Best Sellers

Bringing together features like the organic warmth of onboard vacuum tubes, hand-wired construction, and streamlined gain/volume/two-band EQ interface that affords a surprising wealth of tonal versatility, the Benson Preamp Overdrive/Distortion is a do-it-all dirt box that adds premium grit to your rig. Built with a circuit based on Benson's much-loved Chimera 30W amp endorsed by players like Ryan Adams, the Preamp is marked by its effortless ability to dial in pristine boost, bluesy overdrive, and even toe the line of throwback fuzz and distortion. A no-nonsense approach to a staple effect using the finest ingredients.

The Death By Audio Echo Master Vocal Delay transforms your live clean vocals into a swirling, deconstructed lo-fi soundscape that becomes an instrument all its own. Constructed with a three-knob design for feedback in seconds, delay in milliseconds, and mix, the Echo Master offers and upfront vintage tape warmth by plugging in the pedal and tweaking the controls a little bit. Start really toying with this effect and you'll get everything from a robotic ring modulation to a metallic undulation to reverberated decay for all your experimental vocal needs on stage.

The Clover is a reimagining of the short-lived FA-1 FET Boost/Preamp/EQ that Boss released as part of its pocket series in the '80s. The Clover promises to deliver the rich tone the original is known for, featuring controls for cutting or boosting bass and treble as well as a mid-range control for matching the pedal more easily with your guitar. It also features a global low-cut switch and a balanced XLR output for bassists and acoustic guitarists.

A pairing of JFET and IC analog channels sits at the center of the Chase Bliss Audio Brothers, a mile-high tone stack packing six individual overdrive, boost, and fuzz circuits. Created in tandem with Resonant Electronic, the Brothers' A and B channels can operate independently, feed into one another, or run in parallel to color and adjust unique circuit pairings along with 16 side-mounted expression switches to produce gated fuzzes, pristine boosts, Tejas-style overdrives, and plenty more. Pair with the Faves preset pedal to recall your favorites on the fly while keeping your signal all analog.

Built to offer the maximum spectrum of bass tone in a compact unit, the Bass Driver D.I. offers endless amounts of customization for dialing in that perfect tone. The pedal features a full EQ attenuated to 12dB of cut/boost specifically for bass, Sansamp Tube Amplifier Emulation Circuitry, and presence, level, and blend knobs.

Find that one distortion just isn't enough for you? Double up on vicious tone in a meticulously-built effect with the Darkglass Electronics Alpha Omicron Preamp. Combining the company's Alpha and Omega distortion engines in one chassis, the Omicron dials in sweet bone-crunching saturation right out of the gate with signature Darkglass tweaks like Bite and Growl buttons for High Mids and Bass boosts.

Like other Xotic pedals, the BB Preamp is a true tone enhancer for your whole rig. This flexible preamp gives you amp-in-a-box style control with a 2-band EQ, and separate volume and gain controls to dial in ample cleans or smooth overdrive tones.

Designed in collaboration with bassist Jon Stockman, the Alpha Omega is an excellent DI, a pedal-sized preamp, and a roaring bass distortion all in one. It features two distinct distortion circuits (Alpha and Omega) that can be independently selected or blended together using the Mod knob. This knob, along with the three-band EQ and growl and bite switches for controlling the low- and high-frequency saturation, make this design one of Darkglass' most flexible.

Hammer out your tone with the Aguilar Tone Hammer Preamp / Direct Box, based on the OBP-3 preamp. Bend the rules and blur the lines between pedal and direct box with the Tone Hammer's EQ knobs, Gain and Master controls. 18v of power give you tons of headroom to play with, giving you the freedom to experiment dynamically. The Tone Hammer's unique Adaptive Gain Shaping circuitry even gives you an extra gain structure, so hold on tight.

Jackson Audio—the collaborative project of Brad Jackson, Juan Kyle, and Nigel Hendroff—present its first pedal: an all-in-one buffer, boost, preamp, EQ, and overdrive called the Prism. Packed into the sleek stainless steel enclosure, players will find three circuits accessible via the toggle switch on the right. Further shape your tone with the tone, body, and boost knobs, and even affect how much of a boost your signal gets with the gain switch on the left. Flip it into the first setting for a transparent, almost totally clean tone, into the second position for tube amp-like breakup, and into the final setting—the "color mode"—for the most affected and boosted signal.

Tap into the iconic Ampeg tone bass players have been seeking for decades with the Ampeg SCR-DI Bass DI Preamp with Scrambler Overdrive. Essentially everything you could ever need for fantastic Ampeg sound in one small box, the SCR-DI is a direct box that provides overdrive via the Scrambler for that classic Ampeg grit, EQ capability, and the ability to send your tone directly to a PA or mixer, the SCR-DI is everything your bass needs to sound great on stage or in the studio.

