- All materials made in the U.S.A
- All AAA White Birch Wood Cabinet
- Pat pending Twin ported baffle
- Maplefrontand back
- No MDF or particle board anywhere
- All steel hardware, steeltop recessedhandle
- Steel input jack plate with Neutrik 1/4" guitar input
- Point to Point hand wired with silver solder
- Wired with 14 gauge OFC professional grade speaker wire
- Steel reinforced Rubber feet
- All Steel Black cornerHardware
- Covered in Our Elephant hide Black tolex
- Genuine Fender silver face grill cloth
- 22pounds loaded, 20 wide x 12 tall x 12 deep
- 200 watts @ 4 or 16 ohms
- Hand made in Indiana U.S.A
- Loaded with Our EarCandy Hoosier cat 8" speakers
Please contact us with questions through Reverb
Bailey 2/8 is a large sounding cab with a wide sound dispersion. It is
perfect for those 5 to 50 watt tube amps because the cab is fast
reacting with a lot of clarity. It lets your amps tone shine through and
does not color your tone. The bailey has plenty of Bass, Mids and Highs
and is very perceptive to changes in your amps tone stack or Eq. Dont
let the size fool you.
We have people using our Bailey 2/8 in
all levels and all genres of music,everyone from kids practicing in
their basement to professional players doing arena tours.
EarCandys
Twin ported baffle allows the speaker to breath with the air coming in
and out of the cab. Because of the way the porting works, the speakers
are floating, they dont have to fight gravity or air pressure because of the porting. The speakersget
exactly what they need which allows for more warmth. sustain, tone,
clarity, volume and sound dispersion.
Our cabs are not beamy.
Because of our porting design, the entire area in front of the cab is
the sweet spot. The cabs are warm but do cut through, you can use it
with a drummer and bass player and be heard with no issues.
You
will notice a 180 degree sound dispersion so when you walk around the
room the cab will sound the same, you do not have to be directly in
front of it to audibly benefit from the tone of the cab.
EarCandy Hoosier Cat 8 guitar Speaker Specifications
We have a new speaker available calledThe Hoosier Cat 8. It is an 8 100 watt 8 ohm speaker that we are getting the magnets from Pyramid and we are building the top half of the speaker by hand. All the profit from the sales of this speaker are going to No Kill Animal Shelters in the form of things they request.
- Made in the USA
- Power Handling (RMS)100 Watts
- Nominal Diameter 8
- Impedance 8 ohms
- Frequency Response 70 to 5,500 Hz
- Sensitivity 94.3 dB 1W/1m
- Voice Coil Diameter 1
- Magnet Weight 30 oz.
- Resonant Frequency (Fs) 70.9 Hz
- Weight: 4.06 lbs.
- 7 Year Warranty
Materials of Construction
- Cone MaterialÕ Ribbed Paper
- DomeÕ 2.5 Paper
- Surround MaterialÕ Accordion Treated Cloth
- Magnet MaterialÕ Strontium Ferrite
- FrameÕ Pressed Steel
- Bumped Back Plate
Tone / Sound
- Articulate tone with clarity sustain
- Warm Reedy clean tone
- Big tight low end
- Buttery Mids
- Creamy Highs
- Beautiful clean tone with lots of head room
- Your Choice of Paper or Polymer Dust Cap****
- High end component design for massive versatility
- Great for Jazz, Blues, Country, Classic Rock and even Metal
- Hand made and tested in Valparaiso Indiana USA
**** Paper dust caps are darker sounding than Poly dust caps. Paper caps are the most common, Poly caps would be usedwith a hollow body jazz guitar with 12 gage strings for example. You would want the Poly cap if you have a boomy amp or hollow body guitarwith a lot of low end. You would want the paper cap 90% of the time. They both sound great. Just let us know which one you want and we are happy to answer any questions about the difference between paper and poly.
Read about how these Cabs are made:
EarCandys woods:
All of our woods are AAA with no voids, We have our lumber custom
Milled to our Specifications so these descriptions apply to our cabs and
tone descriptions only. Our woods are Engineered by us and Milled
with a glue used by wooden Instrument makers. We do not use industrial
laminated ply wood.
Tonejointing Ì´©
We
have spent a very long time and a lot of money to engineer a new
jointing process never seen before in the instrument enclosure
industry. Finger and Dado jointing allow for cabinet flex or what has
been known as box talk Box talk happens when sound pressure levels
inside the cabinet apply enough pressure to push or put stress on the
cab jointing. This allows the cabinet to flex in unison with the
speaker polarity, thus creating muddy undefined and slow attacking
bass and a over all sloppy tone.
Open back cabs create a bigger
problem in the fact that they allow compression to un-evenly escape
the cab from the back, opposite of where you need it and in a uneven
resisted pattern. Even at low volume levels, this flex and resistance
can greatly increase the amount of work your speaker has to do to
sound Our cabs are built in a way that uses the compression and spl
from the speakers in a positive way that actually forces the cab
jointing together and not apart, so the louder you want to play, the
tighter and more defined the cab will sound, offering no resistance or
flex allowing for the most pure UN interrupted tone from a cab you
have ever had.
Our cabs are heavily braced on all 4 sides
attached at 32 points no further than 5 inches from each other all the
way around the cab (imagine a drum rim with drum lugs) The attachment
points are then tightened until all of them reach the exact same
tinsel strength, meaning you can strike the cab on any side or any
corner and it will ring true, in the same tone all other sides ring
in, very much like tuning a drum.
What this means is, there is
NO loose or UN attended to portions of the cab that will resonate more
or less than another part (thus no dead spots in the cab, thus no box
talk).
Creating a 110% pure and true completely even delivery
of any tone, combine that with our select woods and your options of
tone are unlimited. This also makes the cab basically one piece and
almost indestructible. This is all done from inside the cab allowing
the sound to travel away from the hardware and notinto the hardware,
allowing free and clear travel of sound.Wen taking 11 years to
develop such a instrument for your instrument, why stop at that? So we
use THE BEST materials we can find insuring you this will be the last
cab you will need for a long long time. This is intellectual property
of earcandycabs and is registered with a pat pending. All right
reserved EarCandyCabs 2014.
Thank you!
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