Yamaha MGX16 W 22-Channel Digital Mixing Console White PA Bundle with Two DBR15 15-Inch 1,000W Powered Speakers and HPH-MT5 Closed-Back Monitor Headphones

Yamaha MGX16 W White PA Bundle: A Complete Full-Range Sound System You Can Set Up Alone

This bundle is a finished white-finish PA system built around the Yamaha MGX16 W 22-channel digital mixing console, two DBR15 15-inch 1,000W powered speakers, and a pair of HPH-MT5 closed-back monitor headphones. It is built for the operator who runs the whole show solo — a worship audio tech, a mobile DJ, a small-venue band, an event producer, or a content creator who needs to mix, amplify, monitor, and record from one rig. Mics and instruments go into the console, a stereo mix drives the two 15-inch speakers to room-filling 132 dB, the headphones give you a private cue feed the house never hears, and the whole night captures to microSD or USB. Everything that connects the box together is in the box.

8 MGX Premium Preamps, 86 dB Gain Range, and 125 dB Dynamic Range for Yamaha True Sound

The MGX16 W is the digital evolution of Yamaha's MG analog series, and the heart of it is eight MGX premium mic preamps with an 86 dB gain range and 125 dB of dynamic range at the stereo output. That headroom means a quiet dynamic vocal mic and a hot line source both sit clean in the same mix, with ultra-low distortion. Across the board you get 16 mixing channels — 8 mono plus 4 stereo plus a Sound Pad and 2 FX returns — routed over 1 stereo, 8 mix, 2 FX, and 1 cue bus, with a full effects suite on top: gate, compressor, EQ, reverb, amp simulator, voice changer, ducker, multi-band compressor, and a lip-sync delay.

22x22 USB, 16-Track microSD, and Bluetooth 5.0 Turn the Console Into a Recording Hub

This console records itself. A 22-in/22-out USB MAIN interface runs at 32-bit/96kHz for full multitrack capture to a computer, and a separate 2-in/2-out USB SUB port feeds a second device for streaming at the same time. When you do not want a laptop in the chain at all, the onboard recorder captures 16 tracks of 24-bit audio straight to a microSD card and plays back 2 tracks of venue music between sets. Bluetooth 5.0 A2DP streams walk-in and intermission music wirelessly into the mix. A 4.3-inch touchscreen, a TOUCH AND TURN knob, 15+1 60mm faders, and 8 customizable Sound Pads keep control immediate, while Auto Gain, Clip Safe, and Scene Recall do the work a second engineer would.

Two DBR15 15-Inch Powered Speakers Deliver 132 dB and 50 Hz Low End Without a Subwoofer

Each DBR15 is a 1,000W Class-D bi-amp powered loudspeaker — 800W to a custom 15-inch woofer with a 2.5-inch voice coil and 200W to a 1.4-inch compression driver — hitting 132 dB Max SPL and reaching down to 50 Hz. That is enough full-range output to fill a mid-size room or an outdoor event with music and a full band, no subwoofer required. FIR-X tuning uses a linear-phase FIR crossover at 2.1 kHz for coherent, phase-aligned transients, and the rugged plastic cabinet weighs just 42.6 lb with dual side handles for genuine one-person load-in. A 35mm pole socket and M8 rigging threads handle tripod stands, sub-pole stacking, or fixed-install flying.

D-CONTOUR DSP Lets Each Speaker Switch From Main to Floor Monitor in One Move

The DBR15's D-CONTOUR onboard DSP carries FOH/MAIN and MONITOR presets, so the same cabinet that fronts the house can re-voice as a stage wedge using its 50-degree enclosure angle and mirror-mode symmetry. Each speaker also has its own 2-channel mixer — CH1 and CH2 XLR/TRS combo inputs plus RCA — and an XLR through/mix output to daisy-chain the pair directly from the console's stereo XLR outputs. That flexibility means this pair can run as a stereo main system, a main-plus-monitor split, or a two-cabinet install without any extra hardware.

HPH-MT5 Closed-Back Headphones Give You the Honest Cue the Speakers Cannot

Loud mains tell you the room is loud — they do not tell you the mix is right. The HPH-MT5 closed-back circumaural headphones solve that with custom 40mm CCAW dynamic drivers and a flat 20 Hz-20 kHz response tuned to Yamaha's NS-10 and HS-series monitoring philosophy. The closed-back design isolates the operator from stage bleed so you hear the actual mix on the cue bus, and a rotating earcup lets you reference one ear while keeping the other on the room. At 8.6 oz with a detachable 9.8-foot cable and a screw-on 1/4-inch adaptor, they stay comfortable through a full event and fold flat for transport.

For the Solo Operator Who Mixes, Amplifies, Monitors, and Records the Whole Event

If you are buying your first complete system, this is everything you need to run live sound the day it arrives — console, speakers, monitoring, and recording, all matched and ready. If you are upgrading from a small powered mixer or a 10-inch or 12-inch PA, you get the bigger 15-inch low end and the 132 dB headroom to fill a real room, plus a true digital console with onboard capture. And if you are comparing systems spec for spec, the numbers close it: 86 dB preamp gain, 32-bit/96kHz USB, 16-track microSD, 132 dB Max SPL, 50 Hz reach, and a flat closed-back reference — one white rig, one purchase.