color/material: black aluminum
type: tremolo and reverb
signal processing: digital
potentiometers: TREMOLO - INTENSITY, SPEED | REVERB - DECAY, COLOR, MIX
potentiometer knobs: cream
switches: TREMOLO - ‘61 harm/’63 tube/’65 photo, TREMOLO ON | REVERB - ‘60s, ‘70s, ‘80s, REVERB ON, MONO/STEREO INPUT
input: TS/TRS 1/4”, EXP/MIDI, USB C
output: stereo 1/4” TRS
power input: 9VDC
dimensions: 4.5” x 4” x 1.75”
birthplace: United States of America (USA)
SKU: Z12A-FLN2-1

from Strymon:
”The magical combination of tremolo and reverb is the earliest example of a perfect guitar effects marriage. First pioneered within historic amplifiers of the 1960s, this harmonious coexistence has made its way onto countless records and performances — from early surf, swampy bayou blues, spaghetti westerns and film noir soundtracks, to modern day indie rock. As music moves forward, guitarists continue rediscovering the inspiration provided by this perfect pair.

Flint is a studio-class effects pedal that delivers this classic combination. We carefully studied our favorite classic tremolo and reverb circuits, examined the sonic complexities and faithfully accounted for every detail in our hand-crafted algorithms. Flint is essentially two pedals in one, with tremolo on one half and reverb on the other.

Flint gives you the pulsating, soothingly hypnotic effects pioneered in vintage amplifier tremolo circuits, along with three classic and completely unique reverb algorithms.

On the tremolo side of the pedal you can choose between the sonically complex ’61 Harmonic Tremolo, the swampy and sultry ’63 Power Tube Tremolo, and the sharp and balanced ’65 Photocell Tremolo. On the reverb side you can select the classic ’60s Spring Tank Reverb, the inventive ’70s Electronic Plate Reverb, or the nostalgic ’80s Hall Rack Reverb.

With nine parameters to tweak, you get extensive control over the tremolo and reverb characteristics. Go from splashy, pulsing twang, to throbbing, swampy blues, all the way to ambient, trembling, and serene reverberated pads.

Couple that with true bypass, and a premium quality analog front end and output section, and you have the history of tremolo and reverb in a pedalboard friendly format.”

stock photos provided by strymon.