• Glitch Delay/Reverb Crushing Modulation Device
• Collaboration with Emily Hopkins
• Stereo in/out (mono or mono-in-stereo-out also possible)
• Central Dissolve control: sample rate reduction to degraded reverse sound
• Modulation section + glitchy delay that can transition to reverb
• Analog dry-through
• Onboard presets + preset control via MIDI
• Expression and MIDI control for all parameters
• MIDI Clock I/O for tempo synchronization
• Connection for aux footswitch (tap tempo / half speed / preset switching)
• Switchable: Buffered Trails or True Bypass
• Top-mounted jacks & soft-touch switching
• Handmade in Oklahoma, USA
• Power supply: 9 V DC power supply (optional, center -, 2.1 mm, ~350 mA / not included)

With the Old Blood Noise Endeavors Parting, OBNE, in collaboration with harpist Emily Hopkins, presents a creative effects pedal that combines glitch delay, reverb, modulation, and signal crushing to serve as a versatile sound design tool. At its core is a central control that, depending on the setting, either reduces the sample rate of the incoming signal or transforms it into an increasingly degraded reverse signal. The effect is further enhanced by a selectable modulation section and a glitchy delay that responds either to random processes or to the input envelope, which can be smeared into rich, reverberant textures. With stereo I/O, preset storage, expression and MIDI control, and MIDI clock sync, the Parting pedal is ideal for musicians and sound designers seeking experimental textures, ranging from broken LoFi repetitions to randomly decaying, ambient reverb atmospheres.