Reverb has your back if your item is lost, damaged, or doesn't match its description. Simply report any issues within 7 days and we'll help you get a full refund.Learn More
About This Listing
It's getting a lot harder to find original tweed Bassmans so maybe instead of concentrating on the well regarded 5F6-A's that have gotten kind of pricey if original, you might want to look at the very underrated 5E6. These dual rectifier powerhouses are a bit more gritty than the 5F6-A and will break up at lower volumes. A 5F6-A has better headroom but you have to crank the crap out of it to get the dirt you want. Want more dirt from a 5E6? Pull one of the rectifier tubes. You can't do that on a 5F6. This one has its original tweed in good condition. It's worn but not ratty. The grill cloth is original but the baffle board had to be replaced. I transferred the original grill cloth to the new baffle. The speakers are all 57's but are P10Q smooth cones. These were generally found in organs and are much more durable than the seamed guitar cones. It's rare to find an original seamed cone from the 50's that is usable at high volumes. These 65 year old cones have some life left for sure and once they go, you can recone them with whichever cone you like. The panel is near perfect-all the letters are clear and readable and the chrome has only one small spot of pitting near Volume one. Just one cap has been changed. It might be time to do the filter caps though if you are going to record with it. The transformers are all original. Even the handle is original. I believe.
While the original Bassman combo of 1952 was intended to accompany Fender's new electronic basses, it didn't take long for rock and blues guitarist to embrace the raw tube power of the line. In 1954, the Bassman was upgraded from a 1x15 to a 4x10-inch combo. The early era of Fender Bassman amps laid the groundwork for virtually all rock combos to follow, so much so that it was the 4x10 Bassman that inspired the very first Marshall-branded amp in 1962. Like most early guitar amp combos, the value of Fender Bassman amps is extremely susceptible to condition. Very few all-original early Bassman amps remain intact giving the delicacy of some components like the Tweed covering.
Years of Production: 1952 - 1971
Electronics: 40-watts, bright input, normal input, 2 x 2AY7 pre-amp tubes, 2 x 6L6G power-tubes, 2 x 5U4GA rectifier tubes
Controls: Volume, EQ, Presence, Volume Bright, Volume Normal
Originally $11,000, now $10,000 ($1,000 price drop)
$11,000
$10,000
$1,000 price drop
About This Listing
It's getting a lot harder to find original tweed Bassmans so maybe instead of concentrating on the well regarded 5F6-A's that have gotten kind of pricey if original, you might want to look at the very underrated 5E6. These dual rectifier powerhouses are a bit more gritty than the 5F6-A and will break up at lower volumes. A 5F6-A has better headroom but you have to crank the crap out of it to get the dirt you want. Want more dirt from a 5E6? Pull one of the rectifier tubes. You can't do that on a 5F6. This one has its original tweed in good condition. It's worn but not ratty. The grill cloth is original but the baffle board had to be replaced. I transferred the original grill cloth to the new baffle. The speakers are all 57's but are P10Q smooth cones. These were generally found in organs and are much more durable than the seamed guitar cones. It's rare to find an original seamed cone from the 50's that is usable at high volumes. These 65 year old cones have some life left for sure and once they go, you can recone them with whichever cone you like. The panel is near perfect-all the letters are clear and readable and the chrome has only one small spot of pitting near Volume one. Just one cap has been changed. It might be time to do the filter caps though if you are going to record with it. The transformers are all original. Even the handle is original. I believe.
While the original Bassman combo of 1952 was intended to accompany Fender's new electronic basses, it didn't take long for rock and blues guitarist to embrace the raw tube power of the line. In 1954, the Bassman was upgraded from a 1x15 to a 4x10-inch combo. The early era of Fender Bassman amps laid the groundwork for virtually all rock combos to follow, so much so that it was the 4x10 Bassman that inspired the very first Marshall-branded amp in 1962. Like most early guitar amp combos, the value of Fender Bassman amps is extremely susceptible to condition. Very few all-original early Bassman amps remain intact giving the delicacy of some components like the Tweed covering.
Years of Production: 1952 - 1971
Electronics: 40-watts, bright input, normal input, 2 x 2AY7 pre-amp tubes, 2 x 6L6G power-tubes, 2 x 5U4GA rectifier tubes
Controls: Volume, EQ, Presence, Volume Bright, Volume Normal