JHS Smiley Legends of Fuzz

Price$179
Free Shipping
As low as $10/month with– from 0% APR.

Free Shipping

from Jacksonville, FL

2 in stock
Watch this listing to get price drop alerts
Listed:over a month ago
Views:767
Watchers:21

30-Day Return Policy

Enjoy peace of mind with your new gear

2-Day Shipping Available

Faster shipping, straight to your door

Shipped From
Crazy Dave's Music
Jacksonville, FL, United States
(6,204)
Sales
9000+
Joined Reverb
2014

Reverb Protection

Simple Returns, Secure Transactions, Human Support

Learn more

Secure Checkout

Sell Yours Now Background

Want to Sell Yours?

Anyone can sell on Reverb. List your JHS Legends Series Smiley 1969 London Fuzz today to get it in front of thousands of eyes, quickly and easily. Learn more on the Seller Hub.
Sell Yours Now
Sell Yours Now Background

SMILEY INSPIRED BY FIRST-ERA SILICON MODEL ARBITER FUZZES

In 1966, a salesman named Ivor Arbiter saw the rising British rock scene demanding the effect of fuzz. He decided that his company Arbiter Electronics* needed to join the other London guitar product companies and release his own take on this trending sound. After seeing the circular base of a mic stand, he came up with the idea to put the effect in a similar round enclosure and give it a face: two eyes made of knobs, a foot switch nose, and a brand label mouth.

Thus, the Fuzz Face* was born. That same year an American guitarist named Jimi Hendrix arrived in London and adopted Ivor’s design as his weapon of choice, and the rest is history.

The first few years of the Fuzz Face* were manufactured using germanium transistors but by 1969, germanium fully gave way to silicon devices and Arbiter never looked back. Hendrix himself preferred the silicon versions over germanium because of their sound, aggressive bite, and their stability in environments where germanium proved inconsistent. The JHS Smiley is a sonically faithful recreation of what makes these early silicon Fuzz Faces great. Several vintage units from my collection were considered and analyzed so that we could be sure to perfectly capture the magic that I love in this era.

The Smiley is clear and defined, straddling the line between distortion pedal and a searing sustain, sustaining low end and crisp mid-range bite that you expect from a vintage Arbiter unit. One of the most revered characteristics of a good Fuzz Face* is its ability to clean up when the guitar's volume is rolled back, and the Smiley does this effortlessly.

The controls are Volume and Fuzz. Volume sets the overall output level of the effect; turn it up and it gets louder. Fuzz is the distortion control; the more you turn it clockwise, the more fuzz you create. On the side you will see a “Mode” control. Push this button to access our own unique “JHS Mode”. This mode sends the Smiley into high gain / gated fuzz territory that you may never want to come back from.

If you want a fuzz that covers coveted classic tones, look no further. Legends like Jimi Hendrix, Jack White, Eric Clapton, David Gilmour, and Eric Johnson have used this circuit on countless albums. Now it's your turn.

Reverb Gives

Your purchases help youth music programs get the gear they need to make music.

Carbon-Offset Shipping

Your purchases also help protect forests, including trees traditionally used to make instruments.

Oops, looks like you forgot something. Please check the fields highlighted in red.