Best Sellers

Top products on Reverb over the past 90 days

Best Sellers in Effects and Pedals - Bass Pedals

  • 2

    Electro-Harmonix Bass Clone Nano Analog Chorus

    If you want warm, organic chorus but built specifically for the low-end, the Electro-Harmonix Bass Clone Nano Analog Chorus translates a company staple into your rig's next staple. All the same controls as the original Small Clone are in place with a few tweaked features: in the two-band EQ, the treble knob hits the whole signal while the bass only hits the dry half, and the Crossover switch cuts low-end from the modulation for better articulation. A trusty addition to any board big or small.
  • 3

    Electro-Harmonix Bass Big Muff Pi Fuzz Pedal

    Why should guitar players have all the fun? Electro-Harmonix delivers the warmest, fuzziest low-end goods imaginable with the Bass Big Muff Pi. While taking the best of the old "Green Box" Russian Muff and the 1970s Big Muff Pi, EHX steps up the bottom with the Bass Big Muff Pi and optimizes this fuzz machine for bass guitar. It's a little easy to get out of control with this beast, so a direct output of the dry signal is available to blend in with the harmonic madness.
  • 4

    MXR M87 Bass Compressor

    Get great compression and sustain for your bass, along with ample headroom, with the MXR M87 Bass Compressor. If you've used compressors, the Bass Compressor will be a breeze with its quintessential Attack, Release, Ratio, Input, and Output controls. It's completely transparent and allows you a great dynamic range.
  • 6

    Boss GEB-7 Bass Equalizer

    Featuring a range down to 50Hz and functionality as a boost/cut via the volume knob, the Boss GEB-7 is a seven-band equalizer attenuated for bass instruments but capable of functioning with others as well for experimental effects. This pedal is an ideal choice as a staple on any bassists' board and even has applications in acoustic bass instruments.
  • 9

    Electro-Harmonix Bass Micro Synth

    Essentially an octave, fuzz, and envelope filter all in one, the Electro-Harmonix Bass Micro Synth sports ten sliders for a virtually limitless array of analog synth sounds. The pedal has four voices (Guitar, Octave, Sub-Octave, and Square-Wave), each of which can be completely independent or fully mixed. Create tones ranging from the sounds of vintage Moog synths to wilder, more modern sounds with the Electro-Harmonix Bass Micro Synth pedal.
  • 11

    MXR M82 Bass Envelope Filter

    Classic analog filter pedals for bass may be harder to come by than their guitar-oriented counterparts - but the MXR Bass Envelope Filter is here to fill that gap. Dry and Effect controls help you dial in your desired mix of affected and unaffected signals, and you can shape those filters using the Decay and Q controls. Sleek and intuitive in the small classic MXR housing, the MXR Bass Envelope Filter will help you add the subtlest of filters or totally bring the funk.
  • 13

    Boss ODB-3 Bass Overdrive

    Attenuated specifically to bring your bass into that rumbling low-end territory, the Boss ODB-3 is the perfect entry point into the world of bass overdrive. The pedal features an onboard two-band EQ and a balance knob for dialing in the amount of overdrive.
  • 14

    MXR Bass Octave Deluxe

    Featuring a dual-voiced layout, 14dB mid frequency boost switch and Constant Headroom Technology to ensure a stable effect presence, the MXR Bass Octave Deluxe proffers depths of low-frequency rumble. Using the dry knob to alternate or separate the two unique voices of aggressive or deep octaves, this effect can transport your sound right into the belly of stoner rock perfection.
  • 16

    Electro-Harmonix Bass Mono Synth

    The Bass Mono Synth from Electro-Harmonix is a bass-specific pedal designed to transform your signal into eleven distinct synthesizers styles. Each of these synths is tweakable via a sensitivity knob along with a CTRL knob that alters a set parameter for each mode. The Bass Mono Synth tracks exceptionally well and is an ideal option for bassists who need to handle a synth part in a cover band, or just those tired of the same old four-string timbres.
  • 17

