The Way Huge Smalls Doom Hammer Fuzz delivers thick, harmonically rich distortion that’s ideal for everything from modern doom and stoner rock to vintage-inspired alternative fuzz tones. It’s based on a circuit originally modified by Jeorge Tripps in 1998 for the band Oranger, where he reworked a late-’70s op-amp fuzz design to reduce the typical mid-scoop, tighten up the low end, and improve stage reliability.

Years later, Tripps revisited those original modifications, fine-tuning them into a compact pedal that balances saturation with clarity. The result is the Doom Hammer Fuzz — a compact powerhouse that offers smooth sustain, a focused EQ range, and a surprising amount of articulation for a fuzz of this weight.

With just three intuitive controls — Output, Fuzz, and Tone — you can shape your sound from gritty, responsive overdrive all the way to thick, full-spectrum fuzz. The Tone control provides a wide sweep for dialing in just the right amount of presence or low-end warmth, and the Output control ensures your amp receives plenty of signal to work with.

This is a fuzz designed not just to sound good in a mix, but to feel right under your fingers.

Controls:

• Output – Sets the overall output volume
• Fuzz – Adjusts the amount of gain and saturation
• Tone – Shapes the EQ profile
• Footswitch – True bypass switching (blue LED indicator)

Power:

• 9V battery (internal) or 9V DC power supply (center-negative)
• Power input: 5.5mm x 2.1mm barrel jack
• Disconnecting the input preserves battery life
• Using an external power supply disables the internal battery

Electronics:

• Input Impedance: 43 kΩ
• Output Impedance: 650 Ω
• True Bypass
• Current Draw: 8 mA

Enclosure:

• Compact “Smalls” series footprint for pedalboard efficiency