I’m selling a complete monitoring system which will include: 

• (1) PreSonus StudioLive 16.4.2 Mixing Console (latest firmware)
• (4) TCS115M monitors (15” speaker, 2” titanium diaphragm, Full Range or Bi Amp mode)
• (2) dbx 2231 - Dual Channel 31-Band Graphic Equalizer/Limiter with Type III Noise Reduction (these will allow you 31 bands of EQ per monitor giving you precise tonal control)
• (1) Carvin DCM 4000 Watt Power Amp (this amp is basically (4) 1000 watt amps in one. It has 4 independent volumes so each monitor could receive up to1000 watts of power...but you don't want to do that since the monitors are only rated 600watts. Plus you'll blow your ears out as well!
• (1) Furman PL-8 Power Conditioner and Light Module
• (4) 25ft Pro Speakon Cables
• (4) 8ft XLR Cables
• (2) Power Cords for Amp
• (1) SBK 16 Space (front and back rails) Shock Mount Rack Case (OR) 
• (1) OSP 16 Space Mixer/Amp ATA Rack Flight Road Case with Lid Table MC12U-16SL
  

NOTE: I have both of these rack cases and will let you choose one or the other. They both have different qualities so I’ll let you choose the one that fits your needs. The pictures will better show you the difference. The main thing to keep in mind is the SKB is shock mount and the OSP is not. I can also sell both cases if needed.

I will give you a brief description of the equipment and then I will include “Factory Info” for each item for further information.

First let me say that ALL items in this listing are hardly used. Pictures will show.

The PreSonus StudioLive 16.4.2 has always been rack mounted as seen in the photos. It’s in mint condition as is all the equipment in this listing. It has the latest firmware and recording software. I also have the original boxes it came in. This mixer is awesome! It does so much more than just mix…you’ll have to read the manual.

The TCS115M monitors are in mint condition with very little use. They are incredibly well made, very solid materials and heavy metal grills. These are not your typical 12" monitor...they are 15" bi-ampable beast! Todays new speakers equal to these would cost $1,500.00 each minimum. I have labeled the monitors 1 thru 4 and labeled the cables as well so all that is needed is to plug the cables into the matching monitor and your done. Cables conveniently fit into bottom of rack case. I took several pictures at every angle to show how flawless these are. I’m the original owner and bought these brand new in 2004. A couple months after purchasing these, I left the country on tour for a couple years and they have set in my smoke free climate controlled studio. I bought tons of equipment with the intension of putting a band together but I’ve never found the time and I have worked either as a solo or duet for the past decade so now I’m selling off a bunch of equipment that’s not being used.

The boxes the monitors came in were stored in my garage and they’re not in the best condition due to Florida temperatures. The bottoms are coming apart and I have duct taped the corners on a couple of them. I was going to throw them away but I’ll let the new owner decide that.

The dbx 2231’s, DCM 4000 Power Amp, Furman and Cables are all in mint condition. I bought these new when I purchased the monitors and they have always been in the rack mount case. Same story as above…very little use. You have 31 bands of EQ per monitor along with 1000 watts per monitor so there’s no excuse for not dialing in the perfect monitor mix with tons of power to spare.

The SKB Rack Case is in great physical condition with some light scuffs and scratches. All the rails are straight. The two doors when attached and latched form and airtight fit. There are rails on the front and back so essentially you have a total of 32 spaces. Comes with the original SKB Removable Dolly, however, the 4 wheels do not lock. The case is shock mounted to absorb impact. These are also rain proof so if your ever in a stormy situation, throw the doors on and have piece of mind your equipment is safe!

The OSP Rack Case is in great physical condition with some light scuffs and scratches as well. All the rails are straight. There are rails on the front and back so essentially you have a total of 32 spaces on the bottom and plus there’s a 12 space on top for the PreSonus or any rack-able gear. Also has a sliding top for your computer , etc…

Thanks for checking it out! Also, please check my other listing as well.

(Due to the size and weight local pickup is best. However, I may can deliver to your area if it happens to be in route of my USA tour...so if you're interested in this purchase, let me know where you reside).