    Boss CEB-3 Bass Chorus

    The Boss CEB-3 Bass Chorus applies chorus treatment selectively to the higher frequency band, letting your bass foundation remain solid. The Low Filter is adjustable.
  • 19

    MXR M80 Bass DI +

    Sporting a three-band equalizer, Color switch for a pre-attenuated EQ, phantom/ground power switch and adjustable noise gate, the MXR Bass D.I. + is nothing short of a tonal Swiss army knife for your bass. Whether you're dialing in a pristine clean boost, pumping a warm sustain or crafting a searing distortion, this effect has your back at every turn.
  • 20

    Tech 21 Sansamp Bass Driver D.I.

    Built to offer the maximum spectrum of bass tone in a compact unit, the Bass Driver D.I. offers endless amounts of customization for dialing in that perfect tone. The pedal features a full EQ attenuated to 12dB of cut/boost specifically for bass, Sansamp Tube Amplifier Emulation Circuitry, and presence, level, and blend knobs.
  • 23

    Tech 21 SansAmp VT Bass DI

    Constructed with a highly-responsive three-band EQ, phantom and ground connectivity, and +10/-20 decibel select button, the Tech 21 SansAmp VT Bass DI is a veritable command station for your low-end presence. Capable of operating as a standalone preamp, bass overdrive, PA system, or studio mixer, the versatility associated with the SansAmp series is front and center with this piece. Whether you want to a model a growly gain-laden bass voice for aggressive playing or use the multifoliate functions found in the pedal, the VT Bass DI wears many hats with ease.
  • 24

    MXR M83 Bass Chorus Deluxe

    Sporting a bucket-brigade analog design, finely attenuated bass and treble controls plus two buttons for Flanger and X-Over modes allowing high-frequency modulation focus, the MXR Bass Chorus Deluxe brings choral and flanging capabilities together in a high-quality chassis. Allowing for easy adjustments on the fly thanks to the easy-to-use interface, this effect summons swooshes, sweeps, and liquid chorus goodness all with the warmth and inflection only an MXR analog design can deliver.
  • 25

    Electro-Harmonix Bass Soul Food

    The Electro-Harmonix Bass Soul Food puts a low-end spin on the widely popular Soul Food overdrive pedal. Based on famous Klon Centaur circuit, the Bass Soul Food focuses its drive and gain stage enhancement on the low-end, offering detailed definition and character for bass players as well as guitarists looking for a little more depth in their tones.
  • 26

    Electro-Harmonix Deluxe Bass Big Muff Pi Distortion / Sustainer

    The classic Big Muff Pi is perhaps the most widely-used fuzz pedal ever built, and the Electro-Harmonix Deluxe Bass Big Muff Pi adds a new world of control and a deep frequency response tailored specifically for bass guitar. Dial in the crossover controls to hone in your tone, blend the dry signal back in for more impact, and bring the built-in gate to the party if you've got absurd amounts of gain happening and don't want any feedback.
  • 27

    Boss BC-1X Bass Comp

    The Boss BC-1X Bass Comp is a digital multi-band compression pedal designed specifically for use with bass guitar, with 18V operating voltage on a standard 9V power supply.
  • 28

    Boss AW-3 Dynamic Wah

    The Boss AW-3 Dynamic Wah includes multiple settings for classic wah sounds, auto-wah and human vowel sounds. With four adjustable controls, a wide array of tones can be shaped, including tempo, decay and range.
  • 29

    Digitech Bass Whammy

    Featuring the same pitch shifting technology and dual classic/chord note tracking as the original but attenuated for lower frequencies, the Digitech Bass Whammy takes your low end to a new high. Incorporating newly conceived polyphonic algorithms for one of the smoothest pitch shifts available, this pedal provides an even deeper low for sludge and stoner rock and an experimental edge for noise.
  • 30

