Many can recall dialing up Studio Electronics Midimini patches that fit a song so perfectly that they inspired even greater creativity. Was there another sensible, MIDI-driven rackmount choice for immaculate synth bass and lead lines? December 2019 brings Midimini V30 to the table and nothing has been lost in the translation of this end-of-decade analog essential. A raft of brand-new hardware features, extensive software sweetening and modular connections open the window even wider to an already stunning analog view.
- Through-hole build
- Classic 4-pole 24dB/octave low pass ladder filter with voltage-controlled cutoff
- 14 1/8" outs-to-outs compatible patch points including CV and gate
- Color section with oscillator sync, ring modulator and noise
- Oscillator 2 sync: modulate (sweep) both OSC1 and OSC2 via ENV1>OSC2
- Amp Drive: saturation and overdrive derived from Boomstar Modular AMP module
- Output feedback loop and gain control interacts expressively with Amp Drive
- MIDI-syncable, audio frequency modulation-capable multi-waveform LFO, routable to VCO and VCF
- LFO CV output with level control for deep modulation or oscillation creation
- LFO Gate: LFO gate trigger of ENV1 and ENV2, derived from SE-02
- OSC 1 triangle wave routable to amplifier for high resonance low frequency compensation
- Envelope 2 master mode: ENV2 (VCA) assumes control of filter envelope
- Independent release controls for filter and amplifier
- Flexible linear and exponential glide
- Front panel-mounted external audio input with level control
- Drone function for eternal sustain and easy tuning
- Selectable low/last/high note priority, ENV1 invert, VCF/VCA dynamics and VCF (ENV1) multi-trigger
- MIDI learn function for MIDI, aftertouch and mod wheel
CON section
- GLIDE: portamento (pitch slide between notes) attenuator
- LIN/EPX: linear/exponential glide switch
- P. BEND: MIDI pitch bend attenuator
- VCF DYN: voltage-controlled filter dynamics attenuator
- MODMIX/LFO: LFO/OSC 3/noise modulation mix attenuator
- NOISE/OSC3: noise and OSC3 MODMIX interaction switch
- CV OUT: 1/8" pitch control voltage output patch point
LFO section
- VCO: voltage-controlled Oscillator 1-3 modulation attenuator
- VCF: voltage-controlled filter cutoff frequency attenuator
- WAVEFORM: LFO waveform shape switch
- RATE: modulation speed attenuator
- SYNC: LFO MIDI sync switch
- LFO OUT: 1/8" LFO control voltage output patch point with attenuator
OSCILLATORS section
- RANGE (1): oscillator 1 octave switch
- MASTER TUNE: master tuning attenuator
- WAVEFORM (1): oscillator 1 waveform selection switch
- RANGE (2): oscillator 2 octave switch
- OSC2 FINE: oscillator 2 fine tune attenuator
- WAVEFORM (2): oscillator 2 waveform selection switch
- RANGE (3): oscillator 3 octave switch
- OSC3 FINE: oscillator 3 fine tune attenuator
- WAVEFORM (3): oscillator 3 waveform selection switch
- TRANSPOSE LO/MED/HI: master octave selection switch
- OSC3 CONT KEY/PNL: oscillator 3 keyboard/panel control switch
- OSC MOD: MODMIX modulation amplifier switch, MIDI mod wheel-controlled
- OSC2 SYNC: oscillator 2 to oscillator 1 hard sync switch
- MAIN CV IN: 1/8" master pitch control voltage input patch point
- OSC1 CV: 1/8" oscillator 1 pitch control voltage input patch point (additive)
- OSC2 CV: 1/8" oscillator 2 pitch control voltage input patch point (additive)
- OSC3 CV: 1/8" oscillator 3 pitch control voltage input patch point (additive)
COLOR section- ENV1 > OSC2: envelope 1 to oscillator 2 sync attenuator (labeled SWEEP on original Midimini)
- OSC3 > OSC2: cross-modulation of oscillator 2 by oscillator 3 attenuator
- RING MOD: ring modulation attenuator
- NOISE: noise generator attenuator
- WHT/PNK: white/pink noise selection switch
- NOISE: 1/8" noise output patch point
- OSC1: 1/8" oscillator 1 pitch control voltage output patch point
MIXER section
- OSC1: oscillator 1 volume attenuator
- ON: oscillator 1 mixer input on/off switch
- OSC2: oscillator 2 volume attenuator
- ON: oscillator 2 mixer input on/off switch
- OSC3: oscillator 3 volume attenuator
- ON: oscillator 3 mixer input on/off switch
- AMP DRIVE: amplifier saturation & overdrive circuit
- ON: Amp Drive on/off switch
- ^1 NO VCF: triangle to VCA switch, bypasses VCF
- FBK GAIN: feedback level control (shares EXT IN pot)
- EXT IN: external audio input with attenuator
FILTER/MODIFIERS section
- MOD: on/off switch for routing modulation from the MODMIX amplifier to filter cutoff
- CUTOFF: filter cutoff frequency attenuator
- EMPHASIS: resonance or Q attenuator
- CONTOUR: envelope 1 modulation to filter cutoff attenuator
- 1/3: 1/3 total amount of filter key tracking switch
- 2/3: 2/3 total amount of filter key tracking switch
- ATTACK: VCF envelope attack stage control
- DECAY: VCF envelope decay stage control
- SUSTAIN: VCF envelope sustain stage control
- LEARN: under-the-hood hub for MIDI channel, aftertouch and mod wheel
- GATE: gate signal indicator LED
- ATTACK: VCA envelope attack stage control
- DECAY: VCA envelope decay stage control
- SUSTAIN: VCA envelope sustain stage control
- PRIORITY LO/LAST/HI: note trigger priority switch
- ENV1 INV: VCF envelope invert switch
- MULT TRIG: VCF envelope multi-trigger switch
- LFO GATE: VCF/VCA LFO gate switch
- ENV2 MSTR: VCA envelope override of VCF envelope switch
- VCF CV: 1/8" VCF cutoff frequency control voltage input patch point
- ENV2 OUT: 1/8" envelope 2 control voltage output patch point with attenuator
- GATE IN: 1/8" gate input patch point
- GATE OUT: 1/8" 8.2V gate output patch point
OUT section
- VOLUME: main audio output level attenuation
- FEEDBACK: synth output to external input feedback loop level control
- REL1: VCF key/external gate release switch
- DRONE: indefinite VCA sustain switch
- REL2: VCA key/external gate release switch
- VCA DYN: amplifier envelope dynamics switch
- POWER: lighted main power on/off switch
- VCA CV: 1/8" VCA level control voltage input patch point
Back panel
- AC INPUT: 500 mA 100 Volts to 240 Volts AC, 50/60 Hz input
- VOLTAGE: 115/220 voltage switch
- MIDI THRU: 5-pin DIN MIDI thru output
- MIDI IN: 5-pin DIN MIDI input
- AUDIO: 1/4" TS mono main audio output
Root level geekery
- Metal shafted pots throughout: where Studio Electronics needed mil-spec audio tapers, because PC Mount tapers underperform in critical areas, they hand-wired in PEC Cantina pots (a commercial mil-spec variant) for the attacks and decays – resonance, too. The balance of the pots (PC Mount linear taper) are made by Alpha, a very good quality offering with heavy grease. Strangely, the higher-quality hand-wired pots use a lighter grease, making them feel 'scrapey' by comparison, but they are almost 10× as expensive, pushing up the V30 build cost a bit.
- Sturdy and reliable Mountain Switch toggle switches