-bodied model that will sing all the way to the back of the room. Bringing together a pressure-tested solid cedar top and Canadian wild cherry sides and back finished in a semi-gloss finish, the onboard QIT electronics allow you to go from strumming in your apartment to hitting the stage in no time flat.