Put simply, Camden 500 is the most astoundingly clean, linear, and transparent preamp you’ve ever heard. But it can also be the most colourful and characterful at the turn of a dial. Camden 500 was designed from the ground-up to be the ultimate front-end for the modern studio and engineer and to withstand the rigours of modern workflow and production techniques. It features a completely original, custom-designed preamp topology that achieves stunning low-noise and low-distortion performance as well as frequency and phase linearity at all gain settings. The sum result is -129.5dB EIN (150ohm, unweighted), THD+N as low as 0.0002%, frequency response of ±0.7dB from 5Hz to 200kHz at max gain and Clean, Precise, and Natural - at all gain positions Whilst preamp specifications often quote fantastic figures at specific gain values, when the gain is increased, those figures often change radically. Camden 500 was designed to retain all of its impressive performance specifications at all gain positions from 8dB to 68dB. This means that even when the preamp is running at maximum gain, the Phase and Frequency response remains linear and THD always remains inaudible - enabling all gain positions to be usable for any source and mic combination. Vintage, Warm, and Coloured - thanks to Mojo Mojo is a new type of saturation circuit that consists of an array of filters and discrete second/third order harmonic generators that allow precise emulation of the saturation and low-e

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  • Camden 500 Series Microphone Preamp
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Alto Music

Middletown, NY, United States
Joined Reverb:2014

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