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Conçue à l'image des modèles de la fin des années 70 rendus célèbres sur l'album Siamese Dream des Smashing Pumpkins, la fuzz Op Amp Big Muff Reissue signée Electro-Harmonix réussi le pari de faire rentrer cette icône des années 90 dans un châssis compact. Réputée pour son mordant grâce à la présence d’amplis op (au lieu de transistors) et de trois étages de gain au lieu de quatre, cette Big Muff est un moyen efficace et abordable d'obtenir le son particulièrement incisif qui fait la renommée de la marque.

A collaboration with Japanese doom legends Boris, the Hizumitas is a recreation of guitarist Wata's favorite Elk Sustainer fuzz. The Big Muff-style circuit is raw and rowdy, with enough gain and distortion to make the earth shake. As much heavy distortion and massive bass response as you desire, with the type of purring sustain you could expect from '70s V1 Triangle Big Muffs.

Featuring an ultra-compact enclosure and the same controls for volume, tone and sustain, the Electro-Harmonix Nano Big Muff Pi brings the same creamy fuzz and distortion as the original in a pedalboard-friendly package. Built using the same Big Muff Circuitry in a nano format, this effect is a great introduction to the Big Muff World or just a great fuzz pedal that won't eat up pedalboard space or cash.

Death by Audio's Fuzz War is not for the faint of heart. You can control the tone with ease, bringing your fuzz up to a scream or down to the grimiest lows. With grungy, nasty fuzz and extreme gain, the Fuzz War creates a massive wall of sound capable of blowing any player away.

Équipée de six circuits séparés de Muff, le JHS Muffuletta Fuzz est l'une des fuzz les plus complètes sur le marché, en particulier pour les fans du son Muff. La Muffuletta dispose du circuit de la Triangle, de la Pi, de la Russe, de la Civil War et de la propre interprétation de JHS sur le circuit Muff. Choisissez entre chacun des six circuits et taillez votre son de fuzz à l'aide des boutons Tone, Volume et Sustain. Des artistes comme David Gilmour, J. Mascis, John Lennon, Jack White, The Edge, Pete Townshend, Jeff Tweedy et beaucoup d'autres ont tous eu au moins un de ces cinq Muffs sur leur pedalboard.

The Analogman Sun Face Fuzz has been produced since the early 2000s and has been a favorite on the high-end fuzz market. Over the years, it has been produced with a wide variety of transistors, which each provide a different tonal footprint. While some rare chip sets can fetch high prices, there are plenty of more accessible models as well.

The Sun Face is built with both Germanium and Silicon transistors. Germanium models can be found here. All models are available with or without a "Sun Dial" middle knob which adjusts the pedal's bias, taking the place of an internal trim pot on the 2-knob models.

Behringer has been a German professional audio equipment outfit for some time, but they didn't produce effects pedals until 2005. Their affordable line of standard effects is similar to the Boss line of stompboxes, though at entry level prices. 

The Keeley Fuzz Bender is a 5 knob, 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones.

Pourquoi seuls les guitaristes devraient être chouchoutés ? La Bass Big Muff Pi est basé sur la Big Muff russe verte et la Pi des années 70. Le circuit est étudié pour maximiser son effet sur la guitare basse. Préparez-vous à une avalanche de nouveaux sons avec votre basse.

La Fuzz Factory fabriquée par Zvex est une des pédales de fuzz qui a le plus influencé le monde des pédales d'effet. Souvent imitée, la Fuzz Factory reste une solution de choix pour toutes vos envies de fuzz.

Already on its way to classic status, the Black Russian Big Muff is favored by many players for its great bass response and nearly infinite sustain. This Muff is great for leads or thick wall-of-sound fuzz. Grab one now as these Muffs are only going to get more valuable with time.

The Hoof Fuzz is EarthQuaker Devices' flagship fuzzbox, becoming a fast favorite among musicians of all stripes shortly upon on its initial release. Its loosely based on the green Russian-style muff circuit and features a hybrid germanium/silicon design, with NOS germanium transistors that are hand-matched to exacting specs for consistency from pedal to pedal. Tonally, the Hoof promises a wide gain range enhanced by its shift knob, which works with the tone control to alter the pedal's frequency response—whether that's cutting out low-mid mud, boosting highs for a glassy top-end, or adding stoner rock sludge. Whatever your fuzz needs, the versatile and shapeable Hoof can accommodate you.

Surnommée la « Triangle » Muff en raison de la disposition des réglages de volume, de sustain et de tonalité, cette pédale fut la première à être équipée du circuit Muff EHX fabriqué en 1969, donnant le coup d'envoi d'une ligne de pédales de fuzz qui allait rapidement devenir incontournable pour les guitaristes.

