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About This Listing
This is a B Stock/Demo item. Fully functional but may show signs of use.
Features • Two independent effects that can be configured and controlled separately and used one at a time or simultaneously in series, parallel, or split configurations • Vintage 4-stage phaser with three phaser sweep modes: classic, barber, and envelope • New 6-stage phaser algorithm with a continuous range from classic pure 6-stage phasing to flanging to chorus, all with adjustable resonance • True stereo operation • All controls are carefully voiced to produce musically useful sounds at any setting • Adjustable input level switch to allow for both instrument and line level signals • Selectable Buffered or True Bypass • Full featured MIDI implementation via TRS or USB supporting MIDI CCs, MIDI clock sync, access to 300 preset locations • Strong and lightweight anodized dark purple aluminum chassis
Specs
I/O and SWITCHES • High impedance ultra low-noise discrete Class A JFET TRS stereo input • Low impedance independent TS stereo outputs • Expression pedal input allows the connection of a TRS expression pedal, MiniSwitch, MultiSwitch Plus, or TRS MIDI connection • USB jack for controlling via MIDI from a computer or for performing firmware updates • Independent on/off footswitch for each phaser
AUDIO QUALITY • Premium JFET analog front end • Ultra low noise, high performance 24-bit 96kHz A/D and D/A converters provide uncompromising audio quality • 480MHz ARM Superscalar processor • 32-bit floating point processing • Frequency response: 20Hz to 20kHz • Audio Input Impedance: 1M Ohm • Audio Output Impedance: 100 Ohm
OTHER • 9V DC power supply included • Power requirements: maximum 9 volts DC center-negative, with a minimum of 300mA of current • Dimensions (D x W x H): 11.4 cm x 10.2 cm x 4.4 cm / 4.5" x 4" x 1.75"
From classic phaser tones of '70s rock and synth pop to next-level phasing, the Strymon Zelzah may just be the last phaser you'll ever want or need. It's a stereo phaser that has four phasers built in—two on each side. One side contains two four-stage phasers, offering classic, barber (continuous upward or downward), or envelope-controlled phase tones. On the other are two six-stage phasers built around a modified all-pass filter. You can use each side alone, run them together in series or parallel, or split their output to the left and right channels.