Yamaha MGX12V B 18-Channel Digital Mixing Console with HDMI 4K Video Interface, On-Camera White-Studio PA Bundle with 2x DBR15 15-Inch 1,000W Powered Loudspeakers and HPH-MT5W White Closed-Back Studio Monitor Headphones

Yamaha MGX12V B Bundle: The On-Camera PA and Streaming System That Looks as Clean as It Sounds

This bundle is built for the creator, worship tech, and small-venue engineer who runs sound and camera at the same time and wants the rig to photograph as clean as it sounds. The Yamaha MGX12V B is an 18-channel digital mixing console with a built-in HDMI 4K video interface and dual USB-C recording, the two DBR15 powered loudspeakers deliver 132 dB of full-range output to fill the room, and the white HPH-MT5W closed-back monitor headphones let you cue and check the mix on camera without breaking the all-white set. Every signal path from a microphone to the mains, to a recording, to a live stream is already wired into one box.

How HDMI 4K Capture and Dual USB-C Recording Turn the MGX12V B Into a Hybrid Studio

The MGX12V B is what separates this rig from a plain analog PA. Its HDMI input captures and passes through 4K/60fps and 1080p/240fps video from a camera or game console, so the same console handling your audio also handles your video feed into a computer. Dual USB-C ports run in parallel: the MAIN port streams 18 tracks of 32-bit audio for full multitrack recording while the SUB port carries an independent 2-track stereo mix to a streaming machine. You can record the multitrack session and feed the broadcast simultaneously, from one console, with no second interface to buy.

Four MGX Preamps, 86 dB of Gain, and a Touchscreen Workflow Built for Speed

Four new-generation MGX mic preamps with an 86 dB gain range and ultra-low distortion capture Yamaha True Sound from quiet acoustic sources up to hot vocal mics. The 4.3-inch color touchscreen pairs with twelve tactile 60 mm faders, four screen knobs, and a TOUCH AND TURN encoder so you adjust by hand and confirm on screen. Smart Gain auto-sets input levels, Clip Safe stops sudden distortion before it hits the recording, and Scene Recall switches an entire setup in one tap. Simple Mode strips the interface to the essentials for first-timers; Standard Mode unlocks the full onboard DSP suite of REV-X Reverb, the Sweet Spot Morphing Channel Strip, Pitch Fix, Ducker, and Multi-Band Compressor.

Two DBR15 Mains: 1,000 Watts and 132 dB SPL of Full-Range Coverage

The pair of DBR15 powered loudspeakers is the output stage of this system. Each cabinet runs a 1,000W Class-D bi-amp (800W to the 15-inch woofer, 200W to the 1.4-inch compression driver) for a 132 dB peak SPL and full-range reach down to 50 Hz, so the system covers spoken word and full-band program in a mid-size room without a subwoofer. FIR-X linear-phase tuning aligns the crossover at 2.1 kHz for coherent transients, and the D-CONTOUR DSP gives a front-of-house preset for mains duty and a monitor preset for floor-wedge use. Each cabinet weighs just 42.6 lb with a 35 mm pole socket and M8 rigging threads, so one person can load in, pole-mount, and run the pair straight from the console's main outputs.

Why the White HPH-MT5W Headphones Define This Bundle

The white HPH-MT5W is the accessory that makes this the on-camera variant. These closed-back circumaural monitor headphones use 40 mm dynamic drivers with CCAW voice coils tuned in Yamaha's NS-10 reference tradition for a flat, honest 20 Hz-20 kHz response that exposes mix problems instead of flattering them. The closed-back design isolates you from the room and keeps headphone bleed out of open microphones during tracking. A detachable 9.8-foot cable terminates in a 3.5mm plug with a screw-on 1/4-inch adaptor, so a damaged cable is swapped instead of the whole headphone. At 8.8 oz they stay comfortable through long sessions, and the bright white finish matches the white-desk, white-camera aesthetic this bundle is built around.

How the Console, Mains, and Monitors Work as One On-Camera Rig

Each piece has a job and they connect without guesswork. The MGX12V B is the brain: it captures the mics, the video, and the backing tracks, applies DSP, and routes the result. Its main XLR outputs feed the two DBR15 mains, which throw the full mix to the room at 132 dB. The HPH-MT5W plugs into one of the console's four headphone outputs so you can cue and verify the broadcast mix privately while the room hears the mains. The HDMI and USB-C ports send video and multitrack audio to your computer at the same time. One console, one pair of speakers, one set of monitor headphones — a complete capture-to-room-to-stream chain in one purchase.

For the On-Camera Creator, the Worship Tech, and the Engineer Upgrading From Analog

First-timers get Simple Mode, Smart Gain, and a touchscreen that makes a digital console approachable from day one. Upgraders moving off an analog board gain HDMI 4K video capture, dual-stream USB-C recording, and recallable scenes that an analog mixer can never offer. Comparison shoppers weighing pieces separately get the 86 dB MGX preamps, 132 dB DBR15 mains, and white NS-10-tradition monitor headphones in one matched, on-camera-ready system. Plug in the mics, point the camera, and go live.