Meilleures ventes
Meilleurs produits sur Reverb au cours des 90 derniers jours
Best-sellers dans Effets et pédales - Distorsion
- 1
Boss DS-1 Distortion
La Boss DS-1 est certainement la pédale de distorsion la plus connue de tous les temps. Pratiquement indestructible, facile à utiliser et disponible à un prix plutôt bas, la plupart des guitaristes l'ont forcément utilisée un jour. Steve Vai en utilise deux, une en tête de sa chaîne et une en fin. - 2
Boss SD-1 Super Overdrive
Sortie en 1981, le Boss SD-1 est la deuxième pédale Boss à arriver sur le marché, c'est une pionnière dans le monde des overdrives compactes. Même aujourd'hui, les gens l'utilisent encore comme alternative à un Tube Screamer. Pourquoi payer 200 € pour une overdrive boutique alors que vous pouvez très bien salir votre son pour 50 € ? - 3
ProCo RAT 2
La ProCo RAT est considérée comme l'une des pédales de distorsion les plus utilisées, c'est l'effet préféré de musiciens aussi disparates que Jonny Greenwood, Nels Cline, Kurt Cobain et John Scofield. La ProCo RAT 2 a vu le jour en 1988 et continue d'être un incontournable du pedalboard de nombreux guitaristes et les bassistes. Le son qui en sort est devenu légendaire. - 4
Boss MT-2 Metal Zone
The Boss MT-2 is an undeniable icon of metal guitar tones and remains one of the most popular pedals in Boss' whole catalog. For players who need a one-way ticket to over-the-top distortion worthy of the legands of thrash, the MT-2 is an easy choice. - 5
Electro-Harmonix Soul Food Overdrive Pedal
La pédale Soul Food fabriquée par Electro-Harmonix s'inspire de la fameuse Klon Centaur et c'est une réussite, nombreux sont ceux qui n'arrivent pas à faire la différence. La Soul Food reste tout de même différente et possède son propre caractère. - 6
Electro-Harmonix Big Muff Pi
Peu de pédales d'effet ont autant façonné l'histoire du rock que la Big Muff Pi d'Electro-Harmonix. De David Gilmour à Billy Corgan, de J. Mascis à Dan Auerbach, la Big Muff Pi est toujours l'essence même ce que doit être une fuzz taillée pour le rock. - 7
Fulltone OCD V1 Series 4 Obsessive Compulsive Drive Pedal
C'est certainement la pédale d'overdrive la plus connue au monde, la Fulltone OCD est connue pour améliorer facilement le son des guitares et des amplis. La Fulltone OCD a ouvert la voie à de nombreuses pédales boutique, c'est un effet économique à posséder sur votre pedalboard. - 8
JHS PackRat
Inspired by the long history of the ProCo Rat, the JHS PackRat Distortion promises to deliver a whopping nine different variations of Rat in one pedal. JHS's Josh Scott worked on this pedal for an apt nine years, collecting tons of iterations of the ProCo Rat, photographing components, and getting to work on nearly 1:1 recreations. If you love the ProCo Rat in all of its forms iterations, the JHS PackRat is the one-size-fits-all solution for your pedalboard. - 9
Electro-Harmonix Little Big Muff Reissue
Sporting the same iconic circuitry that made its larger predecessor famous but housed in a compact chassis, the Electro-Harmonix Little Big Muff captures all the legendary fuzz tone while saving space on your board. Built with high gain and designed for maximum sustain, this effect is an ideal choice for anyone looking to get into the world of Muffs while saving some cash. - 10
Boss HM-2W Heavy Metal Waza Craft
The original HM-2 Heavy Metal is a cult favorite, responsible for the extreme "chainsaw" guitar tone of classic Swedish death metal. But other players across metal and rock have made the pedal their own. The HM-2W is Boss' new Waza Craft version. It offers the standard settings of the original, along with new expanded features: including a reduced noise floor, 3dB more volume on tap, and other modern perks. Since HM-2s are still popular on the vintage pedal market, the HM-2W is a premium choice at a more affordable price. - 11
Boss OD-3 Overdrive
La Boss OD-3 est une pédale d'overdrive équipée de trois réglages : tone, volume et level. Du boost propre à l'overdrive vraiment sale, l'OD-3 est à l'aise sur tous les terrains. Si vous cherchez un effet abordable et simple à utiliser, foncez. - 13
Fulltone OCD V2 Transparent Overdrive
S'appuyant sur le design légendaire de l'une des overdrive les plus utilisées de l'histoire, la Fulltone OCD V2 propulse le son très amp-like de l'original avec un nouveau buffer, une entrée et un bypass amélioré.