From UK-based Hudson Electronics comes the Broadcast—a discrete class-A germanium preamplifier, based on classic 1960s-era broadcast consoles. With the Broadcast's low-gain setting engaged, players can dial in everything from sparkling cleans to transparent overdrive, all with enough boost and volume to drive your amp to its sweet spot. Paired with a NOS germanium transistor, this stompbox is equipped with a special Triad steel-core transformer, which is saturated when the Broadcasts's gain is dialed up and results in dynamic compression.

The Mesa Boogie V-Twin is an all-tube preamp pedal that takes queues from the famed Dual Rectifier heads, with dedicated outputs for power amps, host amps, recording or live sound consoles, even headphones for silent practice. This hand-crafted pedal sits in a heavy, sturdy metal casing and delivers tones that range from sparkling clean to light bluesy drive to a searing blaze of high-gain madness. Pop this puppy in front of your amp for an extra kick and shaping of the sound, or take it straight to tape in the studio for a wildly real-life direct sound.

The Tech 21 SansAmp Para Driver DI was designed for bassists who are looking for a warm, all-analog "rig-in-a-box" that gives you 12dB of boost or cut, a semi-parametric EQ for precision tonal shaping, and three separate channels for a variety of sounds. This DI is, in fact, much more than just a DI - it gives you organic warmth and eliminates harshness from pickups for fantastic analog tone.

Part of Vox's Valvenergy Series, the Mystic Edge is an all-analog, Nutube-driven valve distortion pedal. It promises to pack the iconic sounds of Vox's classic AC30 into an affordable and portable pedalboard-friendly package.

Built with a high-impedance input, searing-hot output, and single knob that allows for up to eight volts of pure power, the Zvex Super Hard On Boost Vexter is that "always-on" pedal that fattens up your sound while retaining your rig's organic tone. The high-octane input smoothes out pups from single-coils to humbuckers, leaving pristinely-boosted sound along with a crisp added high-end clarity. A solid option for leads/solos or to keep on for continuous boosted tone.

The Effectrode Blackbird Vacuum Tube Preamp, occasionally called the Blackbird SR-71, is an all-tube preamp housed in a compact pedal. It features two completely independent channels - the clean channel, a replica of the classic "Blackface" circuit designed by Leo Fender, and the overdrive channel, a variation on a hot-rodded 4-stage Dumble/Soldano circuit. Each channel has its own EQ controls based on the tonestacks of "Blackface" amps, and the pedal has tube buffered output and a transformer balanced out for recording.

The JHS Colour Box is a stompbox preamp like no other. By accurately replicating the gain stages and circuitry of an authentic Neve recording console, the Colour Box puts the classic guitars and bass tones of no less than the Beatles at your feet. This pedal makes a fantastic addition to any home recording setup, and features XLR ins and outs for easy use with any audio source.

Designed to accentuate the clarity and tone of deteriorating vintage guitar pickups, the ZVex Super Hard On Boost is an "always on" pedal with only one knob for volume. A facelift for an aging axe, the Super Hard On is a guitar's Fountain of Youth.

Featuring a hybrid JFET/CMOS gain circuit design, a four-band EQ with minute control for low mids and high mids and boost/attack switches for adding volume while also controlling bite and treble, the Darkglass Electronics Microtubes B7K is an expansive overdrive built to emulate the warmth of vintage bass tube amps. Able to dial in classic bass overdriven sounds from Ampegs to Plexis while also housing enough tweakability to easily create your own sound, the B7K is an essential staple in any rig where the utmost in quality and versatility is needed.

Condor is an analog multi-effect that allows sophisticated control over a wide range of effects including EQ, overdrive, boost, tremolo and filter tones. The pedal has a powerful parametric mids control that ranges from 150Hz to 4kHz along with a three separate low pass filter or bass boost/cut modes. Along with expansive frequency controls, Condor has gain and volume knobs and a switchable overdrive circuit for sculpting your ideal guitar tone. Like all Chase Bliss Audio pedals, all of these settings can be stored in presets, ramped, or controlled via expression pedal. Every knob and switch is connected to a little digital brain while your guitar signal stays 100% analog and never gets digitally processed.

Featuring a semi-parametric EQ, dual-Q notch and high pass filters and discrete class-A piezo boosters, the Radial Tonebone PZ-Pre is stacked to the gills with parameters for finely tuning acoustic tone. Built for use with a wide range of acoustic instruments including violin, cello and standing bass, this effect can can dial in that perfect guitar tone for open mic night or hone in an orchestra.