When you're running live sound and need to feed two consoles from the same stage inputs, this 16-channel splitter snake handles the job without the complexity of an active splitter box. The SARMSS-16x1530 is a hardwired Y-splitter that sends your stage signals to two destinations simultaneously — think monitor console and FOH, or house mix and broadcast feed.

The 2U rack-mountable stage box accepts both XLR mics and 1/4" TRS line sources through combo jacks, so you can plug in everything from SM57s to keyboard outputs without adapter hassles. Each channel uses 22-gauge conductors with individual shielding to keep crosstalk at bay, and the dual XLR trunks give you a 15-foot run and a 30-foot run for positioning flexibility.

This is a passive splitter — no transformers, no ground lift switches, no phantom power isolation. That means both receiving consoles share the same signal path and ground reference. It works great when your mixing positions are in the same general area and you don't have ground loop issues. If you're dealing with long cable runs to broadcast trucks or rooms with different electrical feeds, you'll want a transformer-isolated splitter instead.

The steel stage box is built to handle gigging abuse, and at 19 pounds, it's substantial enough to stay put on stage without sliding around. All connections are clearly labeled for quick setup, whether you're doing a one-off show or permanent installation.

Bottom line: If you need a straightforward way to split 16 channels between two nearby mixing positions without the cost and complexity of active distribution, this passive snake gets the job done reliably.

Technical Specifications

• Channels: 16
• Rack Space: 2U
• Stage Box Inputs: XLR/TRS 1/4" Combo Jacks
• Trunk Outputs: Male XLR
• Trunk Lengths: 15' and 30'
• Conductor Gauge: 22 AWG
• Shielding: Individual per channel
• Stage Box Material: Heavy duty steel with handle
• Weight: 19.1 lbs
• Configuration: Send only (no returns)
• Transformer Isolation: No
• Ground Lift: No
• Warranty: 1 Year
• Recommended For: Live sound splitting, broadcast feeds, monitor distribution

Frequently Asked Questions

Does this pass phantom power to condenser mics?

Yes, phantom power flows through from your console to mics at the stage box. When you flip on 48V phantom at your board, it powers condensers, ribbons, and active DIs connected to the stage end.

What's the difference between this and a transformer-isolated splitter?

This is a passive hardwired Y-splitter without isolation transformers. Both receiving consoles share the same signal path and ground reference, which works fine for nearby mixing positions but can cause ground loop hum if your consoles are on different electrical circuits or in separate buildings. Transformer-isolated splitters cost more but eliminate ground loop issues.

Can I use this for recording while mixing live?

Absolutely. Many engineers use these to feed a recording interface while running live sound. Just remember that any EQ, compression, or effects on your live console won't affect the recording feed — you're getting the raw stage signals on both outputs.

Why two different trunk lengths instead of matching lengths?

The 15-foot and 30-foot trunks let you position consoles at different distances without excess cable. Use the short trunk for nearby monitor consoles or recording gear, and the long trunk for FOH positions. This reduces cable clutter and minimizes potential signal interference from coiled excess cable.