The condition is good, with some parts and minor scratches, and there are some signs of use.
The neck is in good condition, and there are no problems with the truss rod, remaining fret length, or the amount of fret work left on the neck.
The unique looseness, which is similar to that of Fender, makes it easy to use in all environments.
The sound that converges toward the target pitch is also extremely excellent, with both richness and tightness similar to that of vintage instruments, and for basic playing, you can expect more than enough quality if you bring this to the studio alone.
Not only does it bring the perfect balance and texture to the instrument, but Jimmy's constant research has also created a number of magic tricks that can be used in different combinations to bring out the best sound from different woods in different setups.
His stance of making one-of-a-kind instruments, using methods that maximize the benefits of handmade production, has helped to solidify his position as a luthier.
The neck is made by Jimmy's philosophy, which is different from existing makers' approach, and it is very rigid and solid.
Even in the case of electric instruments, which are often affected by electrical systems, the influence of the materials used in their construction is immeasurable, and the feedback on the final sound is immeasurable.
The use of vintage wood that has been cut more than 30 years ago is used sparingly and continues to bring a crisp, yet comfortable thickness to the sound.
Please take this opportunity to try it out.
SPEC
Body: Alder
Neck: Maple
Fingerboard: Rosewood
Pickups: Alleva-Coppolo Original
Finish: Piano Black (Lacquer)
Weight: 3.96kg
Comes with GigCase
Consigned by customer