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FACTORY INFO:

PreSonus Quality in a Flexible Mixer

The PreSonus StudioLive 16.4.2, one of the most powerful and flexible 16-channel digital mixers the world has seen, now offers QMix wireless aux mix control software for your iPhone and iPod Touch! Boasting 16 high-headroom XMAX mic pres and a built-in 32x18 FireWire recording and playback engine, StudioLive is perfect for tracking bands in a live or studio situation. The "Fat Channel" offers 4-band EQ, compression, limiting, and gating on every channel, and there are DSP effects built-in. Save your settings for instant recall. Plus, Capture recording software is included with every StudioLive console.

PreSonus StudioLive 16.4.2 at a Glance:

• Loaded with Racks of Effects
• Powerful and Easy Digital Mixing
• Fat Channel
• Wirelessly control your aux mixes with your iPhone or iPod Touch
• Universal Control v1.6 update gives you "Smaart" tools to fight feedback, and more
• Professional Sound Quality
• Built-in 32x18 FireWire Recording

Loaded with Racks of Effects

StudioLive is loaded with everything needed for professional live sound production totaling 28 compressors, 28 limiters, 28 gates, 28 highpass filters, two stereo reverb/delays, two master stereo limiters and more, saving you loads of money and trips from the trailer during load in/out. All StudioLive digital effects are created and processed with 32-bit floating point precision for maximum sonic performance and enhanced musicality. StudioLive seamlessly integrates a professional digital mixer with a complete multi-channel recording system delivering the most creative environment available for both live performance and studio music production. Take your recording studio to the gig, and have your soundman record and even enhance your shows with the power of StudioLive.

Powerful and Easy Digital Mixing

StudioLive features an innovative and intuitive "QuickTouch" design allowing fast access to every parameter, mix, effect, and aux, allowing quick and creative control during music production. Load and save functions are also included to create snapshots of channel settings, save effect settings, totally recalling a mix, and more. All digital mixing and effects processing is done with 32-bit floating point precision for unmatched musicality.

Get creative in the studio. Record with or without Fat Channel or DSP effects processing. Create mixes, loops, sound effects and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins, and completely automate your entire show using your favorite music recording and production software. StudioLive completely revolutionizes music production opening endless creative possibilities.

Fat Channel and DSP Effects

The heart of StudioLive is the "Fat Channel" engaged by pressing any "select" button, and features extensive equalization and dynamics available to every input channel, every aux output, every subgroup output, and main output. High pass filter, and four-band semi-parametric equalization algorithms are based on PreSonus' custom-designed digital EyeQ equalizer, delivering extremely musical results. Also included in the Fat Channel are compressors, limiters and gates modeled after PreSonus' award-winning ACP88 for complete dynamics control.

Two programmable 32-bit stereo DSP effects engines are loaded in StudioLive with a wide range of reverbs, delays, and time-based effects with easy to use parameter adjustment, tap tempo, store, recall, and scene selection for ultimate creative flexibility. StudioLive allows you to save all of your digital settings for quick setup and recall. Save "scenes" (all settings), channel strips (Fat Channel), and individual DSP effects for ultimate ease, quickness and control.

Wirelessly control your aux mixes with your iPhone or iPod Touch

PreSonus StudioLive mixers feature QMix, which lets you control your mixer's aux sends from up to ten Apple iPhones or iPod Touches! You can even let the performers create their own custom monitor mixes from individual iPhones. With the "Wheel of Me," you can choose multiple "Me" channels and tweak their levels simultaneously. All you need is a Mac or PC running PreSonus Virtual StudioLive software.

Universal Control v1.6 update gives you "Smaart" tools to fight feedback, and more

Universal Control v1.6 is a big update for the StudioLive series, adding the Rational Acoustics Smaart realtime analysis tools. Smaart displays are integrated into the Virtual StudioLive software environment, giving you visual indicators when feedback is imminent. It makes it easy to adjust the appropriate band of the graphic EQ to eliminate feedback. Universal Control v1.6 also lets you control talkback on/off and signal routing with Virtual StudioLive, and also adds support for the StudioLive Remote 1.3 app update.

