Best Sellers

The Microcosm is a wondrous machine, a next-level sampling and delay multi-effect built for experimentation. Cut up your signal into granular pieces, tweak and stretch them into unique microloops, and then build up sequences and textures that are only possible through the Microcosm. A perpetual best-seller, you'll have to explore with your own to fully grasp what all the fuss is about.

The TC Electronic Ditto Looper is the perfect entry point for players looking to break into the world of looping. Whether at a gig or practicing in your bedroom, the Ditto Looper is a great way to build your own backing tracks and unlock a new galaxy of writing and playing for guitar or any other instrument.

Featuring up to twelve minutes of recording time, three separate loop modes and a 24-segment LED Loop Indicator, the Boss RC-1 Loop Station is a looping powerhouse in a compact pedal. Streamlined in design and easy to use, this pedal is a great introduction to looping or the perfect unit for more advanced musicians looking to save pedalboard space.

The RC-5 is the latest in a popular line of looper pedals. Perfect for songwriting, creative layering, and live performance. It features 99 phrase memories and a whopping 13 hours of stereo recording, ensuring that none of your ideas go unexplored. There are 57 preset rhythms packed into the pedal, as well as seven different drum kits, and promises class-leading sound with 32-bit AD/DA and 32-bit floating-point processing. It can easily be synced with DAWs and drum machines thanks to MIDI connectivity.

The original DL4 spawned whole bands and genres. The new DL4 might just do the same. There's still everything everyone loved about the original. But this time, there's 15 new delays, a "secret" menu of reverbs, and much longer looping times: 240 seconds with internal memory, hours with a microSD card. And the MkII is now smaller and more rugged than its predecessor.

The Boss RC-3 Loop Station might be the ultimate tool for solo practice or performance. Whether you need to endlessly practice one section of a song, experiment with how different lines work over each other or hone your improvising chops, the Boss RC-3 can accompany you with rich layers and simple beats for hours on end. Nothing can do it better than this Boss looper.

The Mood is the result of a collaboration between Chase Bliss, Old Blood Noise Endeavors, and the Belgium-based Drolo. Its two channels of delays and looping options allow you to stretch, twist, freeze, and otherwise manipulate your audio in myriad ways.

The Line 6 DL4 Delay Modeler ranks as one of those stompboxes every player should own at some point. With 16 distinct delay modes and onboard looping, the Line 6 DL4 unlocks a rich universe of effects to explore.

The TC Electronic Ditto X2 Looper expands upon the features of the original Ditto Looper pedal. Besides being true bypass, you can flip the loop in reverse or play it back at half-speed—similar to the functions of the famed Line 6 DL-4 looping section but easier to use. The USB out is useful for exporting and archiving the loops you create to your computer.

Built with two autonomous loop channels which can operate independently or in tandem, loop decay control, and seven onboard loop effects including tape stop, reverse, and double, the TC Electronic Ditto X4 is one of the more powerful loopers available on the market. Similar in approach to the standard Ditto, this expanded iteration sports up to five minutes of total looping time for each loop to be chopped, cut, delayed, decayed, and more, all through the interface. Excellent for the experimental solo performer interested in adding more nuance to their performance. the X4 is also a solid option for anyone looking to dive in headfirst to the world of looping.

A high-fidelity dual looper? An all-in-one backing band? A box of easy-to-use sonic creativity? The Boss RC-10R Rhythm Loop Station bills itself as all of these and still more than the sum of its parts. A two-track stereo loop engine with 32-bit AD/DA and 32-bit floating-point processing packs six total hours of recording time, but that's only half the fun: 16 onboard drum kits and 280 rhythm presets let you craft entire rhythm sections on the fly when you're jamming by yourself or up on the stage.

