The ADK Hamburg 67 T-FET Microphone has the early 60's vibe - almost imperceptibly mellow. It scoops nasal, sibilance issues in a subtle way. The Hamburg 67 is based on a unique FET circuit that saturates gradually, so there is no abrupt clipping, like with most standard condenser mics. The Hamburg 67-T-FET boasts an Australian Designed Capsule, British Oxford Transformer, Hi-End Phillips Norelco Uber-FET. The Hamburg 67-F-FET is manufactured with Hi-End Methods and Materials, including a $6 Resistor! It took three microphone experts including a PhD in Physics, a Design Genius in Belgium and a 40 year-old microphone collection (with many much older microphones) to create it! Add Two-Way Attenuation Pads (8 and 16 dB) to enable end-user to tailor the dynamic behavior of the microphone to the situation and obtain new textures, with rarely the need for outboard processors or even EQ. The Hamburg 67-T is a tri-polar microphone with selectable Cardioid, Figure-8, and Omni pickup patterns.

• Forward Mids
• Gently Sloping Top End
• Focused Lows
• Flattering on the Widest Range of Vocal Types and Music Styles
• Ideal on Acoustic Instruments, Small Body Frets, Horns, Bass, Concert Piano

• Acoustical operating principle: 27.5mm large diaphragm pressure gradient transducer
• Directional pattern: Cardioid, Figure 8, Omni
• Frequency range: 20Hz~20kHz
• Sensitivity: -37dB (14.1mV/Pa)
• Output impedance: 200 ohms
• Equivalent noise A-weighted: 13 dB
• S/N ratio (A-weighted, rel 1Pa): 81dB
• Maximum SPL: 138dB with 16dB pad
• Dynamic range: 125dB
• Supply voltage: 48 volts (P48)

• ADK Hamburg 67-T-FET Microphone
• Shockmount
• Ring Mount
• EVA Style Case
• Manufacturer Warranty