Best Sellers

Featuring tape saturation for an analog tape effect and doubletracker for achieving delay, chorus and flanging effects, the Deco is a compact multi-effect pedal marked by Strymon's signature power and versatility. Capable of everything from a tape clean boost to beautifully saturated delay, this pedal is at home in shoegaze, psychedelia, or even just recording coloration.

A replacement and update of the Boss BF-2, the Boss BF-3 offers two new modes - Ultra and Gate/Pan - to create stereo flanging with greater depth.

The Keeley BubbleTron is a dynamic flanger, phaser, and synth filter inspired by Frank Zappa’s unique soundscapes. The flanger section is mostly Zappa-inspired, based on the MicMix DynaFlanger he used in the ‘70s and ‘80s. The DynaMoPhase section of the BubbleTron features two phasers—one true dynamic phaser that starts and stops based on pick attack strength and one LFO with speed determined by the rate control. If you’re looking for a Zappa fan looking for a super sculptable modulation effect, the BubbleTron is right for you.

The Boss BF-2 Flanger provides flanging effects ranging from mild chorus to airplane wooshes. It features controls for Manual, Depth, Rate and Resonance.

For a super-compact, all-analog flanger pedal, look no further than the Mooer Eleclady. It features two switchable modes, Filter and Normal, as well as oscillator effects to build your own unique analog flanger sound. It seems almost impossible that such a minuscule pedal can contain the effects and sound it does, but Mooer made it so with the Eleclady.

Featuring analog bucket brigade circuitry and simple controls of rate and regeneration, the Micro Flanger brings beefy flanging technology to a compact unit to maximize pedalboard space economy. Based on the company's larger M117 Flanger, this pedal may be a little brother, but it can go toe-to-toe with any larger flanger available. Perfect for prog, experimental, or psychedelia.

The MXR EVH-117 Eddie Van Halen Flanger pedal puts a major component of the legendary rock'n'roller's tone a stomp away. With the same bucket-brigade technology that fueled Eddie's original MXR flanger for songs like "Unchained", "And The Cradle Will Rock", and countless others, the EVH-117 Flanger calls upon these classic tones with the greatest of ease -- even including a single button which instantly mimics the "Unchained" sound.

An effect-defining pedal that gave shape to the whirling, shifting sound of '80s riffs and sky-high leads, the Boss BF-2 Flanger MIJ in the original "Black Label" is a pillar in the pedal world. Produced in Japan from 1980 through 1983, this coveted original model of one of the most commonly used flange pedals features is distinguished by features like metal screws and a black production label on the interior (hence the name). A desirable piece of pedal history.

Featuring independent chorus and flanger which can be blended, a filter matrix mode for manual flanger control and independent stereo output, the Electro-Harmonix Stereo Electric Mistress builds on the possibilities of the original with true stereo modulation capabilities. Compact in size and attractive in price, this effect is a perfect choice for shoegaze, stoner rock, or indie.

One of Universal Audio's first effects pedals, the Astra includes three varieties of classic modulation units: the Boss CE-1, MXR Flanger/Doubler, and the rich tremolo of a Fender '65 Reverb amp. With best-in-class sound and the precision controls you'd expect from UA, there's a long lineage of audio greatness on tap.

Distinguished by its provenance in Japanese manufacturing along with a green production label which gives the pedal its name, the Boss BF-2 Flanger MIJ is a pinnacle in the world of pedals. While not as desirable as its predecessor, the BF-2 Black Label, this MIJ original produced from 1984-1990 before the company moved operations to Taiwan remains a favorite among players.

The TC Electronic Stereo Chorus + Pitch Modulator & Flanger has a history as long as its name. For decades, this has been one of the most loved "old school" TC Electronic effects, mostly for its lush chorus sound. Eric Johnson has had one on his pedalboard for years. If you're looking to do the same, just be aware that this has its own power chord and doesn't take a 9V lead.

Packing eight modes of flanger ranging from '80s arena rock Classic to the infinity-bending morph of Through Zero along with goodies like tap tempo, positive/negative feedback, and mix control, the EarthQuaker Devices Pyramids Stereo Flanging Device is a swirling wonder of the pedal world. Built on the same DSP technology as the prize Avalanche Run Delay, the Pyramids offers an expanded world of double-tracked, jet swoosh tone with flanger rarities like a low/high-pass filter Modify control and Mix knob to save signature stereo sound on one of five user-defined presets. Another unprecedented reimagining of an iconic effect.