Sporting the same iconic circuitry that made its larger predecessor famous but housed in a compact chassis, the Electro-Harmonix Little Big Muff captures all the legendary fuzz tone while saving space on your board. Built with high gain and designed for maximum sustain, this effect is an ideal choice for anyone looking to get into the world of Muffs while saving some cash.

The DOD Carcosa Fuzz pulls from the playbook of vintage Maestro silicon fuzz boxes from the 1970s...but don't go and think that this pedal is just another clone. Switchable "Hali" and "Demhi" modes take this pedal from a bright, subtle fuzz to unbridled destruction, both of which can be extensively manipulated with the unique "Before" and "After" controls. These unassuming knobs work interactively to bias the fuzz with a number of sweet spots between both dials. When the Carcosa is really ripping and the treble gets to be a bit too much, simply roll around the hi-cut control to tame it down or even lop off the entirety of the high frequency spectrum for a lo-fi stoner rock sound from another era.

Sporting the same muscle as the standard Big Muff Pi with the addition of a three-way tone wicker switch for light or heavy treble boost, the Big Muff with Tone Wicker combines classic fuzz tones with added versatility. From classic to fierce, the Tone Wicker serves up fuzz any way you want it.

Part of Dunlop's signature artist reissues of the original Dallas-Arbiter Fuzz Face, this one employs a BC108 silicon transistor instead of germanium. Not to be confused with the 1987 - 1993 JH2 Jimi Hendrix Fuzz Face reissue. This newer version is also produced in "mini" form for the space-savers out there.

La The Crayon de JHS Pedals est une version allégée de l'overdrive JHS Colour Box, et recréée les distorsions obtenues en branchant l'instrument directement dans les pré amplis des consoles anglaises, comme la fameuse guitare sur l'intro de « Revolution » des Beatles. Dotée d'un bouton master, pre-volume et EQ, ainsi que d'un filtre hi-pass, cette pédale peut facilement se muer en une fuzz, une distorsion ou un overdrive.

The classic Big Muff Pi is perhaps the most widely-used fuzz pedal ever built, and the Electro-Harmonix Deluxe Bass Big Muff Pi adds a new world of control and a deep frequency response tailored specifically for bass guitar. Dial in the crossover controls to hone in your tone, blend the dry signal back in for more impact, and bring the built-in gate to the party if you've got absurd amounts of gain happening and don't want any feedback.

When a mystic fuzz of lore is the only pedal that will do, the Earthquaker Devices Park Fuzz Sound stands as an effects Excalibur. Painstakingly recreated from the original pedal produced by Jim Marshall's Park Effects, the Park Fuzz Sound is a perfect fit for stoner rock, dirty blues, or metal.

Get everything from (relatively) tame to wild tones out of this no-fuss boutique fuzz. Use the Bias knob to introduce a sputtery, gated effect. The Fuzz knob itself offers a full range of usable amounts. And if you'd like a bit more low-end, switch the Fat toggle on. (Find the rest of JHS' 3 Series for affordable, essential effects.)

The Dunlop Germanium Fuzz Face Mini (FFM2) is a smaller version of the their popular Fuzz Face reissue that saves precious pedalboard real estate. This pedal uses slightly mismatched germanium transistors as opposed to matched silicon in the blue version for a vintage tone that packs plenty of bite.

The Dunlop FFM3 Jimi Hendrix Fuzz Face Mini puts the same exact circuit JHF1 into a compact, pedalboard-friendly enclosure. The smooth, singing sounds of this fuzz were a major part of Jimi's signature sound. A couple modern appointments (aside from the size) like an AC power jack and battery compartment door bring this vintage tone into the 21st century.

The JHS Bender is based off of the 1973 Sola Sound Tonebender. But instead of that vintage circuit's germanium transistors, JHS uses modern silicon transistors selected to match that vintage sound. If you're a fan of the fuzz tones of Led Zeppelin, Jeff Beck, and Mick Ronson—but don't want to pay vintage prices—the JHS Bender is perfect for you.

Mutating your signal into a vicious square wave fuzz and sending it through a universe of modulated oscillation and subharmonics, the Earthquaker Devices Data Corrupter transforms your guitar into a three-voice mono synth space monster.

Master Oscillator: Up to three octaves above input with eight octave interval positions and two unison roots




Subharmonic: Up to three octaves below input with eight octave interval positions and unison or oscillator root




Frequency Modulator: Rate knobs and Glide/Vibrato switch (Can only be used w/ Master Oscillator or Master Oscillator and Subharmonic together




Voice Mixer: Blends levels of Square Wave Generator, Oscillator, and Subharmonic




Other Features: All-analog signal path, relay-based true bypass switching

Legendary Dinosaur Jr. guitarist J Mascis has used an EHX Big Muff to define his sound since he started playing the guitar. Now, the fuzz connoisseur finally gets the beloved circuit wrapped in an enclosure that matches his aesthetic and features his signature on the face plate.