    Digitech Bass Synth Wah

    Featuring controls for sensitivity, control and range and seven different bass-oriented filters including sub-octave and envelope, the Digitech Bass Synth Wah is a versatile funk machine. Capable of summoning classic Bootsy sounds and even used on Daft Punk's "Human After All," this pedal is perfect for adding experimental new facets to your pedalboard at an attractive price.
  • 31

    Keeley Bassist Compressor

    The Keeley Bassist, also known as the Keeley Bassist Limiting Amplifier, is a compression pedal that pulls in technology typically reserved for rack units, particularly the Corp 4320 chip. Control your sound with the Compression, Threshold, and Gain knobs for the ultimate in bass compression. Its high-fidelity, VCA-based system can handle massive signals without compromising your bass's tone. Think of it as a rackmount limiter squashed into a pedal at your feet.
  • 35

    Darkglass Electronics Alpha Omega Bass Preamp

    Designed in collaboration with bassist Jon Stockman, the Alpha Omega is an excellent DI, a pedal-sized preamp, and a roaring bass distortion all in one. It features two distinct distortion circuits (Alpha and Omega) that can be independently selected or blended together using the Mod knob. This knob, along with the three-band EQ and growl and bite switches for controlling the low- and high-frequency saturation, make this design one of Darkglass' most flexible.
  • 36

    Tech 21 Sansamp Programmable Bass Driver

    Featuring analog circuitry, three independent channels and an onboard three-band EQ, the SansAmp Programmable Bass Driver turns any bass setup into the rig of your dreams. Capable of plugging directly into a PA system, this DI box is an ideal solution for a bassist looking for that sweet spot in tone without shelling out the money for a new head or cab.
  • 38

    Ampeg SCR‑DI Bass DI Preamp with Scrambler Overdrive Pedal

    Tap into the iconic Ampeg tone bass players have been seeking for decades with the Ampeg SCR-DI Bass DI Preamp with Scrambler Overdrive. Essentially everything you could ever need for fantastic Ampeg sound in one small box, the SCR-DI is a direct box that provides overdrive via the Scrambler for that classic Ampeg grit, EQ capability, and the ability to send your tone directly to a PA or mixer, the SCR-DI is everything your bass needs to sound great on stage or in the studio.
  • 43

    Ibanez TS9B Tube Screamer Bass

    Built with a two-band EQ, mix control, and frequency orientation firmly seated in the lows for the four-string crowd, the Ibanez TS9B Tube Screamer Bass take the beloved mid-gain crunch of the original and translates it for bassists. A versatile bass effect, playing around with the five-knob interface for even a few minutes will yield tones ranging from a vintage-voiced overdrive to a nuanced fuzz with just the right amount of bite.
  • 44

    MXR M81 Bass Preamp Pedal

    The MXR Bass Preamp pedal gives new voice to your passive basses in a tidy, compact enclosure. Separate input and output controls for a range of gain staging possibilities team up with a switchable pre/post 3-band EQ with sweepable midrange to dial in the drive and tone you desire to your amp while a studio-quality direct output goes straight to your mixer or interface. This workhorse pedal helps shape your sound in more ways than one and is the perfect companion for your bass both in the studio and on the stage.
  • 46

    Darkglass Electronics Alpha Omicron Preamp

    Find that one distortion just isn't enough for you? Double up on vicious tone in a meticulously-built effect with the Darkglass Electronics Alpha Omicron Preamp. Combining the company's Alpha and Omega distortion engines in one chassis, the Omicron dials in sweet bone-crunching saturation right out of the gate with signature Darkglass tweaks like Bite and Growl buttons for High Mids and Bass boosts.
  • 52

    Source Audio Aftershock Bass Distortion

    Rock your rig with the Aftershock Bass Distortion from Source Audio. Complete with three separate drive engines right out of the box, and a whole slew of other options using the Neuro Mobile App, the Aftershock can take you from creamy overdrive right to wailing fuzz and back again. Tube mode gives you the vintage crunch of an old tube amp, while Heavy mode offers up hard-core scooped drive. Finally, the Fuzz engine serves up intense germanium fuzz tones.
  • 56

