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The Time Shadows is a collaboration between Death by Audio and EarthQuaker Devices, created in support of Reverb's first feature-length documentary, "The Pedal Movie," on the history and culture of effects pedals. It's a dual-circuit, multi-delay filter "remorphinator," with each brand tackling one side of the pedal to make an effect with two wildly unique sides that complement each other perfectly.

The Bliss Factory and is a collaboration between Chase Bliss Audio and Zvex. It's a two-germanium-transistor fuzz described as "a souped-up Fuzz Factory with digital control and a resonant lowpass filter." The pedal was created in support of Reverb's first feature-length documentary, "The Pedal Movie," on the history and culture of effects pedals.

Built in the image of the coveted late '70s models made famous on the Smashing Pumpkins' enormous album Siamese Dream, the Electro-Harmonix Op Amp Big Muff Reissue Fuzz summons iconic '90s snarl in a compact chassis. Renowned for its enormous, biting presence thanks to the presence of op-amps instead of transistors and three gain stages instead of four, this much-demanded Big Muff is a fast, affordable avenue to the vicious tone of a company classic.

Few stompboxes have shaped the sound of rock like the Electro-Harmonix Big Muff Pi. Fewer still have gone through as many variations while still maintaining their fan bases. From David Gilmour to Billy Corgan to J. Mascis and Dan Auerbach, the Big Muff Pi continues to be the life blood of fuzz.

Reviving one of the company's cult favorites in a modern, compact pedal, the Electro-Harmonix Green Russian Big Muff gets you devastating low end and sludgy, searing fuzz with three knobs and a stomp switch.

• Controls: Volume, Sustain, Tone knobs, stomp switch


• Other Features: Iconic green chassis, Russian font graphic, true bypass

Featuring an ultra-compact enclosure and the same controls for volume, tone and sustain, the Electro-Harmonix Nano Big Muff Pi brings the same creamy fuzz and distortion as the original in a pedalboard-friendly package. Built using the same Big Muff Circuitry in a nano format, this effect is a great introduction to the Big Muff World or just a great fuzz pedal that won't eat up pedalboard space or cash.

The Keeley Fuzz Bender is a 5 knob, 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones.

Death by Audio's Fuzz War is not for the faint of heart. You can control the tone with ease, bringing your fuzz up to a scream or down to the grimiest lows. With grungy, nasty fuzz and extreme gain, the Fuzz War creates a massive wall of sound capable of blowing any player away.

Behringer has been a German professional audio equipment outfit for some time, but they didn't produce effects pedals until 2005. Their affordable line of standard effects is similar to the Boss line of stompboxes, though at entry level prices. 

Containing six separate Muff circuits, the JHS Muffuletta Fuzz is one of the most comprehensive fuzzes on the market, particularly for fans of the Muff sound. The Muffuletta has the circuitry of the '73 Rams Head, The Triangle, The Pi, The Russian, The Civil War, and JHS' own modern take on the Muff circuit. Choose between each of the six circuits and then shape your fuzz using Tone, Volume, and Sustain knobs. Artists like David Gilmour, J. Mascis, John Lennon, Jack White, The Edge, Pete Townshend, Jeff Tweedy, and many more have all had at least one of these five Muffs as pedalboard staples.

Get everything from (relatively) tame to wild tones out of this no-fuss boutique fuzz. Use the Bias knob to introduce a sputtery, gated effect. The Fuzz knob itself offers a full range of usable amounts. And if you'd like a bit more low-end, switch the Fat toggle on. (Find the rest of JHS' 3 Series for affordable, essential effects.)

Why should guitar players have all the fun? Electro-Harmonix delivers the warmest, fuzziest low-end goods imaginable with the Bass Big Muff Pi. While taking the best of the old "Green Box" Russian Muff and the 1970s Big Muff Pi, EHX steps up the bottom with the Bass Big Muff Pi and optimizes this fuzz machine for bass guitar. It's a little easy to get out of control with this beast, so a direct output of the dry signal is available to blend in with the harmonic madness.

The ZVex Fuzz Factory ranks as one of the most influential contemporary pedals on the market. Though often imitated, the original Fuzz Factory remains a one-stop solution for all your unquenchable fuzz needs.

Sporting the same muscle as the standard Big Muff Pi with the addition of a three-way tone wicker switch for light or heavy treble boost, the Big Muff with Tone Wicker combines classic fuzz tones with added versatility. From classic to fierce, the Tone Wicker serves up fuzz any way you want it.

Mutating your signal into a vicious square wave fuzz and sending it through a universe of modulated oscillation and subharmonics, the Earthquaker Devices Data Corrupter transforms your guitar into a three-voice mono synth space monster.

Master Oscillator: Up to three octaves above input with eight octave interval positions and two unison roots




Subharmonic: Up to three octaves below input with eight octave interval positions and unison or oscillator root




Frequency Modulator: Rate knobs and Glide/Vibrato switch (Can only be used w/ Master Oscillator or Master Oscillator and Subharmonic together




Voice Mixer: Blends levels of Square Wave Generator, Oscillator, and Subharmonic




Other Features: All-analog signal path, relay-based true bypass switching

The JHS Bender is based off of the 1973 Sola Sound Tonebender. But instead of that vintage circuit's germanium transistors, JHS uses modern silicon transistors selected to match that vintage sound. If you're a fan of the fuzz tones of Led Zeppelin, Jeff Beck, and Mick Ronson—but don't want to pay vintage prices—the JHS Bender is perfect for you.

Sporting the same iconic circuitry that made its larger predecessor famous but housed in a compact chassis, the Electro-Harmonix Little Big Muff captures all the legendary fuzz tone while saving space on your board. Built with high gain and designed for maximum sustain, this effect is an ideal choice for anyone looking to get into the world of Muffs while saving some cash.

Referred to as the "Triangle" Muff because of its signature volume, sustain, and tone knob layout, the original circuit was the very first Muff EHX made back in 1969, kicking off a line of fuzz pedals that would quickly become ubiquitous with the brand and a favorite among guitarists across a wide range of genres.

The DOD Carcosa Fuzz pulls from the playbook of vintage Maestro silicon fuzz boxes from the 1970s...but don't go and think that this pedal is just another clone. Switchable "Hali" and "Demhi" modes take this pedal from a bright, subtle fuzz to unbridled destruction, both of which can be extensively manipulated with the unique "Before" and "After" controls. These unassuming knobs work interactively to bias the fuzz with a number of sweet spots between both dials. When the Carcosa is really ripping and the treble gets to be a bit too much, simply roll around the hi-cut control to tame it down or even lop off the entirety of the high frequency spectrum for a lo-fi stoner rock sound from another era.

The MXR Blue Box became the go-to octave effect and a gear icon after Jimmy Page used it for his solo in "Fool In The Rain." It's incredibly simple - two knobs for Output and Blend - one of those pedals that just does its thing and sounds good without a ton of dialing in. It tracks your notes and doubles with a two-octave down copy, providing a bassy, raw feel. Put it front of a fuzz and stand back.

A popular fuzz choice in stoner rock and shoegaze, the Way Huge Swollen Pickle is used by Interpol, Mogwai and Queens of the Stone Age. With high gain, scoop control and tweakable compression levels, the Swollen Pickle is an industry standard when looking for a reliable fuzz.