Best Sellers

The Digitech FreqOut Frequency Feedback Generator tames the grit and bombast of natural feedback in a pedal that allows musicians to add edge to their playing with precision. Select from seven specific harmonics where the feedback kicks in, add a dollop of delay before the effect starts, and easily balance gain for anywhere from studio time to stage.

• Controls: Dual gain (feedback level)/onset (pre-delay) knob, seven-mode harmonic feedback knob, momentary/latching and dry switches, feedback level light indicator


• Other Features: True bypass

In the boutique pedal realm, creating a truly unique effect only happens on occasion. As a functioning modular system laid at your feet, the Empress ZOIA Compact Grid Controller Multi Effect is one such occasion. Combining a synth, a smattering of effects, a sequencer, a usable keyboard and more, the ZOIA operates by creating and combining modules with 64 savable patches. If you thought you knew everything a pedal could do, is a new, moldable world of sonic creation.

Crafted with features like functionality with any instrument with a 1/4" output like guitar, bass, and keys, controls for level/blend, tone, and color, and four unique modes like electro-synth laden Vintage, harmonically rich choir, and iconic Talk Box, the Boss VO-1 Vocoder takes a legendary '80s effect and places it in the easy-to-use pedal format.

Sporting a rugged steel chassis, knobs for volume and saturation onset, and a wild triumvirate of gain, treble and compression knobs for a wide spread of grinding, experimental tone, the Fairfield Circuitry Unpleasant Surprise presses gated fuzz past all convention for one of the strangest and most inventive pedals on the market. Reminiscent of a robot gone AWOL or a buzz saw hacking through a circuit board, this little monster is the perfect addition for any bass, guitar, or synth player who thinks "abrasive" isn't far enough.

Two voices only mean double the fun with the Dirty Robot, a wild synth emulation pedal from DigiTech. The Dirty Robot serves up warm classic analog synth tones reminiscent of those from the ‘70s and ‘80s with one voice, and vocal formant synthesis for vocoder and talk box-like effects with the other. Using the Mix/Mod, Start/Stop, and Sens/Time knobs, you can change the frequency sweep, add in a dose of thick modulation, and change the Dirty Robot’s sensitivity — but it’s the 360 degree Drift knob that really lets you get crazy, allowing you to blend Square Wave with Sub and Octave sounds.

The Boss SY-300 Guitar Synthesizer brings an expansive universe of synth sounds to your guitar rig. Unlike other guitar synths, the SY-300 doesn't require any special pickup or additional components. Just plug in your guitar as you would any other pedal and you'll instantly expand your tonal toolset with a vast array of vintage and modern synth sounds that all perform with zero latency. With studio-quality filters, LFOs and amp settings built in, there's no synth sound the SY-300 can't bring to your guitar playing.

The Mooer Lofi Machine is a compact, unique effect for reducing the sample rate of your guitar signal, creating effects ranging from subtle grunge to outright digital squawk. Mini-knobs control the sample rate and mix of clean signal, with a full-sized knob to control bit depth. Three switchable frequency ranges cover guitar, bass and synth inputs, so the Lofi Machine can add retro sheen or unpredictable artifacts to any instrument you throw at it. An excellent tool for chillwave, math rock and experimental music.

Built with a sample rate from 260Hz to 58kHz, 252 wave table modulator, and up to an 8-bit depth, the WMD Geiger Counter Digital Destruction Guitar Pedal makes good on the promise in its name. Essentially a high-powered preamp feeding into an 8-bit computer, machine gone awry takes the premise of a bit crusher and blows the concept into 1,000 glitched-out pieces, all of which are achievable with use. Not for the faint of heart, the Geiger Counter's seismic potential makes it an ideal candidate for experimental, harsh noise, and avant-garde genres.

The Electro-Harmonix Crash Pad Analog Drum Synth serves up vintage-voice drum machine goodness in a stompbox format with a smattering of features like an oscillation sweep control section, an onboard resonant filter, and an expression/CV input for total control. An intuitive model, incorporating spaced-out analog drum sounds is as simple as hitting a stomp switch.

The Dwarfcraft Devices Great Destroyer summons legions of fuzzy, distorted, noisy hordes in a class of effect all its own through a control interface of volume, gain, tone, and starve. The original weirdo effect which put Dwarfcraft on the map and received praise from the likes of Alan Sparhawk and Young the Giant, the assault of grinding fuzz and undulating oscillation make the Great Destroyer a great candidate for stoner metal, psych rock, and experimental genres.

The Electro-Harmonix RTG Random Tone Generator reissue is remarkably true to the original design from the 1980s. This definite odd-duck stompbox gives control over the speed of random tones with a switchable glide function to add other-worldly weirdness to your rig in a hurry.

The Electro-Harmonix Super Space Drum is a faithful reissue of a classic 1970s analog drum synth, now with a smaller, more rugged die-cast enclosure. Whether you need deep, fat electronic kick sounds to double up with your drummer or some left-field modulated percussion, the SSD will get you there. Trigger the sound with the on-board push button, any non-MIDI external electronic drum pad, or even clock generators to put out some vintage vibe into your drum sound.

The Malekko Scrutator is a sample rate and bit reducer pedal with expression pedal/CV control.

The Alchemy Audio Dead Bat is a micro-sized effect which emulates the "sag" sound of a 9V battery losing voltage. I/O comes in the way of standard 9V power supply inlets.

Founded in 2007, WMD crafts small batch analog effects using high-grade components.

The Geiger Counter Civilian Issue features the original's power and circuitry with the addition of an onboard 8-bit computer for more synth-like computer effects.

The Mojo Hand Recoil is a digital delay that aims to replicate true analog tone, with 550 ms of capability.

The Subdecay Harmonic Antagonizer is a fuzz/noise generator built as an "antithesis" to vintage-inspired fuzzes. This pedal is silicon-based and features a triggered oscillator, square wave fuzz and voltage-controlled amplifier which can all interact for a variety of fuzz, synth, and modulated sounds.

Founded in 2007, WMD crafts small batch analog effects using high-grade components.

The Geiger Counter Bass Mod shares the same features as the original with circuitry attenuated for lower frequencies.

The Drone Thing features six separate oscillators and power, volume, pitch control, and tone knobs.