Professional Sound Quality

StudioLive spares no expense when it comes to sound quality. All digital mixing is done with ultra high headroom 32-bit floating point processing for optimal sonic performance. Analog input and output is converted to digital audio with the highest-quality digital converters available delivering dynamic range of +118dB for spectacular sonic results and unmatched musicality.

Built-in 32x18 FireWire Recording

StudioLive includes PreSonus' award-winning FireWire technology with JetPLL synchronization delivering 32 channels of recording and 18 channels of simultaneous playback. Each FireWire recording channel can be set to record either pre or post Fat-Channel signal processing giving total flexibility and power. StudioLive can also return 18 FireWire playback channels from your recording and production software for remixing and live performance with pre-recorded tracks, as well as studio mixing using the mixer's internal signal processing and summing algorithms.

StudioLive 16.4.2 also ships complete with CAPTURE multi-track recording software so you can effortlessly record your shows right out of the box. CAPTURE software was designed to interface with StudioLive 16.4.2 perfectly to allow instant setup and recording of performances. With the look and feel of industry standard digital multi-track hard disk recorders, CAPTURE software is instantly familiar to every musician and engineer. StudioLive HDR software gives you full editing capability as well as export to wav file formats for compatibility with Pro Tools, Cubase, Nuendo, Logic, Sonar and all other recording and music production software. Or you can play back your recorded tracks into StudioLive 16.4.2 via FireWire and mix your tracks with the mixing power and capabilities of StudioLive 16.4.2, then record the final mix back to CAPTURE!

PreSonus StudioLive 16.4.2 Features:

• 16 inputs, 6 auxiliary mixes, 4 subgroups
• 16 Class A XMAX microphone preamplifiers
• Hi-Definition analog to digital converters (118dB dynamic range)
• Unlimited headroom 32-bit floating point digital mixing and effects processing
• Universal Control v1.6 update gives you Smaart analysis tools from Rational Acoustics to fight feedback, plus enhanced Virtual StudioLive functionality
• 32x18 FireWire digital recording interface
• QMix wireless aux mix control software for your iPhone and iPod Touch!
• Compact 19" rack-mountable rugged steel chassis
• Fat Channel Select
• 2 Master DSP Effects (reverbs, delays, time-based effect, with load/save)
• Load/Save Mixer "Scenes" - all settings
• 100mm long throw faders
• Military grade quick touch push buttons
• Fast-acting LED meters
• Talkback communication system
• "CAPTURE" multi-track recording software
• Includes Smaart Room Analsis Wizard, Delay Wizard, and Output Check Wizard

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TCS115M

OPERATING MODES

The switch on the TCS series input panels allows you to select two operating modes: FULL RANGE mode (single amplifier) or BI AMP mode (separate low and high frequency amplifiers). In FULL RANGE mode, the internal crossover of the loudspeakers divide the audio signal into the separate frequency ranges for each driver. In BI AMP mode, one amplifier is used to power the low frequency drivers and another amplifier is used to power the high frequency drivers. In both modes the internal crossover is active to ensure the best quality sound possible from the loudspeaker.

HI FREQUENCY DRIVERS

The TCS115M uses Carvin's HF1100 high frequency driver. This driver features an 88 oz. motor structure, 2" precision wound voice coil, titanium diaphragm and a 1" throat exit. This driver delivers crystal clear vocals and sweet highs at a 100 W power rating.

LOW FREQUENCY DRIVERS

The TCS115M uses Carvin's PS15C drivers. This driver features kapton voice coil formers, firm surrounds, and impregnated paper cones.

SPECIFICATION TCS115M

Freq. Resp.                              65 - 15k Hz

Sensitivity 1W/1M                    101.7 dB

Power (EIA)                              600 Watts

Nominal Impedance                  8Ω

Crossover Biamp switch           Yes

Nominal Dispersion                  60° x 40°

Crossover Frequency               1k Hz

Mounting / Fly points                 8

Dimensions

Height                                       17”

Width (front)                             29.25”

Width (back)                             29.25”

Depth                                        17”

Trap. Angle                               N/A

Grille Material                           14 Ga. Perf. Steel

Net Weight                                68 lbs.