This pedal is a dual-track powerhouse, featuring two full loop tracks and mic and stereo instrument inputs for endless possibility and creativity. It's a great partner for a singer-songwriter, multi-instrumentalist, or guitarist trying to expand their playing power. Like its smaller RC-5 sibling, the RC-500 features class-leading 32-bit AD/DA and 32-bit floating-point processing, as well as 13 hours of recording time and onboard storage for 99 phrase memories. The RC-500 also offers 16 extra drum kits on top of its 57 preset rhythms (with A/B variations), and can be synced to DAWs and drum machines via MIDI.

The Chase Bliss Habit is a delay and looper unlike any other. A "musical sketchpad," you can set it to constantly record your playing for up to three minutes—and then the notes, glitches, and passages from this recorded memory become a pseudo-random second voice you play along with. It's the type of inventive effect that only Chase Bliss could make, one with which new genres and subgenres of music could be created.

The DigiTech TRIO Plus Band Creator + Looper takes the groundbreaking band accompaniment technology of the first iteration of the pedal and amps it up with twelve genres, twelve selectable styles per genre, onboard modulation and a built-in looper. Able to leap from three-piece samba accompaniment to a five section death metal chug, The TRIO is an excellent practice tool and perfect bandmate for the solo performer.

Just shy of a band in a box, the RC-30 Loop Station is a powerful twin looper unit with two synchronized stereo tracks. The pedal features the ability to record up to three hours of loops direct into the unit, a USB 2.0 port, an XLR input, and an array of built-in loop effects.

For the solo performer, comprehensive loopers like the TC Electronic Flashback x4 are key. This stereo stompbox can act as a digital delay, with plenty of TonePrint options and 15 modes, or a full on looper with the ability to store and cue multiple 40 second sections.

The Boss DD-20 Giga Delay is like a history lesson in delay, providing eleven variations of the effect and adding a few of its own. With typical Boss durability, it is the last delay unit most players will ever need.

The Electro-Harmonix 720 Stereo Looper provides 720 seconds (12 minutes!) of recording time, with no-compromise 24bit A/D conversion and a wealth of functionality in a small package. Put down up to 10 independent loops with unlimited overdubbing, reverse and half-speed recording, and undo-redo functions to create huge sonic landscapes that would normally require an entire band or bulky multitrack equipment. The stereo inputs don't mean you have to be limited to stereo instruments -- record two instruments at once! Shop Reverb.com for the best deals on new & used 720 stereo loopers today.

With over ten types of delay, six seconds of max delay time and looper capabilities, the TC Electronic Flashback can be the only delay pedal you need on your board. It includes adjustable repeat patterns and stereo outputs.

Boss released the RC-300 Loop Station in the wake of the looper craze, offering a powerful three-track stereo looping system that doubles as an effects pedal, an expression pedal, and even a control panel. The RC-300 functions with any instrument or voice you can plug in, and even has phantom power for mic'd instruments. Up to three hours of internal memory and the ability to transfer loops over to your computer for later use all builds into one powerhouse looping system.

You can finally have a bandmate that won't bail on you with the Digitech Trio Band Creator. Whether it be for backup in performances or as an awesome tool for practice, you can use the Digitech Trio to auto-generate drum and bass parts for any of seven different genres, like rock, pop, and jazz, just by listening to you play. Change up the sound by picking one of twelve song styles for each genre and using either 3/4 or 4/4. If you need to recall a whole song, it's no problem; the Trio can learn and recall up to three different song parts for you to play with. With a slew of controls to play with and a highly intelligent system, you can use the Trio to build the backing you always wanted.

Featuring four loop tracks which can be played in tandem, four looping styles including octave and reverse solo as well as unlimited stacking, the Boomerang III Phrase Sampler's powerful looping capabilities make this unit one of the most expansive loopers on the market. Able to create full soundscapes perfectly in tandem, the Boomerang III is an ideal choice for the solo performer who wants enormous sound or the guitarist interested in creating experimental new sounds.

When you want everything on your sandwich at a deli in NYC, you order it "Hazarai," and the Memory Man Stereo with Hazarai has everything but the kitchen sink. The pedal is a delay, looper and reverse echo all in one featuring 300ms of delay time with ping pong delay, 30 second looping capability, and high or low pass filter options in every mode.

