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Dangerous Music CONVERT-2 Stereo D/A Converter #414 (Used)

The Dangerous Music designed the CONVERT series converters from the ground up, utilizing cutting-edge digital technology coupled to a Chris Muth designed analog circuit that delivers their signature sound: open, articulate and powerful from top to bottom. Loaded with innovative and useful features accessed from an intuitive front panel, the Dangerous Music CONVERT-2 tops an elite class of dedicated stereo digital-to-analog converters in both sound and ease of use. The CONVERT-2 goes beyond transparency – you won’t just hear everything, you’ll hear it beautifully.

IT’S ALL ABOUT IMPLEMENTATION

While in theory most converters should be the same, among those who truly understand this hotly debated and endlessly researched area of audio technology, the mantra is implementation, implementation, implementation. How a converter’s components are selected, tweaked and assembled according to a specific design, and then tuned for superior performance within that plan is what sets a converter apart – for better or worse. The Dangerous CONVERT-2 has been developed by a team of experts with deep, up-to-the-minute knowledge of digital and analog converter technology.

FINE TUNING THE ANALOG SIDE

A legend among mixing and mastering engineers for decades, Chris Muth has designed the analog gear used to mix and master an endless list of hit records and classic reissues. Chris’s powerful, articulate, hi-fi designs dominated the big studios in New York City since the 80s, and via Dangerous his designs have become essential components in the best modern DAW-based mixing and mastering studios. When Dangerous set out to develop a new dedicated stereo DAC, Chris brought his relentless design philosophy and world-renowned sound to the CONVERT’s analog technology. Not only did he develop the audiophile-grade analog audio path, Chris also meticulously fine tuned the low-pass reconstruction filters mandatory to implementing any DAC. These filters lie at the heart of how a converter will perform, and the CONVERT series has the jaws of top pros hitting the floor when they hear the big natural sound and the powerful, ultra-clear low-end.

PERFECTING THE DIGITAL SIDE

Dangerous brought in digital guru Paul Messick to make sure the digital side of the CONVERT-2 would sing in perfect harmony with its finely tuned analog circuit. Paul rigorously refined the CONVERT’s JetPLL ultra-low jitter clocking technology until it surpassed the JET’s stated specs, resulting in the virtual elimination of jitter throughout the audio band and beyond. Gone are the sonic headaches and end-of-day fatigue brought on by long-term exposure to jittery digital audio systems. The CONVERT-2’s superbly implemented digital technology delivers such a natural, open and non-irritating sound that you’ll forget you’re even listening to converted 0s and 1s.

DETAILED INFORMATION & DELIGHTFUL INSPIRATION

Reaching beyond transparency and accuracy, the sound of the CONVERT-2 is so open and 3-dimensional that many are saying that these are the most beautiful, natural sounding converters they’ve ever heard. Whether your focus is tracking, mixing or mastering, when you choose a dedicated stereo DAC, you’re choosing the unit you’ll trust to make all your sonic judgments, from choosing a mic to deciding how much limiting to use in mastering. You need your DAC to be honest, but you also need it to sound beautiful. With the CONVERT you get the uncanny combination of detailed information and delightful inspiration.

FEATURES:

• Dedicated volume control with hard-bypass
• Instant input calibration
• Automatic sample rate detection
• On-the-fly input switching
• Five digital inputs: USB, AES/SPDIF-1, AES/SPDIF-2, ADAT and Optical SPDIF (TOSLINK)
• USB uplink
• Custom metering
• Use CONVERT as your master clock
• Monitor ST connectivity

USED ITEM WARRANTIES

Vintage King offers an industry-leading level of technical service and warranty support on our used and vintage items. Our used item warranty periods are as follows:

• Analog Outboard Gear – 1 Year
• Microphones – 1 Year (excluding capsules, tubes, and ribbon elements)
• Speakers – 1 Year (excluding drivers)
• Digital Outboard Gear – 30 Days