Parting: Glitch Delay/Reverb Crushing Modulation Device In creative collaboration, harpist Emily Hopkins and experimental effect makers Old Blood Noise Endeavors are proud to announce Parting, a new musical device with a curated suite of effects inspired by their favourite glitch, signal crushing, and ambient sounds. 

One central knob crushes the signal or sends it into reverse, while knobs to its left control a selectable modulation and knobs to its right control a chance-based or envelope-controlled glitchy delay that you can smear into a reverb. Everything interacts with various layers of chance-based clock-changing randomness to create a box of pleasant surprises.

Main Features:

• Glitch Delay/Reverb Crushing Modulation Device
• Stereo Input and Output, with the option for Mono or Mono-in-Stereo-out routing
• Aux footswitch for tap tempo, half clock speed, or preset switching
• Dissolve control with two functions, below noon for reduced sample rate, above noon for increasingly degraded reverse signal
• Analog Dry-Through
• Expression and MIDI control over all parameters
• MIDI clock I/O for external tempo syncing
• Onboard Presets, plus control via MIDI
• Selectable Buffered Trails or True Bypass modes
• Top-mounted Jacks and Soft-Touch Switching
• Hand-made in Oklahoma, USA
• Available in 3 Colourways - Green (standard), Purple and Stone
• Powered by (opt.) 9 V DC PSU                 
  (centre -, 2.1 mm, ~ 350 mA current draw, not included)

Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lo-fi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.