Sporting 16 minutes of recordable storage, the Boss RC-20XL is one of the most comprehensive loopers available on the market. In addition to the enormous memory, the pedal features built-in auto correcting for easy loops, loop tempo change without altering pitch, and the ability to save and play up to eleven loops simultaneously.

The Montreal Assembly Count to Five Delay is an incredibly creative delay pedal that offers three distinct modes of operation covering a wide variety of effects. Mode one is a straightforward granular delay that offers expression pedal control of the 'tape' direction, buffer length or feedback. Mode two allows the sampling of a clip and control of granular slicing length and randomness, while Mode three allows looping sampled clips with as many as three digital 'tape heads' playing back the sampled sound. The ability to overdub more loops or samples in Mode two and three enables the creation of rolling, complex textures. An amazing sound design tool for indie leaning rock or pop, the Montreal Assembly Count to Five is a truly unique pedal that offers a wealth options to guitarists who value depth and originality in their pedals.

From pinning down a pristine backing track to chopping and warping a long phrase for experimental soundscapes, the MXR M303 Clone Looper is a contender both for those new to to the format and seasoned loopers. Record up to six minutes in a high-fidelity sample rate of 88.2kHz with all the effects your heart could desire in a no-nonsense, heavy duty design crafted with the reliability that keeps MXR pedals on thousands of players' boards.

Featuring six minutes of sample memory and the capacity for up to eleven separate loops, the Electro-Harmonix 360 Nano Looper is a powerful tool for crafting enormous soundscapes with a minimal pedalboard footprint. With its streamlined controls and attractive price point, this pedal is an ideal choice choice for a singer-songwriter or any musician in search of experimental looping possibilities.

Built with space in mind, the Boss RC-2 Loop Station is the compact little brother of the RC-20XL and the RC-50. Perfect for any genre where multiple layers and looping is required, the Boss RC-2 features up to 16 minutes of recording time and the capacity to store up to 11 separate phrases, all in a stomp box. Why bother with big, expensive loopers when you can have one for a fraction of the cost and space?

Able to match a beat to your strumming pattern with a full kit and dozens of playing styles, the DigiTech SDRUM Strummable Drums is like having a session drummer on hand (or foot) for a new way to practice and jam.

• Controls: Groove/Kit, Hats/Rides, Level, Tempo knobs, Kick and Snare pads


• Groove Patterns: 4/4, 3/4, ST, SW, Simple, Busy


• Kit Types: E-Pop, Brush, Perc, Pwr, Clean


• Other Features: Separate Verse/Chorus/Bridge sections, 36-song memory, JamSync connectivity

Armed with a delay range of 15ms to 8 seconds, onboard tap tempo and eight separate delay modes, the Hardwire DL-8 Delay Looper is a beast of an effect. Capable of satisfying even the most demanding of players, the DL-8 is a Swiss army delay ready for action.

Capable of true stereo looping, and expandable memory with up to 16 hours of sample time, the Jamman Stereo is a great tool for musicians to building their performances to the next level. This is a great choice for those of you who need more out of a looper than some of the more simple options out there can offer.

The Grand Canyon greatly expands on the capabilities of its predecessor. While it keeps the three-second delay time, the Grand Canyon offers 12 effect types (as opposed to the Canyon's 10): Echo, Mod, Multi, Reverse, DMM (which is fashioned after the classic Deluxe Memory Man tone), Tape, Reverb, Pitch, Shim, Sample/Hold, Drum, and Doubler. The Drum effect is brand-new to the Grand Canyon and emulates the magnetic drum echo of the Benson Echorec. The Doubler makes use of the new pedal's stereo outputs to make a left-to-right stereo spread or add heft to a mono signal. Meanwhile, the Looper function—which was limited to 62 seconds on the Canyon—now has 16 minutes of total recording time, allowing for unlimited overdubs and sonic experimentation.

