PLEASE READ: As you can see by googling my on-line store ALUMPSTER’S GUITARS, I generally sell only Martin, Gibson, Guild, Larrivee, and Alvarez-Yairi guitars. Most of these models are made so well that they tend to increase in value and improve in the complexity and resonance of their sound as they age, regardless of their appearance. This guitar, like all my guitars, is available at a negotiable Buy It Now price in my on-line store at any time. I will also consider reasonable offers in my store, including generous discounts for multiple purchases. If you have a question about this guitar or any of my other 100+ mostly vintage acoustic guitars, please Google “alumpster’s guitars” to ask on-line or call 803-731-0515.

I wish I could tell you how much fun it is just to hold this gem—it feels kind of like you’re holding a Stradivarius violin. First produced from 1912 to 1916 and then re-issued in all mahogany from 1927 to 1943, the 5-17 was one of a series of Concert (O Series), parlor, and smaller guitars created by Martin starting in the 1890’s and occasionally re-issued since.  
In this pre-World War II 1931 version of the 5-17 the neck, the X-braced top, the back, and the sides are all solid mahogany, with a rectangular rosewood bridge, and a rosewood fingerboard with small dot inlays (I believe that both the fingerboard and bridge are Brazilian Rosewood). The three-stripe rosette, the vintage tortoise pick guard, and the solid headstock with its original Grover Patented gear tuners complete the picture of a wonderful vintage guitar.
The 5-17’s total length is about 33”, with a body length of 16”, a lower bout of 11 ¼”, a 14/20-fret scale length of 23”, and a depth at the lower bout of 3 ¾”. This instrument (serial number 47954) is in very good condition for 90 years old, with light wear on the apparently original thin frets and more visible wear on the first three frets of the fingerboard, suggesting that it might have been played with nylon strings for much of its career. Cosmetically, there are the inevitable small dings on the top, back, and sides; some pick wear below the pick guard; and a series of dings and stains on the back of the neck.

 
Structurally, I see no cracks or repairs, the bridge, headstock, neck, and top are all solid/straight/flat as can be, the tuners are tight, and the action is quite playable at 4/32” at the 12th fret. As mentioned, the thin mahogany top is lightly X-braced, and the sound is bright and much louder than you might expect from such a small package.

 
While it was purchased from the estate of the original owner, there was no suitable case included; it was wrapped in a cloth in a too-large chip board case. Instead, I have it in a new Kaces gig bag which at least fits its small dimensions, but I believe that its next owner will want to invest in an appropriate hard shell case to protect it—and to keep others’ hands off it, because every string guy you know will want to play a riff or two. And I promise that it will be double-boxed for shipping.      All in all, this is a wonderful 1931 period piece, sure to appreciate as a part of a serious Martin or stringed instrument collection. However, I believe it is still, first and foremost, a player’s guitar, with its ringing, seasoned mahogany tone and pre-war Martin quality construction guaranteeing many more years of musical pleasure. I trust it will find a home with a real player.

Buyer pays a flat rate of $55 for insurance and shipping to the lower forty-eight states; shipping costs elsewhere will be negotiated as necessary. Payment by Paypal is preferred; cashier’s checks are acceptable, but checks must clear before the guitar will be shipped.
I have tried to be perfectly clear and accurate in describing this vintage instrument, so its return will not be accepted unless it can be shown that it was egregiously misrepresented in this listing. Please check out the pictures and ask any questions you might have before offering to purchase it.

 
Thank you for your interest in this classic vintage Martin guitar.