Yamaha MG20 20-Channel Analog Mixing Console with 2x DBR15 15-Inch 1,000W Powered Loudspeakers and HPH-MT5W White Closed-Back Studio Monitor Headphones

Yamaha MG20, DBR15 Pair, and HPH-MT5W: A Full-Scale Main-Stage PA Built for the Camera-Facing Production

This bundle pairs the biggest mixer in Yamaha's MG analog line with its 15-inch powered mains and finishes the rig with white closed-back monitor headphones, so the show that is being filmed or streamed looks as clean on camera as it sounds in the room. The Yamaha MG20 is a 20-channel console with 16 mic / 20 line inputs, D-PRE preamps on every channel, and four aux sends, two DBR15 cabinets deliver 1,000W of full-range output to a 132 dB peak, and the HPH-MT5W gives the engineer a flat, accurate reference in a finish that matches a white-studio set, a bright streaming desk, and an on-camera worship or content stage.

16 Mic Inputs and D-PRE Preamps Run a Full Band, Worship Team, or Multi-Cam Set

The MG20 carries 12 mono combo channels plus four mono/stereo channels — 16 mic and 20 line inputs, the most in the MG line. A D-PRE preamp sits on every channel: Yamaha's inverted Darlington circuit design that delivers natural, high-headroom gain for both dynamic and condenser microphones alike, with switchable +48V phantom power. A -128 dBu equivalent input noise floor and 0.03% THD keep a full stage of mics quiet enough for a live broadcast feed, where every open channel is also going out to the stream. Mic a drum kit, a horn section, vocalists, and playback on one board, and route the same clean mix to both the mains and the camera.

1-Knob Compression, Sweepable Mid EQ, and Four Aux Sends for Hands-On Live Control

Channels 1-8 each carry a 1-knob compressor that smooths a dynamic lead vocal or a slap bass with no outboard rack — set it once and the source sits cleanly in a dense mix for the whole set. The 3-band EQ on channels 1-12 has a sweepable midrange to dial straight to a ringing feedback frequency, and an 80 Hz high-pass filter strips stage rumble and mic-stand thumps before they reach the mix. Four aux sends, one switchable to the internal FX path, build independent monitor and effects mixes, and four group buses fold drums or backing vocals to a single fader. A dedicated 1/4-inch headphone output with level control lets the engineer solo any channel on the included HPH-MT5W.

Two DBR15 15-Inch 1,000W Powered Mains Hit 132 dB and Reach 50 Hz Without a Sub

Each DBR15 drives a 15-inch woofer and a 1.4-inch compression driver from 1,000W of Class-D bi-amp power to a 132 dB peak across a 90 by 60 degree pattern, reaching down to 50 Hz for full-program low-end without a subwoofer. A FIR-X linear-phase crossover at 2.1 kHz keeps the woofer and horn phase-aligned for coherent transient response, and D-CONTOUR DSP retunes each cabinet for FOH/MAIN duty or, laid flat on its 50-degree wedge angle, for stage-monitor duty. Each cabinet has its own onboard 2-channel mixer with XLR/TRS combo and RCA inputs plus an XLR through/mix output to daisy-chain the second box, and at 42.6 lb each both cabinets load in one at a time.

HPH-MT5W White Closed-Back Monitor Headphones for On-Camera and White-Studio Setups

The HPH-MT5W brings honest monitoring to the rig in a finish built to sit on camera. Custom 40 mm dynamic drivers with copper-clad aluminum voice coils reproduce a flat 20 Hz - 20 kHz response tuned to Yamaha's NS-10 / HS-series reference philosophy — accurate, not hyped — so a problem in the mix is heard, not flattered. The closed-back circumaural design isolates the engineer from the room and keeps headphone bleed out of open mics. The white housing photographs bright against a white desk, white monitors, and a lit streaming set, and the moveable cups rotate flat for single-ear cueing. A detachable 9.8-foot straight cable terminates in a 3.5mm plug with a screw-on 1/4-inch adaptor that plugs straight into the MG20's headphone output — swap a damaged cable instead of replacing the cans.

One Wired System: Mic the Band, Fill the Room, Match the Camera

The MG20's stereo XLR outputs feed both DBR15 cabinets directly as balanced mains, the cabinets' onboard Class-D amplification means there is no separate power amp to source or rack, and the console's dedicated headphone bus drives the HPH-MT5W for line checks and reference. Inputs to mic the show, output to fill the room, and a monitoring headphone whose white finish belongs on a streaming or on-camera set — every link in the chain is in one order.

For the Worship Tech Who Streams, the Content Creator Running Live Events, and the FOH Engineer Building a White-Aesthetic Rig

If you run live sound for a service or production that is also filmed or streamed and you want gear that looks intentional on camera, this is the rig. The first-timer gets a complete console-plus-mains PA with nothing left to source. The upgrader moving off a compact mixer gets 16 mic inputs, four aux sends, and a 132 dB main pair. The buyer comparing bundles gets the same full-scale Yamaha PA as the standard kit, finished with a white reference headphone that matches an on-camera set instead of a black one. Plug in and run the show.