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dbx 2231 - Dual Channel 31-Band Graphic Equalizer/Limiter with Type III Noise Reduction

Dbx 2231 Overview

Big pro features and supreme flexibility.

The 2231 is a dual channel, 31 band 1/3 octave graphic equalizer with a difference. In addition to the usual features such as 45mm center detented sliders with selectable boost/cut range, high pass filters, active balanced input and output connections, variable input level controls, clip level indicators, and internal power supply, the unit provides both built-in noise reduction, and peak limiting.

The noise reduction is dbx's Type III, which can increases the signal to noise ratio of the 2231 by up to 20dB at the push of a button. For further enhancement, a PeakPlus limiter is included. Front panel 41-detent rotary controls vary the threshold of the limiter, while four-LED gain reduction bar graphs display the resulting effect of the process. Additionally, the unit has EQ bypass switches with LED indicator for each channel, is housed in an all-steel constructed 3U chassis, and is intended for installation in standard 19" equipment racks. The XLR and 1/4" TRS connectors use balanced, low noise circuitry, and barrier strips are provided for added convenience.

The 2231 is designed to work with a variety of input signal levels and may be used in applications such as live sound, recording studios, instrument racks, as well as any conventional fixed installation environment.

• Dual channel 31 band 1/3 octave graphic equalizer

Type III Noise Reduction

Instantly encodes/decodes at the push of a button

PeakPlus Limiter

With threshold range from 0dBu to +24dBu can transparently process the wildest hits or the subtlest nuances of any signal

• High-pass filters
• Selectable boost/cut range of 6dB or 15dB
• Variable input level controls
• Clip level indicators
• Balanced and unbalanced input and output connections

FEATURES

• Dual-channel
• 31-bands
• 1/3-octave per band
• PeakPlus limiter
• LED bar graph for gain reduction and output level
• Status LEDs for all settings on the front panel
• XLR, barrier strip, and 1/4" connectors
• 45mm nylon sliders
• 12dB input gain stage

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DCM4000

The DCM4000 was designed for pro sound companies and individuals who require huge amounts of clean RMS power to drive large, professional speaker systems and arrays, as well as high powered monitor systems. This was the main idea and motivation behind the concept of the DCM4000: Twice the power - same number of rack spaces. Another advantage of the DCM4000 was even more obvious -     1400 Watts x 2 at 8 ohms in bridge mode!

A TON OF POWER X 4

Each DCM4000 incorporates four separate 1000 Watt RMS amps and is powered by redundant toroid power supplies that are totally independent of each other. It's like having two complete 2000 watt amps in one 3 space package. The only thing they share is the AC cord so if one of the two primary fuses fails, the other amps are not affected. These four amps can be used to power four separate speakers from four different sources (this is ideal for monitor systems). Each side can be bridged to become two 2000 Watt amps (great for high powered speakers and subwoofers like the Carvin TCS series). Each side can even be paralleled and then chained together to be fed by a single input source (perfect for arrays with a large number speakers).

AWESOME SOUND!

What good is a ton of power if it doesn't sound great? The Carvin DCM4000 is an incredibly transparent amp sporting slew rates well over 50 VmS. With massive dual power supplies and huge reserve capacitors for on-demand power, the DCM4000 delivers pure, uncolored sound at full output; with tight, punchy lows and open, transparent highs – without a hint of distortion.

RUGGED TO THE EXTREME

These pro amplifiers are completely protected from any kind of abuse that might pop up in a typical road rig – thermal, over-current, short-circuit, voltage spikes, "hot-swapping" speakers – the DCM4000 is designed to protect itself and be right back up and running as soon as the problem is remedied. The all-steel, front & rear rack-able chassis can take whatever abuse is thrown at it. These amplifiers are just what the real pro wants - "rack'em and forget’em".

COOLEST COOLING

Carvin's exclusive "Wind-Tunnel" heat-sink with dual "push/pull" 105 CFM fans, ensures full, uninterrupted RMS power delivery without over-heating concerns. These are continuous-duty amps meaning that if you drive them at full power, 24 hours a day, they won't shut down. And, be assured that you'll get your full power in RMS watts, not pulse or peak power.

