LAG SL200 / Gypsy Jazz Little Mouth Acoustic Guitar / Swing Lâg Series / 2512CW00349

Carefully inspected and professionally set up by our guitar workshop, this instrument is a showroom model, never used, in like-new condition.

Lâg Deluxe Gigbag, original cardbox, and accessories included.

LAG SL200

• Swing Lâg Series
• Gypsy Jazz Acoustic Guitar – Small Oval Soundhole
• Top: Solid spruce
• Back & sides: Rosewood
• Bridge: Rosewood
• Finish: Gloss varnish
• Neck: Mahogany
• Fingerboard: Black Brankowood
• Radius: 350 mm
• Truss rod: Dual-action
• Number of frets: 21
• Nut width: 43 mm
• Nut & saddle: Bone
• Scale length: 670 mm
• Headstock: Slotted
• Tuners: Die-cast
• Original strings: Argentine 1510MF 11/46

Since 2026, Lâg has made a strong statement with a clearly defined new direction: offering instruments inspired by great traditions, yet designed for today’s musicians. The Swing series, which includes the SL200, perfectly embodies this ambition. There is a clear intent to make gypsy jazz more accessible without compromising its essence, by providing a credible, modern, and above all musically convincing entry point. And honestly, within the first few minutes of playing the SL200, it’s obvious that the brand has gone far beyond a simple stylistic exercise.

The SL200 immediately आकर्षcts with its aesthetic, faithful to the Selmer-Maccaferri spirit, featuring the famous small oval soundhole that instantly evokes the world of Django Reinhardt. But beyond the look, it’s the sound that truly impresses. The solid spruce top responds with remarkable liveliness, delivering a crisp and precise attack—perfect for sharp rhythm playing as well as fast lead lines. The bass is surprisingly warm for a guitar of this size, while the projection remains clear and effective, even in rehearsal settings or on small stages. It never gets lost in the mix, yet never becomes harsh either—an impressive balance at this price point.

What’s even more surprising is the playing comfort. The slim, well-shaped mahogany neck encourages long sessions without fatigue. Typical gypsy-style chord transitions feel natural, and solos flow effortlessly. The Black Brankowood fingerboard also deserves special mention: beyond its eco-friendly aspect, it offers stability and a smooth feel under the fingers that genuinely enhances the overall experience. This is far more than a marketing argument—it’s a real everyday advantage.

From a practical standpoint, the SL200 also ticks many boxes. Lightweight and well-balanced, often featuring a cutaway for easy access to higher frets, it works just as well at home as it does on stage. The inclusion of a gigbag and suitable strings shows that Lâg has considered the end user, not just the spec sheet. It’s a guitar you can take straight out of the bag and bring to rehearsal or a gig, with only minor adjustments needed to suit personal preferences.

Of course, it doesn’t aim to compete with much higher-end models like handcrafted Busato instruments, particularly in terms of sustain or extreme harmonic richness. But that’s clearly not its positioning, and at this price, the comparison often works in its favor given the value it offers. Compared to competitors like Altamira, it stands out with a more modern approach and superior comfort, without sacrificing the essence of gypsy jazz tone.

In the end, the SL200 is a real success. It perfectly represents this new generation of accessible instruments that no longer make major compromises on playing enjoyment. It’s a guitar that inspires you to improve, to play with others, to dive into the gypsy repertoire—in short, a guitar that lives. For a musician looking to seriously get into gypsy jazz without breaking the bank, it’s hard not to be enthusiastic!