Best Sellers

Why should guitar players have all the fun? Electro-Harmonix delivers the warmest, fuzziest low-end goods imaginable with the Bass Big Muff Pi. While taking the best of the old "Green Box" Russian Muff and the 1970s Big Muff Pi, EHX steps up the bottom with the Bass Big Muff Pi and optimizes this fuzz machine for bass guitar. It's a little easy to get out of control with this beast, so a direct output of the dry signal is available to blend in with the harmonic madness.

The Bass Mono Synth from Electro-Harmonix is a bass-specific pedal designed to transform your signal into eleven distinct synthesizers styles. Each of these synths is tweakable via a sensitivity knob along with a CTRL knob that alters a set parameter for each mode. The Bass Mono Synth tracks exceptionally well and is an ideal option for bassists who need to handle a synth part in a cover band, or just those tired of the same old four-string timbres.

Attenuated specifically to bring your bass into that rumbling low-end territory, the Boss ODB-3 is the perfect entry point into the world of bass overdrive. The pedal features an onboard two-band EQ and a balance knob for dialing in the amount of overdrive.

Get great compression and sustain for your bass, along with ample headroom, with the MXR M87 Bass Compressor. If you've used compressors, the Bass Compressor will be a breeze with its quintessential Attack, Release, Ratio, Input, and Output controls. It's completely transparent and allows you a great dynamic range.

Built to offer the maximum spectrum of bass tone in a compact unit, the Bass Driver D.I. offers endless amounts of customization for dialing in that perfect tone. The pedal features a full EQ attenuated to 12dB of cut/boost specifically for bass, Sansamp Tube Amplifier Emulation Circuitry, and presence, level, and blend knobs.

Featuring a dual-voiced layout, 14dB mid frequency boost switch and Constant Headroom Technology to ensure a stable effect presence, the MXR Bass Octave Deluxe proffers depths of low-frequency rumble. Using the dry knob to alternate or separate the two unique voices of aggressive or deep octaves, this effect can transport your sound right into the belly of stoner rock perfection.

Featuring a range down to 50Hz and functionality as a boost/cut via the volume knob, the Boss GEB-7 is a seven-band equalizer attenuated for bass instruments but capable of functioning with others as well for experimental effects. This pedal is an ideal choice as a staple on any bassists' board and even has applications in acoustic bass instruments.

The Boss AW-3 Dynamic Wah includes multiple settings for classic wah sounds, auto-wah and human vowel sounds. With four adjustable controls, a wide array of tones can be shaped, including tempo, decay and range.

If you want warm, organic chorus but built specifically for the low-end, the Electro-Harmonix Bass Clone Nano Analog Chorus translates a company staple into your rig's next staple. All the same controls as the original Small Clone are in place with a few tweaked features: in the two-band EQ, the treble knob hits the whole signal while the bass only hits the dry half, and the Crossover switch cuts low-end from the modulation for better articulation. A trusty addition to any board big or small.

The classic Big Muff Pi is perhaps the most widely-used fuzz pedal ever built, and the Electro-Harmonix Deluxe Bass Big Muff Pi adds a new world of control and a deep frequency response tailored specifically for bass guitar. Dial in the crossover controls to hone in your tone, blend the dry signal back in for more impact, and bring the built-in gate to the party if you've got absurd amounts of gain happening and don't want any feedback.

The Electro-Harmonix Bass Soul Food puts a low-end spin on the widely popular Soul Food overdrive pedal. Based on famous Klon Centaur circuit, the Bass Soul Food focuses its drive and gain stage enhancement on the low-end, offering detailed definition and character for bass players as well as guitarists looking for a little more depth in their tones.

The TC Electronic SpectraComp is an ultra-compact, ultra-simple, ultra-powerful bass compressor pedal that deserves a spot on every bassist's board. Using the same powerful dynamics engine as the System 6000 processor, the SpectraComp makes use of multiband compression for a response that's perfectly tailored for bass guitar, giving you a blooming and present low-end while keeping the entirety of the signal in check. TC's "Tone Print" technology allows you to connect the pedal to your computer via USB to edit a wide range of parameters to tweak the sound and performance of the SpectraComp to your exact requirements, giving you a limitless amount of tonal possibilities to make this little monster one of the most versatile bass comps on the block.