DISTORTION-FREE LIMITERS

The purpose of a limiter is to hold down peaks so the amp won't distort even with extra hot input signals (this protects your expensive speakers). In addition, a well designed limiter can increase your amp's average output as much as 3 db. Part of Carvin's design uses the more expensive, distortion-free linear "opto isolators". Unlike amps that use FET controlled limiters which can inject small amounts of distortion, the DCM Series limiters keep your sound pure and uncolored!

FRONT & REAR PANELS

Along with the normal Gain controls and Signal, Clip, and Power indicators, we've included a very useful "Bridge Mode" indicator to avoid inconvenient or even costly hook-up mistakes. On the back panel you get a male and female XLR input per amp (perfect for daisy-chaining amps). The DCM4000 features a speaker output section with professional high current Twist-Lok and Banana/Binding Post connectors to mate with any pro speaker rig. Each dual-amp side features switches for Bridging, Parallel input, Ground Lift, Limiter, and Sub-sonic filter.

DCM POWER AMP SPECIFICATIONS:

MODEL DCM4000

Bridged RMS Continuous

4Ω, (1k Hz, <1.0%)                   2000w x 4

8Ω, (1k Hz, <1.0%)                   1400w x 2

All Channels RMS Continuous

2Ω (1k Hz, <1.0%)                    1000w x 4

4Ω (1k Hz, <1.0%)                    700w x 4

8Ω (1k Hz, <1.0%)                    425w x 4

THD (Typical—1/2 power):      0.03%

Damping Factor:                      >500

Slew Rate: bridged mode       50v/µs

Sensitivity:                               (4Ω , Vms) 1.0 V

Signal to Noise Ratio:             Above 100dB

Frequency Response:            ±0.5 dB, 20 Hz to 20kHz (±1.5 dB, 10 Hz & 40 kHz)

Input Impedance:                    20K , Ω balanced

Protection Circuits: • Short Circuit • No Load Protection • SpeakerGuard™

                                   • Thermal Shut-Off • Mute On/Off

Controls and Indicators

Front: • Power switch • Recessed attenuators • Signal LED • Clip LED • Protect LED

• Power ON Indicator • Bridge Indicator

Rear: Ground Lift (each channel) • Parallel Input Switch • Speaker Output Bridge

Switch • Limiters IN/OUT Switch • Lo cut Switch • Input Connectors: Four each;

Balanced Male and Female XLR • Speaker Output Connectors: Dual heavy-du-

binding posts, six Twist-Lok (two bridgeed).

Dimensions:      5 1/4" High x 19" Wide x 16" Depth (3-space)

Net Weight:       70 lbs.

Power : TWO 120 VAC 15 amp circuit minimum. (20 amp recommended)                                          TWO 240 VAC 10 amp circuit minimum. (15 amp recommended).

(Note: You may plug both cords into a dedicated 20 amp circuit when using reduced loads. You may use 8Ω loads at moderate levels. However, 2Ω , 4Ω or bridged loads at higher levels will cause a single 20 amp circuit breaker to trip.)

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Furman PL-8 Power Conditioner and Light Module

PL-8 FEATURES

• Two slide-out, swiveling light fixtures for rack illumination
• Eight accessory outlets in rear, controlled by a front panel switch
• Triple mode varistor spike and surge protection
• RFI / EMI filtering
• Circuit breaker, 15-amp rating
• Dimmer control for lamp brightness
• Separate switch for lamps
• Ten-foot, heavy duty 14-gauge AC cord

PL-8

The Furman PL-8 and PL-PLUS Power Conditioners and Light Modules are the perfect accessory for any rack-mount system. lnstall a PL-8 in the top slot of your rack, and the eight switched AC outlets on the rear panel will power up all your equipment while its two slide-out light fixtures provide discreet illumination of the controls on stages, in studios, and in other dark places. A dimmer control lets you adjust the lamp brightness to just the right level.