- Réglages : potards de Volume, Drive et Tone, switchs HP (High-Pass) / LP (Low-Pass) Filter switch.
- Autres caractéristiques : Buffer de sortie amélioré, entrée JFET classe A 2N5457, modes True/Enhanced Bypass sélectionnable par switch interne.
- 14
Crowther Hot Cake Overdrive
The Crowther Hot Cake Overdrive incorporates elements like non-inverted phase polarity, internal bass accentuation switch for added low-end, and and easy to use three-knob interface consisting of controls for level drive, and presence. Designed to offer a wide range of sonic options, the Hot Cake serves uncolored clean boost with just the volume knob in play and commensurately scales gritty distortion as the drive knob is cranked. - 15
Boss OC-3 Super Octave
When an octave bass accompaniment just isn't enough, the Boss OC-3 Super Octave steps in to sweeten the deal. In addition to the original OC-2 mode allowing for one and two lower octave notes, the OC-3 includes a Drive and Polyphonic mode for overdriven tones and an adjustable polyphonic effect. The OC-3 is used by The Black Keys, Van Halen and Tony Iommi. - 16
Electro-Harmonix Nano Big Muff Pi
Featuring an ultra-compact enclosure and the same controls for volume, tone and sustain, the Electro-Harmonix Nano Big Muff Pi brings the same creamy fuzz and distortion as the original in a pedalboard-friendly package. Built using the same Big Muff Circuitry in a nano format, this effect is a great introduction to the Big Muff World or just a great fuzz pedal that won't eat up pedalboard space or cash. - 17
Boss DS-2 Turbo Distortion Pedal
Cette pédale Boss est sortie sur le marché en 1987, c'est certainement l'un de leur plus vieux modèle. La DS-2 Turbo Distortion possède deux modes qui permettent d'obtenir soit une distorsion plutôt chaude soit une beaucoup plus mordante. Une prise jack permet de déclencher à distance les deux modes. - 18
Maxon OD-808 Overdrive Pedal
Featuring the original JRC4558 IC circuit and intuitive interface of overdrive, balance and tone, the OD-808 reissue brings all the warm overdriven power of the first generation in an updated chassis. Reasonably priced and built with high-grade components, the OD-808 brings the vintage into the modern for a contemporary classic. - 20
Analogman Prince of Tone Overdrive Pedal
Clear the path for the heir to the throne. The Analogman Prince of Tone is capable of everything from pure boost to an assault of distortion, perfect for blues rock, stoner metal, or shoegaze. - 22
EarthQuaker Devices sunn O))) Life Pedal Octave Distortion + Booster V3
The sunn O))) Life Pedal V3 may just be the most refined approach for heavy, crushing tone available. Splitting the octave controls out to become independent (vs. previous models), the circuit itself has been updated to allow for a more pronounced octave effect. Alongside precise controls for distortion and boost, you get full tweakability to tame—or let loose—the Life Pedal's aggressive potential. - 23
Electro-Harmonix Big Muff with Tone Wicker
Sporting the same muscle as the standard Big Muff Pi with the addition of a three-way tone wicker switch for light or heavy treble boost, the Big Muff with Tone Wicker combines classic fuzz tones with added versatility. From classic to fierce, the Tone Wicker serves up fuzz any way you want it. - 24
JHS Double Barrel V4
The Double Barrel V4 Overdrive from JHS packs the brand-new Moonshine V2 circuit on the right and the Morning Glory V4 on the right. The Moonshine V2 captures the same classic mid-heavy overdrive tones, but with the addition of a clean knob for blending your clean and affected signals. Meanwhile, the Morning Glory V4 overdrive features a new high-gain toggle with Red Remote capability, allowing users to plug the Red Remote directly into the "remote gain" jack with a standard patch cable for even more gain-rich tonal options. akes the classic, versatile but transparent overdrive circuit to a - 26
JHS Angry Charlie V3
