Our Business Hours is Mon to Fri / 11:00 to 18:00 JPN time
We will close Sat and Sun, so we will reply to inquiry that received weekend on next week.
Your understanding will be appreciated.

We are receiving the customer order with first comes first serves basis both on website and at real shop.
So occasionally it will be sold out while having email communication.
Please understand in advance.

Japanese consumption tax is not required for international shopping. However you may be required to pay duty, tax and import fee when receiving your items in your country. You must pay all these duty, tax and fee as receiver/importer and we do not cover any of them.

■Please note
The product description is an automatic translation of the Japanese description. Please contact us if you have any questions.

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The Scream to Eternity is a pedal that condenses two legendary overdrive circuits—the Tube Screamer and the boutique Eternity—into a compact enclosure.

The 808 side is faithful to the original, featuring buffered processing and a warm, distinctive midrange that stands out. The Eternity side completely eliminates the buffer, opening up the signal path and achieving a wider, more transparent sound. It has a slightly dark impression, yet it's dynamic and lively.

The carefully selected diodes also allow you to switch between three distinct sounds.
• 1S1588 - An original 808 diode found in the initial production lot. This diode was specified by Susumu Tamura, the developer of Maxon's 808. It produces a tight, focused, and powerful sound.
・1N914 - A sweet, light, and open sound.
• LED - High output with almost no compression. Powerful, unfiltered sound.

Furthermore, it features a brown switch that increases the gain by approximately 30%, emphasizing a richer, deeper midrange.
The core components, the JRC4558 operational amplifier and 1S1588 diode, are the same as those used in the original 1979 TS808.
While there are countless TS-style products on the market, Tru-Fi boasts a truly unique and meticulously crafted specification.

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