Float up into space with the MXR M-117 Flanger... or don't. The M-117 has everything you need to get wild outer space effects or a simple, classic flange. Precision shape your sound with easy, simple controls, Manual, Width, Speed, and Regen, and you can even get a nice vibrato, chorus, or delay. There's even a model with a funky EVH chassis for Van Halen fans.

Fantastically priced and in a space-saving mini-chassis, the TC Electronic Vortex Mini Flange combines classic tape flange with the company's TonePrint technology to let you customize your flange with only three dials. Use the TonePrint tech to get iconic flange tones of your rock idols for free, or tweak the Speed, Depth, and Feedback knobs to build your own unique flange.

Featuring a feedback knob for nuanced control of effect in the signal and a compact chassis for maximum pedalboard space, the Neo Mistress offers Electro-Harmonix flanging technology at a fraction of the price and size. Built with the same technology as the original Neo Mistress, this updated classic is perfect for metal, prog, or psychedelia.

With four chorus modes and a switchable filter, the Electro-Harmonix Stereo Polychorus offers up a wealth of stereo chorus effects in a single easy-to-use pedal. This classic chorus used by the likes of Kurt Cobain and Adrian Belew can go from a tunable comb filter to sweeping echo to a convincing emulation of the classic "ADT" effect.

The Ibanez CF7 Chorus/Flanger Pedal combines the rough-and-tumble Tone-Lok series chassis with a wide spread of effect possibilities to traverse. Featuring controls for Speed, Depth, Delay Time, and Regen, the CF7 can niftily lock in your preferred parameters to avoid setting snafus on stage. Everything from warm, vintage choral effects and morphing flange are available with a Krazy switch to push your tone into synth-esque territory for totally new sounds.

The TC Electronic Vortex Flanger offers two flanger modes in addition to downloadable TonePrint settings, complete with stereo-in/stereo-out design.

The Ibanez FL9 Flanger provides classic flanger tones with a variety of controls. It features knobs for Speed, Regen, Width, and Delay Time.

Featuring seven separate flange modes between triggered, step, and constant rise/fall flanging all controlled from a streamlined interface, the Digitech Turbo Flanger adds big, modulated tone in a compact package. Capable of jumping from a slight twang to full, illustrious swirls, the Turbo Flanger is great for indie, experimental, or alt-folk.

Housed in the classic big box design with a four-knob control design and the highly coveted Reticon SAD1024A bucket brigade circuitry, the MXR Flanger is a pillar in the world of effects. Bringing thick, undulating flanging through easy manipulation of regen, speed, and width, this pedal is one of the tantamount examples of that wooshing, sprawling flange which typified the '80s. If you're after the tone of bands like Van Halen, RAT, or Winger, this timeless original is sure to deliver.

Joyo is a China-based company that produces budget effects units and pro audio. 

Catalinbread set out to make a new kind of flanger with the Zero Point Tape Flanger, purposefully avoiding LFO-centric delay lines found in your typical flange pedal. Unpredictable, authentic and natural-sounding flange sounds are produced when the stomp switch is hit, pushing two delay lines of your signal out of sync, giving you total control over the start and stop of your comb-filtered sweeps. This simulates the old-school tape machines that manually pushed signals out of sync.

The Deluxe Electric Mistress is one of the most iconic flangers on the market, recently reissued in the more compact "XO" chassis. In addition to fine-tuned analog filters, the Deluxe Electric Mistress features a Filter Matrix mode for manually adjusting the sweep of the flange.

Take your phase modulation to the extreme with the Moog Minifooger MF Flange, a 100% analog BBD-based phaser. Two voicing modes are available at the flick of a switch, one vocal and one traditional. An entirely sweepable Feedback knob tightens up the resonance of your sound, and the Time control pushes the boundaries of how far a flanger can go.

Send your sound straight into the heart of a modulated maelstrom with the TC Electronic Thunderstorm Flanger Pedal. Designed to emulate the sounds of the original flanging pedals from the late '70s and '80s, the Thunderstorm features a four-knob layout of Rate, Depth, Manual (delay time), and Feedback knobs which go everywhere from a subtle jet effect to swirling psychedelia to Police-like pseudo-chorus. Built on the foundation of real bucket bridge analog circuitry affording reams of depth and character, the Thunderstorm is a weather system of sound in a box.