Featuring the same gain-laden circuitry and nuanced drive/volume controls as the original with the introduction for a three-band equalizer knob section for dialing in that perfect Marshall stack sound, the JHS Angry Charlie V3 continues to bring the noise with more sonic options than ever. The pedal's bass/mid/treble section allows for easy cuts and boosts to transfer from chunky rhythm riffing to fully-scooped metal solos, providing an effect that's definitely a lot more than "Peanuts." - 27
Boss MT-2W Metal Zone Waza Craft
Built in the image of a legendary box of destruction with a new fleet of tricks at its disposal, the Boss Metal Zone MT-2W Waza Craft captures arena-filling shred and tear with the tonal options to please any fain of gain. The familiar three-band EQ with semi-parametric mids delivers the focused mid-driven sound that put this pedal on the map with dual-gain circuitry for sounds like a stack of amps. Throw in the added "Wide and tight" custom function to finely sculpt high-gain tone sure to complement any heavy style you'd come across today. - 28
Fulltone Full Drive 2 Mosfet
The Fulltone Full Drive 2 is the most popular boutique overdrive in the world, combining two highly adjustable gain stages into a single casing. With a dizzying array of niche overdrives filling the market, the Fulltone Full Drive 2 remains a no-brainer necessity for studio or stage when you don't want to spend hours swapping out other ODs. - 29
J. Rockett Archer Overdrive
So many pedal companies have tried to put their own spin on the classic Klon KTR, but only the original could give the legend a successor to the throne. J. Rockett Audio's Centaur is a versatile boost and overdrive perfect for the likes of stoner rock, dirty blues, or the wide world of shoegaze. - 30
Ibanez TS9DX Turbo Tube Screamer 1998 - Present
Building on the shoulders of the legendary Tubescreamer, the TS9DX incorporates the same circuitry as the original with an additional Mode knob for toggling between TS9, Turbo, Hot, and + settings. The TS9DX brings the same warm tube-like overdrive to the table as its predecessors with expansion into low-end territory for a remarkably versatile pedal. - 31
JHS Muffuletta Fuzz
Équipée de six circuits séparés de Muff, le JHS Muffuletta Fuzz est l'une des fuzz les plus complètes sur le marché, en particulier pour les fans du son Muff. La Muffuletta dispose du circuit de la Triangle, de la Pi, de la Russe, de la Civil War et de la propre interprétation de JHS sur le circuit Muff. Choisissez entre chacun des six circuits et taillez votre son de fuzz à l'aide des boutons Tone, Volume et Sustain. Des artistes comme David Gilmour, J. Mascis, John Lennon, Jack White, The Edge, Pete Townshend, Jeff Tweedy et beaucoup d'autres ont tous eu au moins un de ces cinq Muffs sur leur pedalboard. - 32
REVV G3 Distortion
The REVV G3 is a distortion pedal based on the "purple channel" of the brands most revered amp models. In addition to volume and gain controls and a three-band EQ, the G3 packs a three-position "aggression" toggle that adjusts the amount of gain and overall character of the drive. Though primed largely for full-bore metal tones, the G3 is an extremely versatile drive that can play nicely in just about any rig. - 33
Boss OS-2 Overdrive/Distortion
La Boss OS-2 rassemble dans le même boitier leur distorsion et leur overdrive les plus connues. Cette pédale est parfaite pour ajouter beaucoup de clarté à votre son lead tout en ajoutant un peu d'overdrive, vous pouvez également pousser les réglages pour entrer dans une nouvelle dimension de distorsion. - 34
Strymon Riverside Multi-Stage Drive
La pédale de drive à plusieurs étages Riverside est une version de Strymon du monde de l'overdrive, un son très sale dans un petit boîtier. Combinant la technologie DSP avec des circuits analogiques au travers de quatre étages de gain, la Riverside utilise ses différents réglages pour obtenir le son idéal, que vous soyez à la recherche d'un overdrive chaud et bluesy, ou une distorsion moderne et intense. Très ergonomique, avec un EQ à trois boutons placés après les étages de gain pour un réglage de son plus précis, cette pédale effectue le travail de plusieurs overdrives tout en offrant un contrôle total de votre son. - 35
