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Lovies Guitars is excited to present this 2020 Taylor K-24ce Grand Auditorium Acoustic/ Electric with a Shaded Edge Burst Finish! The Taylor K24ce acoustic-electric guitar delivers all the sonic benefits of koa — a very special tonewood and a Taylor specialty. Run some single notes or strum a chord; savor the strong attack, crisp articulation, and voluptuous bloom. This impeccable Grand Auditorium guitar features a graceful Venetian cutaway with a top, back, and sides of highly figured Hawaiian koa. This K24ce features Taylor’s revolutionary V-Class bracing, which boosts volume evenly across the tonal spectrum, increases sustain, and improves the natural intonation of the instrument by creating a more synergistic response from the soundboard. This fosters a more harmonious relationship between the notes you play, helping chords to ring out in cohesive splendor. The K24ce’s tropical mahogany neck is capped by a bound ebony fingerboard with a gorgeous maple Spring Vine inlay, smartly accented by elegant stylistic touches that include maple binding and top trim, gold tuning machines, and a sumptuous Shaded Edgeburst finish.

Bracing is the internal framework of an acoustic guitar that helps shape its sound. Although X-bracing has been standard in acoustic guitars for over a century, it creates an innate conflict between two key elements of a guitar’s sound: volume and sustain. The guitar’s top (its soundboard) contributes to both. The flexibility of the top generates volume (projection), while its stiffness generates sustain. And with X-braced guitar tops, here’s where the trade-off comes in: when something is made stiffer, its flexibility is reduced (and vice versa).

V-Class bracing changes all that. With Taylor’s V-Class bracing, an acoustic guitar top can be both stiff and flexible — for more volume and sustain. V-Class bracing provides stiffness parallel to the strings for more rigidity and hence sustain. Flexibility on either side generates the air movement necessary for robust projection. It’s the best of both worlds. This groundbreaking innovation also improves intonation — not only producing notes that are louder and have longer sustain, but are also more in tune with each other.

The K24ce responds gracefully to a wide range of playing styles, thanks to its medium-sized Grand Auditorium body. Taylor’s beloved Grand Auditorium body style employs the width and depth of a dreadnought. However, its waist is narrower, which gives Grand Auditorium guitars a sleeker look and more treble zing. The Grand Auditorium body style also helps to focus and sharpen the definition of each note — a quality desirable in any musical genre. You’ll also find your Grand Auditorium guitar to be incredibly comfortable, whether you’re playing seated or standing.

For the K24ce’s top, sides, and back, Taylor uses a very special tropical hardwood sourced from Hawaiian plantations above 5,000 feet. Koa’s sonic alchemy combines the focused midrange of mahogany with the snappy high end of maple. Due to the wood’s density, koa guitars tend to start out sounding a bit bright; it’s similar to maple in this regard. Tip: the more you play your koa guitar, the more the tone opens up, expanding the midrange and rewarding you with sweeter, richer, more resonant sonority. Oftentimes, guitarists unfamiliar with the tonewood purchase a koa guitar for its stunning visuals, don’t play it enough to allow the wood to warm up, and mistakenly conclude that it’s too bright. Fine koa guitars like the Taylor K24ce deserve to be played every day! With that said, koa’s inherent brightness is ideal for fingerpickers with a meatier touch and for studio layering where you need an acoustic guitar that cuts through the track.

If you play plugged in, then you’re going to love the Taylor Expression System 2 (ES2) electronics onboard your K24ce. The key to this fantastic system is the 3-section proprietary pickup located behind the saddle. Because of where it’s positioned and how it’s integrated into the K24ce’s saddle, the ES2 pickup provides you with remarkably clear and accurate sound. In addition to a master Volume control, a pair of tone controls lets you tweak your highs and lows to get the sound you need, and a discrete polarity switch offers vital onboard feedback suppression. This guitar is in minty shape with a couple micro marks, rated at 9.9/10. All original and free from any breaks, cracks or repairs. Included with this guitar is a Taylor Gig Bag and a complimentary sample of Fret-Not, our preferred fretboard cleaner, check it out at fretnot.net! For additional photos, including internal shots, please visit our website. Thank you for considering this exceptional instrument from Lovies Guitars!

Features:

Hawaiian koa top, back, and sides

Bracing: V-Class with Relief Rout

Venetian cutaway

Non-figured pale maple binding

Bigleaf maple rosette

Tropical mahogany neck with satin finish

West African ebony fingerboard and binding

Spring Vine fingerboard inlay

Headstock: West African ebony overlay and binding, maple purfling, spring vine inlay

Black graphite nut, Micarta saddle

Truss rod cover: West African ebony

Scale length: 25.5"

West African ebony bridge pins

Gotoh gold tuning machines

Handcrafted in California

1st Fret: .835”

9th Fret: .910”

Nut Width: 1 3/4”

Serial: 1211100156

SKU: 6650

We offer a 14-day money-back return policy. Buy with confidence.

All guitars are guaranteed to arrive in the condition as described, and a full refund will be issued if not. Additionally, all our guitars are fully insured, and we will assist with any claims that may arise.

Lovies Guitars holds a CITES Master File, and we can provide certificates when and where they are required. We are also declaration-friendly, ensuring a smooth experience for international shipments.