Produced in Japan and Taiwan in the '80s, the Boss HF-2 Hi Band Flanger is designed to combine your original signal with the delayed signal shifted one octave up. This creates a unique flange that sounds a bit like the Boss BF-2, but far brighter and cleaner. Tweak your flanger with four simple controls to get the shimmer or languid, soupy sound you want - the Manual, Depth, Rate, and Res controls are sure to get you the singular flanger sound you're looking for.

The Ibanez AF2 Paul Gilbert Airplane Flanger pedal is a dual-mode flange effect with a huge range of sounds and chic retro style. Gilbert's signature flanger boasts "TAXI" and "TAKEOFF" modes, the former giving you traditional flange and modulation sounds with a good amount of control while the latter blows out your sound with intense , even absurd sounds.

The Electro-Harmonix Deluxe Electric Mistress is a flanger pedal featuring a noise filter to eliminate some of the noise found on the original Electric Mistress. It offers knobs controlling the Color, Range, and Rate, as well as separate Dry and Wet outputs.

Arion's SFL-1 Stereo Flanger was manufactured in Japan in the '80s. This analog flanger pedal features Rate, Depth, Manual, and Feedback knobs to shape your flange sounds and a switch to choose between wet and dry output with the Direct/Stereo switch.

Built with all-analog design, stereo and mono output and controls for mix, delay time, depth and rate, the Fulltone Choralflange brings boutique choral and flanging options together in one compact, sturdy enclosure. Capable of adding one or two octaves to the signal for precise effect sculpting and a large headroom for use in tandem with other pedals, the Choralflange brings room-filling chorus with the twist of a knob.

Bringing together features like stereo input and output jacks for deep, enveloping modulation with signal routing options through the Neuro app, expression control for expanded functionality, and a three-way flange mode switch which offers Classic, Shadow, and coveted Thru-Zero flanging, the Source Audio Mercury Flanger updates a classic effect with modern functionality.

Bringing together positive, negative, and positive/negative flanger feedback types, Log, Lin, and Through Zero flanger LFO types, and 24-bit A/D to D/A conversion all within a tough-as-nails metal enclosure, the Strymon Orbit Flanger Pedal packs all the quality of Strymon into the world of flanging. Based on the company's coveted SHARC DSP technology, this pedal covers nearly every conceivable flavor of flange in a package that should cover a whole pedalboard, but instead fits neatly in a single enclosure.

The Electro-Harmonix Electric Mistress is a flanger pedal first made in 1976, featuring controls for Rate, Range, and Color.

The Danelectro Hash Browns Flanger is the budget-friendly flanger in the company's food-themed compact line.

Stack and modulate up to 4 delay lines for ghastly swirling and through-zero flanging. Shape your sound with knobs for Speed, Range, Ramp, and Blend. Experiment in combination with Regen to use the Oblivion as a solo soundscape device. Pair it with an expression pedal for further sonic exploration.

The Maxon FL-301 is a flanger built on analog comb filtering circuitry produced by the company in the 1980s. The unit features controls for speed, width, and regen and was built around a Panasonic MN3207 bucket brigade chip.

Note: These units were produced with both traditional and square footswitches.

At only 4.5 by 3.5 inches, the Empress Nebulus may be the most compact pedal housing chorus, vibrato, and flanger effects. Each effect has three variations for flexibility, and within those modes is a special switch for the most precise fine-tuning. With modes and sub-modes galore, the Nebulus offers countless combinations and uncompromising sound quality all in one small package.

The Electro-Harmonix Flanger Hoax is a "big-box" pedal with a wide range of control and a ton of tripped-out sounds. The two separate phaser sections -- fixed and swept -- each have their own delay line. The fixed phaser features a classic low-frequency sine wave, whereas the swept phaser can be (surprise!) can be morphed to your heart's content. Each phaser can be bypassed to use the delay lines by themselves, and you've also got three separate outputs for dry, wet, and blend.

Debuting in 1984, the DOD Delay FX90 was DOD's 12th FX-series pedal and the last to feature "bars" graphics. Always providing great bucket brigade delay sound at an affordable price, the Delay FX90 has consistently used the analog MN3005 chip, which is also found in the famous Boss DM-2. Delay, Mix, and Repeat controls make it easy to push the FX90 to self-oscillate for a little extra infusion of crazy in your delay.

Featuring a sturdy large-box chassis, a flange/filter switch for toggling between modes and a facile interface of speed, depth, and color, the Hartman Analog Flanger summons warm, vintage filter effects in an easy-to-use package. Designed on the circuitry of the '70s Electric Mistress with modern components and construction, the all-analog signal and handcrafted circuit make the Analog Flanger a perfect choice for nailing that flanged '80s tone.