JHS @ The AT+ Plus Andy Timmons Signature Drive
After Andy Timmons began using a JHS Angry Charlie pedal back in 2013, he soon got in touch with the brand's Josh Scott about making some modifications to further suit his needs. The result of this collaboration is the @—a signature overdrive and distortion dirtbox that packs Andy's lead and rhythm tones into a pedalboard-friendly chassis. - 36
Electro-Harmonix Hot Tubes Nano Overdrive
Electro-Harmonix has reissued its classic '70s CMOS Hot Tubes in miniaturized form with the Hot Tubes Nano. Get that same CMOS overdrive sound that's hyper-sensitive to your every touch and, if you want, remove any excess tone using the Tone Bypass switch for a cleaner sound. - 38
MXR M75 Super Badass Distortion
As part of the Custom Badass line, the MXR Super Badass Distortion has the same reliable components typical of the series. This Super Badass pedal boasts completely analog distortion that is dynamic and sensitive, and can bring you a wide variety of tones from low-gain overdrive to heavy, scooped metal distortion perfect for singing along. - 39
Joyo JF-14 American Sound Overdrive
Built with a range of features like three-band EQ, drive and level control, and a large-box design, the Joyo American Sound Overdrive pins down vintage-inspired tweed amp tone in a single box. Designed to emulate the beautifully organic overdriven tone of a '57 Fender Deluxe, the American Sound's affordability and timeless tone make it a first-round draft pick. - 40
Xotic SL Drive Distortion
La Xotic SL Drive est basée sur l'ampli Marshall Model 1959, vous donnant ainsi la sensation d'avoir une tête d'ampli 50 W sous les pieds. Cette petite pédale est capable d'émuler parfaitement la réponse de deux types d'amplis : le Super Lead et le Super Bass. Un sélecteur permet de choisir entre les deux. - 41
Electro-Harmonix Black Russian Big Muff Pi
Already on its way to classic status, the Black Russian Big Muff is favored by many players for its great bass response and nearly infinite sustain. This Muff is great for leads or thick wall-of-sound fuzz. Grab one now as these Muffs are only going to get more valuable with time. - 43
Walrus Audio Eras Five-State Distortion
The Eras Five-State Distortion is a high-gain distortion with five distinct modes. It's all packed into a translucent red enclosure, with art by Adam Forster featuring an apocalyptic four-horned, winged bull. - 46
DOD Overdrive Preamp 250 Reissue
Featuring a compact size, simple interface and updated circuitry, The DOD Overdrive Preamp 250 Reissue infuses vintage quality with modern features at an attractive price. Built for the working musician in need of a reliable overdrive that can go from bluesy warms to scorching leads, this pedal is a perfect choice for blues, alt rock, or funk. - 48
MXR M104 Distortion +
The Distortion + is a classic stompbox from MXR. At the end of the '70s, the MXR logo used on the model changed from a cursive or 'script' logo to a thicker block logo. The modern M-104 Distortion + is produced under the MXR name by Dunlop. - 49
Catalinbread Dirty Little Secret MKIII
La Catalinbread Dirty Little Secret MKIII est une pédale qu'il faudrait toujours avoir sur son pedalboard. C'est la réponse à toute personne en quête du son Marshall, la MKIII est équipée d'un switch permettant de choisir entre les modes Super Lead et Super Bass. Parfaite pour le rock, le blues et le metal. - 50
Analogman King of Tone
In the realm of overdrives, the King wears purple. The Analogman King of Tone takes any rig into pure, overdriven tube territory, perfect for classic rock, shoegaze, and blues. As a company, Analogman keeps production numbers low which has resulted in a many months long waiting list for pedals like the KoT. This also means that used examples that come up for sale tend to sell very quickly, making the King of Tone one of the hottest used pedals on the market. - 52