The Monterey Rotary Fuzz Vibe from Keeley is a multi-effect pedal meant to capture the classic sounds of the '60s, and the tones of Jimi Hendrix in particular. This pedal combines a vintage-tinged octave fuzz circuit with a rotary speaker emulator and vibrato. The result is a pedal that can achieve all-time classic guitar tones, yet is versatile enough to create something entirely new.

Après que Jimmy Page l'ait utilisée sur son solo de « Fool In The Rain », la MXR Blue Box est devenue un octaver de légende. Deux réglages, un pour le volume de sortie, l'autre pour le blend, c'est exactement le genre de pédale très simple, mais qui sonne parfaitement bien sans avoir besoin de 50 réglages. Petite astuce : placez-la devant une fuzz et accrochez-vous.

Housed in a formidable green all-metal chassis and built with Russian Cold War-era circuitry, the Electro-Harmonix/Sovtek Big Muff Pi is a transition-era powerhouse fuzz that sounds and looks like a tank. Big, mean, and green, the Sovtek Big Muff Pi is for guitarists looking to get ahead in the fuzz arms race.

Featuring COSM modeling technology designed to emulate the sound of classic fuzz pedals, the Boss FZ-5 is a frugally priced pedal that doesn't sacrifice on quality. Built with modern techniques that capture vintage tone, the FZ-5 is the perfect fuzzy marriage of new and old.

The MXR Classic 108 Fuzz delivers that desirable late '60s/early '70s thick crunch using just two simple knobs. Containing the BC108, famous for its integration in the Fuzz Face, the MXR Classic 108 Fuzz offers that same sound with more modern conveniences, like a pedalboard-friendly shape, small chassis, and true bypass.

Seattle grunge greats Mudhoney named their debut album after two fuzzes: the Big Muff and the Super-Fuzz. Originally built by Shin-Ei and sold under a number of brand names, including Univox, the Super-Fuzz is a gnarly octave-up fuzz unit. JHS' Supreme is an exact replica of an original Univox Super-Fuzz. Like its predecessor, the Supreme offers rich, screaming fuzz tones with an octave-up overtone. And the switchable "JHS Mode" lets you get an even more pronounced octave effect, if you dare.

Featuring controls for pulse width, tone and volume, the ZVex Mastotron is a silicon-based pedal perfect for the guitarist who wants a fuzz accent on their pedal chain. Built for precise sculpting, the Mastotron is a little pedal with a big presence.

Featuring simple controls for volume and boost and a switch for an octave or fuzz effect, the Fulltone Octafuzz is a versatile pedal based on the original TychoBrahe Octavia. Made famous by Hendrix and capable of of an octave up with a fuzzed edge for experimental sounds, this pedal is perfect for stoner rock, doom, or metal.

Pairing PNP and NPN transistors in one chassis for a spectrum of tone spanning warm overdrive to speaker-blowing distortion according to pick attack, the Land Devices HP-2 instantly adds coveted even-order harmonics and destructive tone to your rig. Built to emulate the same pedal loved by the legendary Steve Albini, the HP-2 expands on the original's delectable tone with a streamlined two-knob layout for harmonics and level and a nifty two-way switch that kicks in a diode lift for room-rattling sound. An affordable option for a truly novel effect on any board.

The Dunlop Silicon Fuzz Face Mini (FFM1) is a smaller version of the their popular Fuzz Face reissue that saves precious pedal board real estate. This pedal uses matched BC108 silicon transistors as opposed to germanium.

The JHS Crimson is based off of the 1992 Mike Matthews Red Army Overdrive. A modern classic, the Red Army Overdrive was created by the Electro-Harmonix founder during his Russian manufacturing era. It could soon be heard all over rock radio thanks to Smashing Pumpkins, Sonic Youth, Dinosaur Jr, and others. JHS' tribute brings those same tones, along with a new, switchable "JHS Mode" mid-boost.

Bringing together two custom-crafted overdrive and fuzz circuits in one chassis with versatile features like a 10dB two-band EQ and Buzz switch that kicks in snarling vintage style high-end fuzz, the Beetronics Royal Jelly is a majestic combination of two effects with plenty of tricks hanging in the hive. Designed in tandem with the man who built the legendary Electro-Harmonix Deluxe Memory Man, the Royal Jelly is made to deliver a wide breadth of tone from fat fuzz to searing dirt box punch.

Featuring simple controls for volume and overdrive and a diehard metal construction, the Interstellar Overdriver is a versatile effect capable of adding a slight boost all the way to a searing overdrive. Capturing classic overdrive tones from vintage to modern, this pedal is a perfect choice for blues, alt-rock, or metal.