The Boss RC-505 Loop Station pairs the legendary looping power of the RC series with a tabletop, hands-friendly design allowing for singers, rappers, and beatboxers to get in the loop. Built with five stereo phase tracks which can be operated independently or simultaneously, each track also sports its own volume and dedicated controls for accessing the onboard 99 phrase memory bank at the drop of a hat and dialing in a new track. Easily able to play with others, the RC-505 also sports external MIDI control and a USB sync for importing/exporting phrases to be tailored to the user's whims.

Featuring a dual-stomp design for tandem looping, six and a half hours of loop time recordable to a removable memory card and easily navigable interface, the Digitech JamMan is an industry standard in looping. Capable of recalling loops from an expansive memory for simple accompaniments or complex layering, the JamMan is the perfect accompaniment to the solo performer or the frontman running rhythm and vocal duties.

The Digitech Jamman Express XT is a perfect solution for players looking for a bone simple looper with true stereo capabilities. With up to 10 minutes of loop time, you have nearly infinite options to build your compositions.

When you need an extra player for your gig, the JamMan Solo XT's powerful looping capabilities are there to back you up. The pedal features 99 separate memory spaces capable of saving up to 35 minutes of audio, plus an SD card slot for even greater memory looping ability.

Giving you the power to run up to three delay tones at the same time as well as access to the company's well-known TonePrints, the TC Electronic Triple Flashback Delay is one of the more versatile delays out there. Build subtle, simple delays or thread a tape echo through a reverse delay and then into a ping-pong for some wackier sounds. Run the delays stacked together or in parallel to build whatever sonic soundscapes you can dream up.

The TC Electronic WireTap Riff Recorder allows you to never miss another great lick while jamming again by simply plugging the super compact pedal into your chain, turning it on, and playing as usual while the WireTap records all your ideas. Simple, small, and easy to use, this is an home run solution for pinning down high-fidelity guitar, bass, or synth ideas right in your rig.

Sporting some of the most expansive capabilities ever built into a looper, the Electro-Harmonix 95000 Performance Loop Laboratory comes with features like a 100-loop capacity, a 16GB Micro SD card with up to 375 minutes of loop time, and an armada of tweakable parameters for creating entire worlds of sound. Use onboard quantizing and reverse playback and dual-octave speed adjust for minute adjustments with complete precision with two audio inputs that can even handle mics with built-in phantom power. A flagship effect for any loop junkie.

Built with seven footswitches, a 99 patch loop bank and a staggering 49 minutes of possible recording time, the Boss RC-50 Loop Station is one of the most expansive loopers available on the market. Capable of playing up to three stereo phrase effects at once during live performance and WAV-file supported with a USB port for even more playing options, the RC-50 is an excellent option for complex solo performance or keeping/playing loops in a math rock band.

Bringing together features like five total minutes of looping time with unlimited overdubbing, high-fidelity stereo in/outs, and even the option to load the pedal with pre-recorded loops from the likes of John Petrucci, the TC Electronic Ditto Stereo Looper brings looping to another level of play. Designed to expand on the capabilities of the original Ditto, this upgraded rendition's expanded memory and functionality afford an entire new realm of looping prowess than previously available. Whether you're looking for a more powerful looped presence in your guitar playing or want to take full advantage of a two-amp stereo setup, the Ditto Stereo is at the ready.

In the wake of the looping craze comes the Pigtronix Infinity Looper, one of the most advanced and musical looping pedals on the market. Though simple and intuitive to use, the Infinity Looper is incredibly powerful; zero-latency, two sync-able stereo loops of which one can be multiplied up to six times, different looping modes, and 9 loop presets give you a looping station that can provide everything you need. Undo and redo recordings or dub over another loop with the Infinity's dub function, or even use MIDI input for beat clock syncing. Looper fanatics need to take a look at this one.