Electro-Harmonix LPB-1 Linear Power Booster Nano
A distant cousin of one of Electro Harmonix's earliest effects (the original LPB-1 from 1968), the LPB-1 Linear Power Booster Nano is one of the most commonly used boost pedals available. Using the same circuitry from the original, it ranges from a simple clean boost to full creamy saturation. - 54
Boss ML-2 Metal Core Distortion Pedal
The Boss ML-2 Metal Core aims to codify the tones used in Nu Metal, Grindcore, Djent and Industrial recordings. It offers extremely high levels of gain and distortion with heavy lows. - 55
Boss HM-2 Heavy Metal
A legend in the annals of Boss pedals, the HM-2 Heavy Metal is, obviously enough, a pedal intended for those who play heavy metal music. For a lot of players in the heavy realm, the appeal of the HM-2 has a lot to do with the insane amount of boost and tone-shaping this pedal provides. Its unique character has spawned several imitators and landed the HM-2 a place in the signal chain as a who's who of extreme metal players. - 60
ProCo Turbo Rat Distortion
Featuring an LED display, traditional RAT filter control for nuanced brightness control and double the output of a traditional RAT with 2.8V, the Turbo Rat is the most intense distortion in the RAT family. Designed to slice through a mix when you really want your playing present, this is a natural fit for any metal genre, but also functions well in post-punk and indie rock. - 62
Boss DF-2 Super Feedbacker and Distortion 1985 - 1989 Made In Japan
The DF-2 is a distortion pedal with a built-in feedbacking function. Like other Boss pedals, earlier models that were made in Japan and have a black label on the back are the most highly sought after. - 63
JHS Charlie Brown V4
Built with the same brown sound-summoning controls for volume and drive with the addition of a three-band EQ for added capability in dialing in that perfect overdriven tone, the JHS Charlie Brown V4 expands the original overdrive into a full tone-shaping tool. Capable of taking any rig from classic rock mild gain overdrive to searing JTM half-stack heaven, this new and improved box of muscle may be square, but it's no blockhead. - 64
Zvex Box of Rock Vexter
A favorite pedal of J. Mascis of Dinosaur Jr, the Box of Rock is a clean boost and distortion housed within one unit. Designed to emulate the tones of a classic overdriven Marshall, the Box of Rock sports separate footswitches for boost and distortion, a streamlined four-knob interface, and Zvex's signature "Distortron" distortion circuit. - 65
MXR M78 Custom Badass '78 Distortion
The MXR Custom Badass '78 Distortion is factory-modded overdrive with a hot-rodded circuit to provide classic rock distortion regardless of what kind of amp you are using. - 66
Boss MD-2 Mega Distortion Pedal
Fabriquée pour répondre aux besoins du metal moderne, la Boss MD-2 Mega Distortion délivre une distorsion ultra lourde très axée sur les basses fréquences. Un double étage de gain et un boost viennent compléter la bête. Parfaite pour jouer du metal, du hard rock ou du hardcore. - 67
Electro-Harmonix Deluxe Big Muff Pi Distortion / Sustainer
The Electro-Harmonix Deluxe Big Muff Pi is an expanded, highly-tweakable version of the classic Pi fuzz. Taking the ubiquitous sound of the standard Big Muff and adding a whole new world of control, the Deluxe Big Muff Pi goes where vintage Muffs simply cannot. A sweepable mid-shift EQ with separate switch lets you stomp into cutting tones for solo sections, offering a different texture from your standard sound. You can even plug in an expression pedal to control the center frequency and get a moving filter happening on the fly. An attack control brings clarity back to your sound, even at extreme gain levels. Little too much noise in your signal? Bring the onboard gate to the party and tame it with ease. Also switchable on the Deluxe Big Muff Pi are a fixed bass boost and a high/low gain setting, making this version of the Muff the most versatile yet. - 70