The PL-8 protects your delicate electronic equipment by combining a high-voltage surge and transient suppressor with an RFI/EMI interference filter. The fast-acting suppression circuit responds in less than a nanosecond, clamping transient voltages to safe levels. The peak clamping voltage is 340 VAC, effective for spikes on any of the three AC conductors, and the clamping circuitry can absorb a total of up to 240 Joules. These specifications indicate a very high degree of protection when compared with competitive products. The filter works to prevent noise from fluorescent lights, dimmers, radio transmitters, and similar sources of “electronic pollution” from contaminating the AC line and from there, leaking into sensitive audio, video or computer circuits.

The eight circuit-breaker protected outlets are rated at 15 amps. If the total load on the PL-8 (combining all outlets) exceeds 15 amps, the circuit breaker will trip, cutting off power to your rack.

If this occurs, reduce the load by unplugging one or more units from the PL-8. Then push the black button on the circuit breaker (on the front panel) down and in to reset it.

The PL-8’s lamps come supplied with five-watt night-light bulbs. Replacements are readily available at most hardware stores or almost anywhere household light bulbs are sold. Bulbs are easily replaced without removing the unit from the rack by unscrewing the cap on the end of each light tube. The caps and light tubes become quite warm to the touch in normal operation. To avoid burning your fingers, allow the cap to cool completely before unscrewing it. Be careful not to push the tubes in while the caps are unscrewed.

If you find that the heat from the tubes is excessive, try reducing the setting of the dimmer knob. As an alternative, you may wish to substitute four-watt bulbs or even colored Christmas tree bulbs.

The PL-8 has a master switch for the rear outlets which lights up when the power is on. There is also a separate switch for the lamps, allowing you to check your rack’s settings before applying power to it. The lights do not turn off automatically when the tubes are pushed in, so be sure to use the switch.

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SKB 16-Space Shock Mount Rack Case

SKB Portable 16U Shock Mount Rack 19" 19.5" D x 28" H Inside                        The outer dimensions of this case are approximately 27" W x 29" D x 43" with castors. The usable interior dimensions are 19" W x 19.5" D x 43" H.

Most serious internal damage to rack equipment results from drop impact, something even the best hardshell can't protect against. Now SKB introduces a revolutionary new case with the internal rack mounted on coiled steel rope shock absorbers. This design not only absorbs impact and vibration, but also provides open "sway space" for cooling air flow. Conforms to all ATA specs, with shell and hardware made to SKB's well-known quality standards.

SKB is our premier supplier of instrument and gear cases. SKB builds their products with military-spec, ultrahigh molecular weight polyethylene and premium hardware. All SKB hardshell cases are unconditionally guaranteed forever. That means if you break it, they will repair or replace it at no cost to you.

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OSP 16 Space Mixer/Amp ATA Rack Flight Road Case with Lid Table MC12U-16SL

The OSP ATA mixer/amp case is a very well solid designed case. The 12 space slanted top-mounted rack rails can fit a 19" wide rack mountable mixer and the bottom section has 16 space that can fit any standard 19" wide rack mountable gear. The front lid has fold-out legs that turns the lid into a table and can be attached to either side of the case. Once set up, the table stands 24-3/8" to the underneath and 28" to the table top. OSP cases are built with 3/8" high grade plywood with black laminate, ball corners, recessed spring-loaded handles, industrial butterfly latches and aluminum edges. OSP cases are Pro and built to last.

Features

• 3/8" plywood w/black laminate
• Tongue & groove metal railing
• Ball corners
• Industrial rivets
• Industrial latches
• Industrial spring-loaded handles
• Heavy-duty pre-tapped rack rails
• Front, rear, and top rack rails
• Mixer top slanted rack rails are 21" (12 space)
• Bottom front and back rack rails are 28" inches tall (16 Spaces)
• Bottom front and back rack rails (recessed 1" from each edge)
• Removable top, front, and back Lids
• Front & back lids provide 2" of space inside, Top lid 5"
• 4" Casters wheels (2 Locking)
• Lid cover with fold-out legs to make table
• Table can attach to either side of case
• Free small bag of rack screws and washers

Outside Dimensions with Wheels On

Lids OFF: 21.5" W x 41" H x 25" D

Lids ON: 21.5" W x 44" H x 31" D

Lid Table Dimensions when setup: 38" W x 28" H x 21.5" D

Weight - 117 lbs