The Electro-Harmonix 22500 is a compact-yet-advanced dual stereo looper pedal for your instruments or microphone with impressive functionality. Recording up to 100 loops on a single removable SDHC card (8GB included, up to 12 hours of recording time), the 22500 records and plays back non-compressed audio so as to not degrade your original signal. Dual stereo loops can start and stop and the tap of your foot, and a parallel mode allows playback of two stereo loops at once. Reverse and octave switching let you change things up on the fly, and the "Stop" switch can double as a tap tempo which controls not only one of the preset drum loops, but also allows your loops to be perfectly quantized. An optional external controller allows you to bank through stored loops so you can have your whole set or complex songs right at your feet.

Featuring 12 expertly crafted delay types emulating the most celebrated effects through the decades, 40 seconds of delay time, three presets and tap tempo capability, the TC Electronic Alter Ego X4 captures vintage delay greatness and presents it in a sleek, modern package. Expansive in features and able to rival effects two to three times more expensive, the X4 is a powerhouse able to satisfy the most exacting demands in a delay.

Featuring 5 1/2 minutes of sampling time, instantaneous tempo change and a storage bank of ten loops, the RC-20 is a formidable looper ideal for singer-songwriters looking to expand their performance abilities. Big on features yet designed with a compact dual-stomp chassis, this pedal can expand your sound into new experimental territory or fill out your sound for a big presence.

The crown jewel of the company's most popular loop pedal series, the DigiTech JamMan Delay Looper Phrase/Sampler brings in everything except the kitchen sink. Built with eight footswitches including controls for tempo/delay tempo, loop selection, and recording, this JamMan offers 35 minutes of stereo quality looping with up to a whopping 16 hours of recording with an optional SDHC card. Taking it even further, the JamMan is also a full-service delay with 10 types of choose from and sculpt along with your loops.

The Roger Linn AdrenaLinn III is a more of a workstation than a traditional guitar pedal, with filter sequences, random filter patterns and beat-synced modulation tied to a MIDI clock or internal drumbeat. Listen to the intro of John Mayer's "Heartbreak Warfare" for an example of what this unit can do. 

The momentary model features a momentary as opposed to latching switch and also houses a volume knob.

Built with ten separate delay types, a 20 second loop capacity, voicing control and tap tempo, the Digitech Time Bender Musical Delay is a veritable fortress of time-based effects. Capable of storing up to four unique, user-generated presets and a dual-stomp design to run infinite repeats on loop while crafting a new sound, this pedal is perfect for shoegaze, ambient, or psych rock.

The DelayLab is a comprehensive delay unit featuring a built-in 28 second looper. In addition to the looper, the DelayLab features 30 separate delay effects, 10 classic song presets and 24-bit/48kHz sampling.

The DigiTech JamMan Solo brings an array of features tailor-made for looping and phrasing like controls for both rhythm and leading loops, 35 total minutes on built-in recording time, and an internal memory of 99 presets recorded by the user. Currently discontinued, this particular model nevertheless continues support the accompanying JamManager XT Loop Librarian software connectable via USB for ultra-precise loop editing and storage.

For those in search of a great jamming, practice, and inspirational companion, take a look at the Line 6 J4M Looper. Along with being a fully functional looper with over 100 jam tracks from pro studio players like Jason Bonham and Tony Franklin, the J4M offers presets galore. With amp modelers, hundreds of artist-created and song-based presets, voice effects, and banks to save your own info, the J4M is ready for whatever looping and effect needs you may have.

The Lo-Fi Loop Junky by Zvex differentiates between you and your loops by adding on a lo-fidelity, gritty quality that makes it sound like you're playing against a warped recording of your own guitar. With no analog-to-digital conversion and 20 seconds of pure analog storage, there are no markers of digital sound - it's totally analog.

The sound of classic '80s Boss pedals is still in demand, and the DSD-2 Digital Delay Sampler pedal is no exception. Though it was made for a very brief period from 1985 - 1986, the DSD-2 remains a staple in many rigs. While the sampler section is only capable of recording 800mS, very short by today's standards, that didn't stop a number of players from leveraging this new scaled down sampler technology to create great textures. This compliment to the other Boss digital delays of the era uses the same delay chip as the famed DD-2 for crisp decays.