Mint

3 analog VCOs. Big sound starts before effects. Stack, detune, sync, modulate, destroy, rebuild.

  • 93 patch points. Most synths give fixed paths. This gives breakpoints. You can hijack the signal flow instead of obeying it.
  • 78 faders + switches. Sound is visible. No screen hunting. No nested menu swamp. Move the control, hear the change.
  • Mechanical spring reverb. Physical tank behavior. Not generic digital “space.” It clangs, breathes, and sits like hardware.
  • Multimode VCF. The filter is not just “bright/dark.” It is the tone gate, movement point, and pressure zone for the whole synth.
  • Semi-modular normalled routing. It makes sound without patch cables, then opens up when you want deeper control. Fast first. Deep second.
  • VCO sync onboard. Harder edges, tearing leads, locked harmonic movement. No extra module needed.
  • Sample & Hold onboard. Random stepped motion, unstable voltage patterns, classic sci-fi motion, modular-style chaos.
  • Ring mod onboard. Metallic tones, clangs, robotic cross-mod textures. Built in, not an afterthought pedal chain.
  • Noise generator onboard. Percussion hits, wind, grit, snare bodies, unstable modulation source.
  • ADSR + AR envelopes. Two contour tools. One for shaped articulation, one for simpler trigger movement.
  • Voltage processor section. Bend, scale, invert, and redirect control behavior. This is where it becomes a lab, not just a keyboard synth.
  • External audio input path. Feed guitar, drums, voice, or line signal into the synth engine. Outside sound becomes raw material.
  • Envelope follower. External audio can push control movement. Your input signal can drive the machine, not just pass through it.
  • MIDI + USB-B MIDI. Modern sequencing control without killing the analog front-panel workflow.
  • 19-inch / 8U rack format. Big enough to work like an instrument. Not cramped. Not toy-panel. Not “shift button required.”
  • Blue Marvin advantage: mechanical spring reverb + visual Blue Marvin panel identity + the full 2600 semi-modular workflow in one self-contained unit.
  • Why it beats typical synth compromises: compact synths lose patch depth; modular rigs cost more piece by piece; digital boxes hide signal flow; this gives big analog structure, patch access, MIDI control, spring reverb, and hands-on operation in one body.
  • Best for: bass, drones, leads, industrial FX, modular sequencing, external audio abuse, sci-fi textures, percussion blips, unstable voltage motion, and full-panel sound design.

Shipping only $9.95 as I am splitting the actual cost of shipping with you.
Gorgeous unit

Enjoy life!

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Listed8 minutes ago
ConditionExcellent (Used)
Excellent items are almost entirely free from blemishes and other visual defects and have been played or used with the utmost care.Learn more
Brand
Model
  • 2600 Semi-Modular Analog Synthesizer Limited Edition
Finish
  • Blue Marvin
Categories
Year
  • 2021 - Present
MIDI I/O
  • USB MIDI
  • MIDI Through
  • MIDI Input
Analog / Digital
  • Analog
Polyphony
  • 2 Voices

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Sunday Funday

Rockville, MD, United States
Joined Reverb:2025

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