DigiTech Bad Monkey Tube Overdrive
The DigiTech Bad Monkey is a Tubescreamer-esque overdrive with separate high and low EQ controls. It includes a Mixer Output to go direct into a board or interface, with a cabinet simulator built in. - 71
Gamechanger Audio Plasma Pedal High Voltage Distortion Unit
For those who want to leave the earthly plane of overdrives and distortions and ride the lightning into uncharted sonic territory, the Gamechanger Audio Plasma Pedal High Voltage Distortion Unit should be your preferred means of transportation. Built around a xenon-filled tube that transform's your guitar's signal into high-voltage discharges, the Plasma Pedal forgoes circuits and transistors for a novel approach to distortion that yields rich non-linear harmonic saturation and enough juice to knock Zeus off of Olympus. - 75
MXR Fullbore Metal
Conçue spécifiquement pour répondre aux demandes en distorsion des musiciens de metal, la MXR Fullbore Metal propulse votre gain à des niveaux incroyablement élevés tandis que son noise gate élimine le bruit qui provient typiquement des pédales à gain élevé pour garder vos riffs précis et clairs. Un EQ 3 bandes avec des fréquences médiums balayables vous aide à façonner votre son avec précision, et vous pouvez même ajuster le noise gate selon vos goûts afin qu'il sache exactement de quoi se débarrasser pour coller au mieux à vos envies. - 76
Tech 21 SansAmp Classic
Though the SansAmp technology by Tech 21 has given birth to many other pieces of gear, there's only one Classic. The SansAmp Classic is a distortion pedal with only four knobs that give rise to nearly countless permutations of tone or sound. Starting with three preamp styles, Marshall-style, Mesa-Boogie Style, and Fender-style, leading all the way to simple drive controls, including 8 super unique character modes, the SansAmp Classic demonstrates why it revolutionized Tech 21's entire product line. Smooth overdrive to the crunchiest distortion can all come out of this small box. - 77
Catalinbread RAH
The Catalinbread RAH was named after Led Zeppelin's 1970 performance at the historic Royal Albert Hall, so named for Catalinbread's effort to capture the sound of that show in a pedal. Its overdrive is inspired by Page's playing during the RAH performance and a three-knob tone circuit modeled after the "Jimmy Page" Hiwatt. Catalinbread's RAH overdrive is extremely dynamic, reacting to your pick attack and how you modify your guitar's controls. Hop in a time machine and take it back to '70s Royal Albert Hall with the Jimmy Page-inspired Catalinbread RAH. - 79
Electro-Harmonix East River Drive
The Electro-Harmonix East River Drive is one of the best pedals attempting to chase the original Ibanez TS-808 Tubescreamer tone. Using JRC4558 IC internals, it fosters near-identical classic Tubescreamer response at a much lower price than buying the real thing. - 80
Boss FZ-2 Hyper Fuzz
The FZ-2 Hyper Fuzz by Boss packs two unique fuzzes into one compact unit while boosting gain. It can recreate a traditional fuzz sound, but it also has the capacity to generate a more modern distortion. With two tone controls, you can adjust to your heart's content until you achieve the perfect, precise tone you're looking for. - 81
Death By Audio Apocalypse Fuzz
Ever wanted to have five tweakable fuzzes in one pedal? Then look no further than the Death By Audio Apocalypse. This fuzz and disotortion pedal five distinct fuzz modes along with a sweepable EQ to change up your tone, and the standard volume and drive knobs. From metal tones with a scooped circuit to octave-up sound to a smooshed, high-gain wall of fuzz, the Apocalypse proves an incredibly versatile, flexible fuzz and distortion, giving you a plethora of options to choose from. - 82
Maxon SD-9 Sonic Distortion
