Yamaha MGX16V W 22-Channel Digital Mixing Console White Monitoring Bundle with HDMI-USB 4K Video Capture, Pair of DBR12 12-Inch 1,000W Powered Speakers, and HPH-MT5 Closed-Back Studio Monitor Headphones

Yamaha MGX16V W Bundle: A White-Finish Mix, Amplify, and Monitor Rig in One Purchase

This bundle is built for the creator, worship tech, or small-venue engineer who needs to run live sound, capture 4K video, and reference the mix accurately — all from one matched white-finish setup. It pairs the Yamaha MGX16V W 22-channel digital mixing console with a stereo pair of DBR12 12-inch 1,000W powered loudspeakers and a set of HPH-MT5 closed-back studio monitor headphones. The console handles the audio and the 4K video capture over a single USB cable, the DBR12 pair fills the room at up to 131 dB SPL, and the HPH-MT5 lets you check every channel in isolation. Everything you need to mix, amplify, stream, and monitor ships in one box.

HDMI-USB 4K Capture and 22x22 Streaming Over a Single Cable

The headline feature of the MGX16V W is its built-in HDMI-USB video interface: it captures and passes through A/V up to 4K/60fps alongside the full audio mix over one USB-C connection — no separate capture card, no second computer. The console streams 22-in/22-out at 32-bit/96kHz for multitrack DAW recording, and a second USB-C SUB port feeds a 2-track mix to a separate streaming device. Three Multi-Stream Audio loopback channels route app and playback audio straight into the mix. For a video podcaster or game streamer, that means the camera feed and a fully-processed audio mix reach the computer together, ready to go live.

8 MGX Preamps, Per-Channel Processing, and Onboard REV-X DSP

Eight MGX combo preamps deliver wide, clean gain with high dynamic range, so condenser and dynamic mics alike come through transparent. Every channel carries a 4-band parametric EQ, high-pass filter, noise gate, and a 1-knob compressor — the console shapes each source without outboard gear. On the master side, REV-X reverb, a multi-band compressor, a Ducker, and Pitch Fix process the mix at under 0.4 ms latency. Add +48V phantom power, 8 assignable Sound Pads for jingles and stings, Bluetooth 5.0 walk-in music, and a 16-track microSD recorder for standalone backup, and the MGX16V W covers the full signal chain.

Two DBR12 1,000W Loudspeakers: 131 dB SPL With FIR-X Linear-Phase Tuning

The stereo pair of DBR12 powered loudspeakers turns the console's mix into a room-filling PA. Each cabinet runs 1,000W of Class-D bi-amplification into a 12-inch LF cone and a 1.4-inch HF compression driver for 131 dB max SPL — enough for a 100-to-300 person venue, a wedding, or a worship hall, no subwoofer required for most material. Yamaha's proprietary FIR-X tuning applies a linear-phase crossover for tighter transient response than IIR-based designs, and the 52 Hz-20 kHz range stays full and clean even at high output. At 34.8 lb each, the pair loads in and out fast.

One Speaker, Two Jobs: D-Contour FOH and Floor-Monitor Modes

Each DBR12's D-Contour switch flips between FOH (front-of-house) and Monitor DSP voicings with a single button, and the symmetrical cabinet with a 35mm pole socket lets the same speaker stand vertical as a main or tilt back as a floor wedge. A 2-channel onboard mixer on each cabinet accepts a mic or line source directly, and an XLR Mix Out daisy-chains to the next speaker. For a solo performer or duo, a single DBR12 can run a small gig outright; for the bundle buyer, the pair gives a true stereo front-of-house with the option to repurpose one as a monitor.

HPH-MT5 Closed-Back Headphones for Honest Mix Referencing

Mixing a live stream or a recording demands a reference you can trust, and the included HPH-MT5 closed-back studio monitor headphones deliver it. Custom 40mm dynamic drivers with CCAW voice coils and neodymium magnets produce a flat, high-resolution response across the full 20 Hz-20 kHz range — honest monitoring, not consumer-hyped bass. The circumaural closed-back design isolates the engineer from room leakage during tracking, the earcups rotate flat for single-ear DJ-style cueing, and at 8.6 oz the headphones stay comfortable across long sessions. A detachable 9.8 ft cable and a screw-on 1/4-inch adaptor plug straight into any of the console's four headphone outputs.

How the Console, Speakers, and Headphones Work as One System

The three pieces form a complete signal chain: sources go into the MGX16V W's preamps and processing, the stereo mix feeds the DBR12 pair over balanced XLR for the room, and the HPH-MT5 plugs into the console's headphone output so the engineer hears exactly what's being captured and amplified. The same USB-C cable that streams the mix to a computer also carries the 4K video, so audio and video stay locked together. Nothing in this kit needs an adapter the buyer has to source separately — the console's outputs and the speakers' inputs are both XLR, and the headphones ship with both 3.5mm and 1/4-inch connections.

For the Streamer, the Worship Tech, and the Mobile Engineer Who Wants It Matched

First-time buyers get a turnkey rig: plug the mics in, connect the speakers, put on the headphones, and run sound. Upgraders moving from a separate mixer-plus-capture-card setup gain a single white-finish console that does audio and 4K video over one cable. Comparison shoppers weighing piecing it together themselves get a stereo 1,000W PA, a 22-channel digital console with onboard DSP, and trusted closed-back reference headphones in one purchase — matched in finish, ready for the camera. Mix it, amplify it, stream it, monitor it. One box.