    Boss LMB-3 Bass Limiter Enhancer

    Featuring a ratio parameter knob for more dynamic limiter control, controllable threshold and an enhance that adds body and presence to your signal with the twist of a knob, the Boss LMB-3 Bass Limiter Enhancer is like a instant makeover for your sound. Compact but full of features that will complement the natural tone of a bass and play well with other effects, the LMB-3 gives you that perfect, compressed, punchy tone without punching a hole in your wallet.
  • 58

    Electro-Harmonix Bassballs Nano Twin Dynamic Envelope Filter Pedal

    The Electro-Harmonix Bassballs Nano is an ultra-compact version of the classic bass envelope filter from the 1970s. Sonically identical to the regular Bassballs, the Nano version is just a smaller enclosure for smaller pedalboards. Two sweeping filters dynamically adapt to each note you play, producing vowel sounds that are perfect for funk bass. Need some extra dirt and sustain for a solo section? Flip on the fuzz circuit and have at it.
  • 61

    Electro-Harmonix Nano Bass Big Muff Pi Distortion / Sustainer

    The Electro-Harmonix Nano Bass Big Muff Pi, though a mouthful to say, brings the huge sound of the Big Muff Pi to a smaller size, calibrated just for your bass. You can tailor your bass' sound using the Nano Bass Big Muff Pi's Volume, Sustain, and Tone knobs, and use the Dry switch that will give you even more tonal options by mixing your unity-level dry bass signal in with the distortion from your pedal. Get the classic Big Muff fuzz, whether you simply plan on adding minimal grit to your tone or creating a full-on onslaught of bass fuzz, using the EHX Nano Bass Big Muff Pi.
  • 66

    MXR M85 Bass Distortion Pedal

    The MXR Bass Distortion pedal is a raucous low-end monster, delivering nasty drive sounds to push the bass to the forefront of the mix. This collaborative effort between MXR Bass Innovations and the boutique pedal masterminds at Fuzzrocious delivers the goods with switchable clipping modes, a wet/dry blend on two separate controls, and an absurd amount of gain on top that'll make your speakers beg for mercy.
  • 72

    Electro-Harmonix Bass Preacher Compressor

    Designed with functioning sensitivity ranges from -10 dBu to +2 dBu for use with both passive and active electronics, a maximum gain reduction of up to 21dB, and a three-way attack toggle switch with modes for fast, medium, and slow, the Electro-Harmonix Bass Preacher Compressor puts punchy bass tone within easy reach. Housed in a compact chassis with an attractive price tag to match, the Bass Preacher sings the gospel of dynamic low-end control.
  • 75

    Bananana Effects Matryoshka Bass Synth

    Built on a dual-channel design that combines a clean synth channel and FX synth channel along with a formidable eight unique modes ranging from LFO to Bit Crush to Arpeggiation, the Bananana Effects Matryoshka fits a world of bass synth tones in the palm of your hand. Easily-controlled Mix knobs allow you to add nuanced levels of synth sound while retaining a deep bass rumble while an Octave knob lets you really take your tone into cavernous territory.
  • 79

    Aguilar AGRO Bass Overdrive

    The Aguilar AGRO Bass Overdrive takes all the best parts of the AG 500 bass head's saturation channel and condenses them into one sweet drive pedal. Whether you want your overdrive warm and thick or if you want full-blown distortion, the AGRO will deliver without drying out your low end. Use the AGRO's Level, Saturation, Presence, and Contour controls to dial in awesome tone to get the distortion or drive you're looking for at any volume.
  • 80

    Darkglass Electronics Microtubes B7K Analog Bass Preamp

    Featuring a hybrid JFET/CMOS gain circuit design, a four-band EQ with minute control for low mids and high mids and boost/attack switches for adding volume while also controlling bite and treble, the Darkglass Electronics Microtubes B7K is an expansive overdrive built to emulate the warmth of vintage bass tube amps. Able to dial in classic bass overdriven sounds from Ampegs to Plexis while also housing enough tweakability to easily create your own sound, the B7K is an essential staple in any rig where the utmost in quality and versatility is needed.
  • 84

