Akai Deep Impact SB1

Hi! This is Akai Deep Impact SB1, the legendary bass synth pedal, no further mention needed.

Conditions…
: It has some wear but working as it is supposed to be.

Contains...
: only the pedal itself. 

Shipping...
: I send by EMS which is the most reliable and fastest in S.Korea. It usually takes up to 10 days to arrive. If i can’t ship by ems to your country due to some reasons, Then i will send by ship. it takes about a month or a bit less. I will let you know which is available when the purchase is made. Also, shipping speed might differ depending on the situation of your country.
Please note that you will be responsible for any applicable customs fees or import taxes.
Any questions are welcome! 
Thank you!

About Akai Deep Impact....
the Head Rush, Unibass and Deep Impact were arguably the best pedals Akai ever produced. 

When a pedal’s endorsee list contains players like Bootsy Collins, Chris Wolstenholme and Paul Turner of Jamiroquai, you pretty much know what to expect: throbbing, guttural filter sweeps with a funk chaser. And yeah, you get that. But you get a pretty bang-on stab at a host of synth patches, including fifths, warbling pads and much more. It’s not without its limitations, though.

The Unibass and Deep Impact were centered on the frequency range of the bass guitar; the Unibass generated a fat unison mode with an octave up and subtle thickening, which is easily adaptable to six strings. However,  the Deep Impact in particular made no bones about its applications. When played with a guitar, notes outside of the bass frequency range cut through at a very distinct threshold, and not in a “hardware limitation” kind of way; there is a literal cut-off point. One note in a scale gets enveloped in the circuit, and the very next rings through as if there was no effect at all.

The way it’s used is deceptively complex. Like the old analog synths it seeks to replicate, dialing in a patch takes a little effort, and in the same way as many of them. Two of the unit’s three knobs are for input and output levels—the Input control is accented with a metering system and lets you set the clipping threshold of the unit before setting the output volume. While two-thirds of the knobs are standard fare, the money is in the program system. 

On offer are nine programs with a blank parametric slate. The left footswitch cycles through these programs in ascending order, while an optional footswitch cycles in descending order, and the center control cycles through 10 different parameters (and one preset loading option), all of which are fully adjustable with the rotary encoder in the center of the unit. Most of them correspond to controls on real analog synths, such as (filter) Cutoff, Resonance, Attack and Decay. When you factor in this multi knob, the Deep Impact actually has 12 controls for your tweaking pleasure, far more than the competition. And the ends to which you can adjust the tone are relatively absurd.

While vintage synths of yore can oscillate and destroy your ears when the resonance is cranked, Akai thoughtfully keeps the extent of the parameters usable. With that being said, the Deep Impact will mercilessly punish any subwoofer placed before it. Akai promises a four-oscillator affair within the Deep Impact and while there’s no way to dial it in solely based on those merits, it certainly sounds gargantuan. It’s probably why they are worth so much.

The original designer of the Deep Impact, one Andras Szalay, revived the project well after Akai washed its hand of the line under the company name PandaMIDI and the product name Future Impact I. For a spell, it was tough even to get one of those, and prices encroached upon the original. Now on its third revision, readily available and with a new brand name, the Future Impact continues to carry the torch. There’s just something about that Akai unit, though...

Current Draw: 180 mA, 9VDC