The Maxon SD-9 Sonic Distortion summons the sounds of the classic '80s effect through a triumvirate of a recreated knob layout, versatile tone control which takes you from boxy lows to punchy highs with a single twist, and a smooth mid-range gain. Capable of going all the way from a bluesy overdrive to vintage-voiced fuzz to full-on distorted madness, the SD-9 is an ideal candidate for the guitarist looking for classic distorted tones with a wider spread for more versatility. - 83
Fender Pugilist Distortion
Give the mix a stiff right hook and a swift left uppercut with the Fender Pugilist Distortion, a dual-channel heavyweight bearing the title for gain-soaked champion. Dial in precise tones with independent Gain and Tone knobs for each channel, and when you really want to get a pummel going, blend the two channels to your heart's desire and finish the combo with a Bass Boost switch for fat bottom-end presence. - 85
Catalinbread Katzenkönig Fuzz / Distortion
The Katzenkonig marries the best of fuzzed and distorted worlds with a streamlined four-knob layout, all-discrete circuitry for the highest quality signal path and response and a trio of silicon transistors for split personality effects monster. Translating to "Cat King," this double-duty workhorse summons the '80s arena buzzsaw of the classic RAT with the Germanium '70s psychedelia sound of a Tone Bender for a new ruler of the pedal roost. - 89
Electro-Harmonix Metal Muff Distortion with Top Boost
Built with the classic Big Muff circuitry and designed for the most extreme of playing, the Metal Muff Distortion with Top Boost capable of the most aggressive effects demanded in metal. In addition to an onboard three-band EQ for "scooping the mids," the Metal Muff also features a Top Boost control for increasing specific high frequencies for searing leads. - 90
Fulltone Full-Drive 3 Overdrive
Built with an independent JFET boost channel, compact chassis and three-way overdrive voicing switch, the Fulltone Full-Drive 3 offers a boost and overdrive all in one, size-conscious package. Designed on the schematics of the Full-Drive 2 with added features based on feedback from professional players, this is a versatile effect ideal for any guitarist who wants transparent boost, bluesy warmth and screaming overdrive with a few turns of a knob. - 93
Boss FZ-5 Fuzz
Featuring COSM modeling technology designed to emulate the sound of classic fuzz pedals, the Boss FZ-5 is a frugally priced pedal that doesn't sacrifice on quality. Built with modern techniques that capture vintage tone, the FZ-5 is the perfect fuzzy marriage of new and old. - 94
Danelectro Daddy O Overdrive Pedal
One of the sleeper hits of the Danelectro pedal line, the Daddy O overdrive features a three-band EQ and controls for overdrive and volume. Surprisingly versatile and immensely affordable, the Daddy O has long been coveted as an easy avenue to the tone of of the Guv'nor. - 97
Zvex Mastotron Fuzz
Featuring controls for pulse width, tone and volume, the ZVex Mastotron is a silicon-based pedal perfect for the guitarist who wants a fuzz accent on their pedal chain. Built for precise sculpting, the Mastotron is a little pedal with a big presence. - 98
Marshall Guv'nor
If you want to be able to dial in that special Marshall amp sound without actually purchasing a Marshall amp, check out The Guv'nor overdrive pedal. This pedal was created in the late 80s to replicate the drive tones of the Marshall Plexi and JCM800 amps. The Guv'nor allows you to control the gain, level, EQ, and sports a loop output for use of other pedals. Famed guitarist Gary Moore used this pedal on his album "Still Got the Blues," speaking to the pedal's ability to build up anything from bluesy tones to stand-out leading tones. - 99
ProCo Fat Rat
The Fat Rat shares the same specs as the Rat Reissue with the addition of a toggle between original clipping and MOSFET. - 100
Boss ST-2 Power Stack Distortion Pedal
The Boss ST-2 Power Stack aims to reproduce the sound of playing through a cranked high-gain full stack. With three modes - Crunch, Drive and Ultra - you can choose whether you want old school AC/DC distortion or modern ultra high gain distortion fit for metal.
