Alexander Burke on Taking Direction from Non-Musicians | Making Music for Films & TV

Recreating Bernard Herrmann's Score from Hitchcock's “Psycho” Using Music Software

XILS-Lab PolyM Synthesizer | Reverb Software Pick With CPEN

Claude Young’s Detroit Sound Science Sample Series | Reverb Software Launch

Waves Grand Rhapsody Piano | Reverb Software Pick

Hexachords' Richard Portelli on the Orb Composer AI Music Software | Reverb Software Pick

Tim K on the Essential Skill Sets of a Media Composer | Making Music for Films & TV

10 Plugin Creators Share Their Favorite Plugins They Didn't Make

iZotope VocalSynth 2 | Reverb Software Pick With Penelope Antena

AudioThing Outer Space Tape Echo | Reverb Software Pick

Interview: Mastering Engineer Alex Saltz on the Final Stage of a Record's Production

Eventide Updates Its Blackhole Reverb Plugin | Reverb Software Pick

Black Asteroid on Lessons From Prince and Visually Inspired Songwriting

10 Boutique Plugin Designers You Should Know

The Synth Sounds of Phil Collins' "In The Air Tonight"

Video: Arturia Launches The V Collection 6

Little Dragon On Bringing a Human Touch to Electronic Pop

Claude Young On Using Software to Emulate MPCs, SP12s, and Other Classic Hardware Sounds

Drab Majesty Talks Chorus Pedals, Casio Synths, and the Selfless Act of Songwriting

Video: Making A Beat with an MPC2000XL, Synths, and a Drum Machine

Show Us Your Space: Fullerton Recording Studios

Video: Demoing the Pianos and Keys Collection by Waves Audio

Exploring 7 Classic Keyboards and Their Software Counterparts

Interview: Public Enemy's Chuck D on 30 Years of Production