As one of the most iconic fuzz pedals of the '60s, the Fuzz Face brought a smile to every Jimi Hendrix fan. The JHS Smiley is the company's take on this classic circuit. From biting mid-range tones to searing high-gain sustain, the Smiley offers the same range of luscious fuzz tones. The added "JHS Mode" lets you select an even higher gain setting, taking you into the territory of modern, sputtery, gated fuzz.

The DOD Meatbox is a subharmonic synth pedal that adds room shaking low end to any guitar or bass. With the original FX32 Meatbox from the '90s becoming increasingly in-demand on the used market, DOD has crafted this reissue in an updated housing. The modern Meatbox features straightforward controls for Octave, Sub, Low and Output - giving you precise control to dial in the type and tone of bass reinforcement you need.

For those after the coveted "dying battery" tone in their rig without the hassle of keeping a bunch of actual dying batteries around, consider the MXR M236 Super Badass Variac Fuzz. Built on the foundation of a redesigned vintage fuzz circuit, the M236 sports an easy-to-use interface of tone, output, and gain, along with the pedal's secret weapon: the Variac knob. Playing with this control allows you to toggle between a 5V and 15V emulation for sounds ranging from a saggy warm bite to a full headroom roar in a compact, no-nonsense package.

The Analogman Sun Face Fuzz has been produced since the early 2000s and has been a favorite on the high-end fuzz market. Over the years, it has been produced with a wide variety of transistors, which each provide a different tonal footprint. While some rare chip sets can fetch high prices, there are plenty of more accessible models as well.

The Sun Face is built with both Silicon and Germanium transistors. Silicon models can be found here. All models are available with or without a "Sun Dial" middle knob which adjusts the pedal's bias, taking the place of an internal trim pot on the 2-knob models

More than just a few simple component updates, the Way Huge Swollen Pickle mkII Jumbo Fuzz packs the same amp-melting snarl you know and love with new features for carving out tone. Added Scoop and Crunch mini knobs let you slap the midrange right out of the mix for classic sounds and compress your tone into a finely-tuned arrow of sonic mayhem.

The Electro-Harmonix Nano Bass Big Muff Pi, though a mouthful to say, brings the huge sound of the Big Muff Pi to a smaller size, calibrated just for your bass. You can tailor your bass' sound using the Nano Bass Big Muff Pi's Volume, Sustain, and Tone knobs, and use the Dry switch that will give you even more tonal options by mixing your unity-level dry bass signal in with the distortion from your pedal. Get the classic Big Muff fuzz, whether you simply plan on adding minimal grit to your tone or creating a full-on onslaught of bass fuzz, using the EHX Nano Bass Big Muff Pi.

The FZ-2 Hyper Fuzz by Boss packs two unique fuzzes into one compact unit while boosting gain. It can recreate a traditional fuzz sound, but it also has the capacity to generate a more modern distortion. With two tone controls, you can adjust to your heart's content until you achieve the perfect, precise tone you're looking for.

The Catalinbread Fuzzrite takes a classic silicon transistor circuit from the 1960s and gives it a modern spin. With a bigger, thicker sound than many vintage fuzzes, the Fuzzrite can also give some love to the treble range of your tone with the "Depth" control. As with all of the best fuzz pedals from yesterday or today, the Fuzzrite sounds best when it's completely dimed for a raging, buzzing fuzz sound.

Ever wanted to have five tweakable fuzzes in one pedal? Then look no further than the Death By Audio Apocalypse. This fuzz and disotortion pedal five distinct fuzz modes along with a sweepable EQ to change up your tone, and the standard volume and drive knobs. From metal tones with a scooped circuit to octave-up sound to a smooshed, high-gain wall of fuzz, the Apocalypse proves an incredibly versatile, flexible fuzz and distortion, giving you a plethora of options to choose from.

The Death By Audio Supersonic Fuzz Gun is a fuzz pedal offering gated and self-oscillating fuzz tones with a flick of a switch. It features controls for Bias, Density, Fuzz, Filter, and Level.

A lean, mean, fuzz machine, Fulltone's '69 MkII serves up the company's iconic fuzz tones in a sleeker housing perfect for pedalboards. The rich, highly customizable fuzz runs the gamut of blues, rock, and metal tones perfect for the likes of The Black Keys, The White Stripes, or Queens of the Stone Age.

The Katzenkonig marries the best of fuzzed and distorted worlds with a streamlined four-knob layout, all-discrete circuitry for the highest quality signal path and response and a trio of silicon transistors for split personality effects monster. Translating to "Cat King," this double-duty workhorse summons the '80s arena buzzsaw of the classic RAT with the Germanium '70s psychedelia sound of a Tone Bender for a new ruler of the pedal roost.

The Hawaiian Pizza Fuzz features just three knobs, which by tweaking each, can reveal overdriven tones of classic Dumble, tweed, and British amplifiers, as well as thick, Big Muff-style fuzz and grungy gated dirt.