About This Listing

1982 GIBSON ES-347 - BLACK - Nashville Factory! PLAYS AND SOUNDS FANTASTIC!

This guitar is a higher-end ES-series semi-hollow body with features including a coil top and a TP-6 fine-tune tailpiece. 

The toggle switch on the treble horn splits the neck pickup.

The  ES-347 was first produced in late 1978 at the Gibson Kalamazoo plant, Michigan, USA. It was produced in line with the rest of the Gibson ES series, and, as the number suggests, can be placed between the higher end models, the  and . It had a maple body, back, sides and neck, and an ebony fingerboard. Gold-plated parts and block neck inlays. Functionally it was identical to the  of the same period, with the same pickups and circuitry.

According to early publicity (and it was strongly promoted), it was: "extremely versatile", and designed "for those players equally at home with many styles of music". "The ES-347TD offers increased tonal capabilities that include more brightness and sustain".

1980 publicity
Nicknamed the "hot one", the ES-347TD produces "power", "sustain"and "tonal flexibility"!

"Power" from the high output series VII Humbucking pickups
"Sustain" and "Brightness" from the maple center block, brass nut, Sustain Sisters and the maple woods
"Tonal flexibility" from the coil tap switch, tone controls and pickup selector switch

By the late seventies several thinlines (most notably the ES-335TD) were being shipped with a coil-tap switch, to allow the humbucker pickups to function in single-coil mode. This switch was initially placed on the lower cutaway bout (see the first two guitars, above), though this was soon relocated next to the other controls. The third guitar above is an option available first available in 1981; it has chrome plated hardware (initially described as nickel plated in some Gibson literature) instead of gold, and was available in some different finishes at different times, but was otherwise identical.

Model: Gibson ES-347TD Pickups: Two Gibson series VII humbuckers Controls: Two volume and two tone controls, three-way pickup selector switch, coil tap switch. Scale: 24 3/4" Body: Maple top, rims and back, with maple centre block. 18 5/16" long, 16" wide, 1 3/4" deep. Neck: Three-piece laminated maple neck with ebony fretboard, and block position markers. Crown headstock inlay. Polished brass nut. 22 frets. Headstock pitch 14°. Width at nut 1 11/16". Hardware: Tune-o-matic bridge with 5/8" brass studs, TP6 fine tuning tailpiece. Schaller M6 machine heads. Gold plated Finish: Ebony

As previously mentioned, the ES-347TD was a product of the famous Gibson Kalamazoo plant, Michigan, USA however some time in the middle of 1981, production was moved to the newer Nashville facility. The serial number on Kalamazoo-built guitars will have a final three digits numbered between 001 and 499, the Nashville from 500 upwards.

The 1980  advertisement lists Ray Benson (Asleep at the Wheel), Alan Kendall (Bee Gees), Joaquin Lievano (Jean Luc Ponty) and George McCorkle (Marshall Tucker Band) as early ES-347 users.

This guitar is in Good Condition.  Would be Excellent condition but the back is heavily worn and there is a finish crack at the output jack.  It's solid but you can see it up close. Has some misc chips and dings.

Listed5 months ago
Condition
Brand
Model
  • ES-347TD
Categories
Year
  • 1982
Fretboard Material
  • Rosewood
Body Material
  • Maple
Neck Construction
  • Set-Neck
Body Shape
  • Double Cutaway
Right / Left Handed
  • Right Handed
Body Type
  • Semi-Hollow Body
Model Family
Number of Strings
  • 6-String
Neck Material
  • Mahogany
Wood Top Style
  • Plain
Finish Style
  • Gloss
Series
Bridge/Tailpiece Type
  • Stop-Bar
Pickup Configuration
  • HH
Scale Length
  • 24.75"
Color Family
  • Black
Number of Frets
  • 22

About the Seller

Boston Guitar

West Bridgewater, MA, United States
(7,218)
Joined Reverb:2013
Items Sold:11,726
Product Overview
Introduced as a replacement for the slowly-waning ES-345, the Gibson ES-347 TD was produced between 1978 and 1991. Its semi-hollow body sported coil-tapping pickups and a tunable tailpiece, and this higher-end ES entry was generally brighter and had a far better sustain than others in the series due to a number of factors, including its brass nut.
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