Catalinbread's take on the revered Ampeg SVT circuit, the Catalinbread SFT Drive provides tone shaping and drive options for both and guitar and bass. Featuring a two-band Baxandall EQ cirucit in addition to Volume and Gain controls, the SFT is capable of subtle tone-shaping, amp emulation, outright distortion, or painting every shade of saturation in between. Whether you're looking for a bass overdrive, the ultimate heavy drop tune saturator, or a guitar distortion, the Catalinbread SFT can deliver.

Essentially an octave, fuzz, and envelope filter all in one, the Electro-Harmonix Bass Micro Synth sports ten sliders for a virtually limitless array of analog synth sounds. The pedal has four voices (Guitar, Octave, Sub-Octave, and Square-Wave), each of which can be completely independent or fully mixed. Create tones ranging from the sounds of vintage Moog synths to wilder, more modern sounds with the Electro-Harmonix Bass Micro Synth pedal.

The Boss CEB-3 Bass Chorus applies chorus treatment selectively to the higher frequency band, letting your bass foundation remain solid. The Low Filter is adjustable.

The Keeley Bassist, also known as the Keeley Bassist Limiting Amplifier, is a compression pedal that pulls in technology typically reserved for rack units, particularly the Corp 4320 chip. Control your sound with the Compression, Threshold, and Gain knobs for the ultimate in bass compression. Its high-fidelity, VCA-based system can handle massive signals without compromising your bass's tone. Think of it as a rackmount limiter squashed into a pedal at your feet.

Sporting a three-band equalizer, Color switch for a pre-attenuated EQ, phantom/ground power switch and adjustable noise gate, the MXR Bass D.I. + is nothing short of a tonal Swiss army knife for your bass. Whether you're dialing in a pristine clean boost, pumping a warm sustain or crafting a searing distortion, this effect has your back at every turn.

Hammer out your tone with the Aguilar Tone Hammer Preamp/Direct Box,m based on the OBP-3 preamp. Bend the rules and blur the lines between pedal and direct box with the Tone Hammer's EQ knobs, Gain and Master controls. 18v of power give you tons of headroom to play with, giving you the freedom to experiment dynamically. The Tone Hammer's unique Adaptive Gain Shaping circuitry even gives you an extra gain structure, so hold on tight.

Tap into the iconic Ampeg tone bass players have been seeking for decades with the Ampeg SCR-DI Bass DI Preamp with Scrambler Overdrive. Essentially everything you could ever need for fantastic Ampeg sound in one small box, the SCR-DI is a direct box that provides overdrive via the Scrambler for that classic Ampeg grit, EQ capability, and the ability to send your tone directly to a PA or mixer, the SCR-DI is everything your bass needs to sound great on stage or in the studio.

Sporting a bucket-brigade analog design, finely attenuated bass and treble controls plus two buttons for Flanger and X-Over modes allowing high-frequency modulation focus, the MXR Bass Chorus Deluxe brings choral and flanging capabilities together in a high-quality chassis. Allowing for easy adjustments on the fly thanks to the easy-to-use interface, this effect summons swooshes, sweeps, and liquid chorus goodness all with the warmth and inflection only an MXR analog design can deliver.

Designed with functioning sensitivity ranges from -10 dBu to +2 dBu for use with both passive and active electronics, a maximum gain reduction of up to 21dB, and a three-way attack toggle switch with modes for fast, medium, and slow, the Electro-Harmonix Bass Preacher Compressor puts punchy bass tone within easy reach. Housed in a compact chassis with an attractive price tag to match, the Bass Preacher sings the gospel of dynamic low-end control.

Featuring controls for sensitivity, control and range and seven different bass-oriented filters including sub-octave and envelope, the Digitech Bass Synth Wah is a versatile funk machine. Capable of summoning classic Bootsy sounds and even used on Daft Punk's "Human After All," this pedal is perfect for adding experimental new facets to your pedalboard at an attractive price.