    Aguilar Octamizer Analog Octave Pedal

    Give your bass deep, natural tone using the Aguilar Octamizer Analog Octave pedal, featuring both Clean and Octave modes. With knobs for both, dial in the perfect amount of clean or octaved down sound and then use the filters and EQ controls to build everything from smooth, syrupy bass tones to quick, aggressive attacks.
  • 85

    TC Electronic SpectraComp Bass Compressor Pedal

    The TC Electronic SpectraComp is an ultra-compact, ultra-simple, ultra-powerful bass compressor pedal that deserves a spot on every bassist's board. Using the same powerful dynamics engine as the System 6000 processor, the SpectraComp makes use of multiband compression for a response that's perfectly tailored for bass guitar, giving you a blooming and present low-end while keeping the entirety of the signal in check. TC's "Tone Print" technology allows you to connect the pedal to your computer via USB to edit a wide range of parameters to tweak the sound and performance of the SpectraComp to your exact requirements, giving you a limitless amount of tonal possibilities to make this little monster one of the most versatile bass comps on the block.
  • 86

    MXR M84 Bass Fuzz Deluxe

    Built with a hardwire bypass, wet and dry controls for two uniquely-voiced fuzz tones and a vintage germanium character, the MXR Bass Fuzz Deluxe gives classic fuzz power attenuated specifically for lower frequencies. Capable of summoning aggressive tone while retaining a bass's natural character, this compact effect gives your tone a gritty edge perfect for psychedelic, garage, or classic rock.
  • 88

    Zoom MS-60B MultiStomp

    The Zoom MS-60B Multistomp Bass Effects Pedal is a Swiss army knife of tone for your favorite four-string, offering an intuitive interface and expansive library for a winning combination. Featuring a single stomp switch design with three knobs for tweaking various parameters, the MS-60B 58 effect and amp emulations with the option to run up to four simultaneously. Easily readable, the large LCD display lets you focus on your playing without having to squint at your feet, ideal for gigging musicians or newcomers.
  • 89

    Aguilar TLC Bass Compressor

    The Aguilar TLC Bass Compressor gives you an emotive, musical tool for controlling the dynamics of your bass in both live performances and recording settings. Named after the Aguilar Trans Linear Control circuit that brings the TLC Bass Compressor to impressive heights, the pedal sports four knobs to give you incredible control over your compression and sustain.
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    Zoom B3

    Sporting a triple LCD screen display, an onboard tuner, drum machine and 40 second looper, and a whopping 111 total amp and stompbox emulations, the Zoom B3 Bass Effects and Amp Simulator condenses the whole of a rig into a streamlined effect unit. Running up to three effects/amp simulations at once, the B3 allows for nuanced tweaking of each mode and can save up to 100 user presets in its massive storage bank. With additional USB connectivity for DAW recording and Steinberg Sequel LE Recording software for editing, this massive little beast could well be the last stop in your search for a do-it-all unit.
  • 93

    Boss FT-2 Dynamic Filter

    The short-lived Boss FT-2 was an auto wah envelope filter made in Japan.

    Years of Production: 1986 - 1988
  • 96

    DOD Supra Distortion FX55-B Red 1990s

    The Supra 55X-B is a high-gain distortion with a simple Level, Tone and Distortion interface.
  • 99

    Boss SYB-3 Bass Synthesizer

    Featuring the iconic, sturdy Boss chassis, an internal oscillator with seven unique modes, and a four dual-knob control layout consisting of effect/direct, frequency/resonance, and sens/decay. the Boss SYB-3 Bass Synthesizer is a great vintage avenue to real low-end synthesis on a four-string. Capable of summoning sounds reminiscent of Jesse Keeler's work in Death from Above 1979 to the industrial tones of Nine Inch Nails, this is a great pedal to find some experimental tones on either bass or guitar.

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