Years of Production: 1986 - 1992

Ibanez's FL9 Flanger Reissue boasts the same circuitry and beloved flange as its vintage '80s counterpart but provides more consistency. Because of its quiet time delay, the FL9 creates a rather noise-free flange, which can be modified with Regen (feedback/intensity), Sweep, Width, and Delay Time knobs. This allows players to hone in on one particular part of the sound and tweak it until you find exactly what you're looking for.

This combination pedal has separate chorus and flanger capabilities. In the '80s, this model was built in Ibanez's Japanese factory. 

T-Rex was started in 1996 in Denmark and continues to produce durable, precise effects units. 

The Tonebug Series is the company's more affordable and compact line-up.

A fan favorite of one of the company's most popular pedal lines ever produced, the Danelectro Fab Echo offers an easy, pared-back avenue to authentic vintage tone. Housed in the eye-catching Fab series chassis, the pedal's intuitive two-knob design of mix and repeats allows you to quickly punch in organic warmth at a price that will appeal to newcomers and workhorse players alike.

Features: SoundTank chassis, speed/depth/regeneration controls

Originally known simply as the Ibanez FL-301, this was a simple three-knob flanger. Few of the these DX-badged models were produced late in the production run, but they are functionally the same. 

Years of Production: 1979 - 1982

Featuring handmade construction, a streamlined interface and unique Zero control for automatically summoning that thick, sweet, elusive through-zero flange, the Mr. Black TunnelWorm marvelously solves the riddle of attaining subtractive flanging without breaking the bank. Whether you want that aggressive, fat zero sound or a more traditional '80s style flange, this effect goes from Genesis to experimental territory with a few simple knob turns.

The FL9 reissue is an analog phaser built on the specifications of the original with Panasonic MN3207 Bucket Brigade IC.

An icon of that '80s sound, the Ibanez FL-301 Flanger serves up sweet, vintage flanged goodness through features like an all-analog design, three-knob layout with controls for speed, regen, and width, and the legendary 301 Ibanez diehard chassis. Capable of summoning big, swirling flange sounds with a few knob twists that put you dead center hair metal grandeur, the FL-301 can also be dialed back for a more sedate effect that adds an edge to your tone.

The Boss BF-1 was the original flanger that led to a long line of descendants that continues today. 

Years of Production: 1977 - 1980

The Alexander Pedals F.13 Flanger is a versatile effect with the traditional rate, depth and mix controls and an additional "Regen" knob that controls wet signal feedback. Three switchable modes (Step, Sweep and Dynamic) mean you can be as subtle or as in-your-face with your flanging as the music calls for.

The Ibanez FLL is a vintage flanger, similar to the later FL-9. It uses the sought-after JRC4558D chip and gives control over LFO rate and width, resonance, and a sweep for the amount of shift.

The Ross Flanger was a four-knob flanger with manual/auto controls.

Years of Production: 1977 - 1980

The original Electro-Harmonix Poly Chorus included a flanger and doubling function as well, similar to the Echoflanger. This unit was recently reissued in 1999.

Years of Production: 1981

Founded by the Christian brothers, a pair of trained analog electrical engineers, and Peter Amft, who provided freelance photography in the 60s and 70s to some of the most influential musicians, Big Joe Stomp Box Company is comprised of completely true analog paying homage to the tones of seminal rock and blues musicians of the 20th century. The company is named after Big Joe Williams, an enigmatic blues guitarist known for his hand-modified nine-string guitar and penchant for tinkering with his instruments.

The Raw Series features the same technology and hardware as Big Joe's original pedals in a streamlined metal casing.

The Boss BF-2B Bass Flanger allowed users to shape their sound with four separate controls. Although calibrated for bass frequencies, this pedal could be used with guitar or voice as well. These were made in Japan. Values can vary slightly depending on which label color appears on the pedal. 

Years of Production: 1987 - 1994

The zJoyo JF-327 Raptor Flanger features a compact design and controls for regeneration, delay, width and speed.

Founded in 2001 in Phoenix, Arizona, HomeBrew Electronics (HBE) began in the garage of owner Joel Weaver. The company crafts affordable, boutique effects by a team consisting of Joel, his wife, and two employees.

The Frostbite Flanger features all analog circuitry, switchable even and odd harmonics and controls for level, threshold, enhance, range and speed.

The A/DA Reissue Flanger is a faithful reproduction of the classic late 70s model. It features Harmonics/Threshold, Manual, Range, Speed and Enhance controls.