This is a 1950s era Kay with typical laminate construction
and tobacco burst. It has dings, scratches and crazed patina all over it from a
long life but is structurally very solid and needed no body repairs.
When I got it the neck was hanging on by a thread and popped
off with one good shove. The neck has its share of dings but is in great
condition, it is solid poplar originally without a trussrod and large C carve.
The walnut fretboard came off clean and while I was in there inserted a fixed
carbon fiber rod, put it all back together with a fresh 12” radius, new Jescar
47104 frets, a new bone nut and new Gotoh tuners. I also carved a little off
the big C neck and found some nice flamey poplar under the faux paint stripes.
It’s a big neck no doubt about it, but the nut is a relatively narrow (for
these guitars) 1-5/8” and the overall scale is 26”, the neck is good and
straight with the carbon fiber giving it the perfect amount of relief when under
tension
I installed one of my hand wound Type13SC gold foil pickups
that works great with this big body giving it a clean, rich and full sound.
Included are new CTS / Switchcraft components, a new compensated brass
bridge to replace the original straight wood bridge and a new trapeze- it intonates and stays in
tune as it should.
These guitars were designed for sitting around and strumming
in a different era a long time ago that had different musical demands. This is
a beautiful guitar professionally rebuilt that you can plug in and strum right
now- it plays great and will continue to play great for a long time.
Set up with .010 - .046 strings
gig bag included
Very large C
26” scale / 12” radius
New bone nut @ 1-5/8”
New neck reset- poplar neck with walnut fretboard
Internal carbon fiber trussrod
Jescar 47104 frets
Compensated brass bridge
Gotoh tuners
Malinoski Type13SC pickup
CTS / Switchcraft
components