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When overdubbing in an orchestral setting, the artist is usually listening to a pre-recorded track while playing his or her part of the score. To better hear the pitch and tonality of the instrument, the artist will often remove one side of the headphones by pulling it away from one ear. In doing so, the headphone level is increased to compensate and this in turn, causes sound from the open phone to bleed into the recording microphone, contaminating the mix. This is a common problem wh…
