Exploiting an algorithmic similarity, Old Blood Noise Endeavors unveils Bathing, a liminal delay.

This effect is not a classical delay, or a modulation, or a multi-tap reverb, but it is also all of those things. Taking inspiration from what they called “phase repetition” in their Dweller pedal, Bathing takes this difficult-to-describe effect and highlights all its magical features through a wide control set, low noise floor, expansive stereo field, and with features like MIDI, expression control, and presets to store and recall your favorite liminal delay sounds. Embark on the adventure, then nd it to be your new home.

Features

• Stereo input and output, with the option for mono or mono-in-stereo-out routing
  
• Knobs to control central delay time, tone, and feedback; number of stages the delay passes through; rate, depth, and shape of the modulating character of those stages; and dry volume, wet volume, and subtle stereo chorusing
  
• Tap/Aux footswitch for tap tempo, runaway feedback, or preset switching
  
• Expression and MIDI control over all parameters
  MIDI clock in and out for external tempo syncing
  Presets onboard and via MIDI- Analog dry through
  Trails or true bypass
  Soft touch switching

And here’s some more in depth details of how Bathing works:

The main sound of Bathing is determined by a delay line divided into many stages called all-pass filters.  

Time sets the central delay time.  

Stages sets the number of all-pass stages the delay runs through, from two to twelve. At very short time settings, this increases the intensity of the phase/flange effect. At medium or longer time settings, it creates more repeats both before and after the central delay time.

Feedback sets the feedback of the delay, taking the output and feeding it back into the input. This can create longer trails and increased resonance. 

Filter applies a combination of low pass and high pass filtering to the output of the delay, as well as the delay feedback loop, with the darkest sound to the left and the brightest sound to the right.

The LFO in Bathing affects the character of the delay repeats. When time is very short, it acts like a modulation (think phaser or flanger). When time is longer, it moves anywhere from a single repeat at the central delay time out to a scattering of many diffuse repeats around that time. In MISO or stereo modes, the LFO is offset on the left and right to create a variety of stereo effects. 

There are three controls over the LFO : Rate, Depth, and Shape. 

Rate sets the speed of the LFO. Set all the way down, the movement of the LFO is deactivated.  Set all the way up, it enters ring mod territory. In envelope modes, Rate sets the sensitivity.