THE
ROLLING
STONES
From
the ..
“MANHATTAN
BEACH”
TOUR.
2005-2006
a/k/a
Bigger Bang!
THE TOURING STAGE PLANS.
My
Stones Story.
Everyone
has a favorite Stones Story, especially those of us past 60. Because they are our band. And they always will be our band.
My
Stones Story starts with me riding in the back of my parents’ 1959 Ford on our
way to our family reunion in May of 1964.
I had my red Channel Master transistor radio stuck to my ear with its
antenna stuck out the window just trying to get a Beatles fix. Suddenly, a bolt of Bo Diddly hit it straight
own-and the Stones entered my life from then on thanks to “Not Fade Away”. So my Stones life after that was made up of
worn out grooved vinyl records and maracas. My first Stones concert was
November, 1965 in Raleigh, N.C. Yes, the
Devils came straight into the mist of the Holy Spirit. And I was lost forever.
And
how many times did I see the Stones after that?
Lots. They got bigger-their shows
got bigger-and so did I.
Last
time was October 8, 2005 at Wallace Wade Stadium at Duke University just down
the road from my house. All week I
watched through the fence as the universe was rearranged into a single megalith
that was, and still is, impossible to comprehend. For those of us who are mystified and
enthralled by creations-this was the ultimate machine. It must never be called a “stage”. It was organic. And I will never see anything akin to it
again.
For
that reason, I was awestruck when a very good friend of mine who was involved
in the “care and feeding” of the organism, gave me a couple sets of the plans
for the “stage”. I am now offering one
set of those plans, along with a DVD of photos, taken along the way showing it being
brought to life over and over. There are
62 pages of detailed plans of all facets of the structures. It is my understanding that these plans were
used for reference by the field crews who assembled, disassembled, moved,
assembled, disassembled, moved, ……. the
stages all over the world. These are
original blue ink marked plans.
As
you can see on these plans, the original “working name” of the Tour was
“MANHATTAN BEACH” but somehow became a “BIGGER BANG!” sometime after the plans
for the three stages had been drawn up.
These
are extremely rare and the ultimate Rolling Stones collectible.
THE BIRTH OF
THE MANHATTAN BEACH TOURING STAGES.
“This
‘MANHATTAN BEACH”, aka, ‘Bigger Bang’, touring stage was designed by STUFISH,
aka, the Mark Fisher Studio, who worked with the world renown firm, STAGECO, to
turn their ‘visualizations” into a ‘practical touring system”. “Three stage sets were manufactured to be
used on the worldwide ‘MANHATTAN BEACH TOUR’, all based on STAGECO’s innovative
‘tower and trusses’ system along with ‘scaffolding, deck, and floor
systems’”. “The base structure,
balconies (accommodating 400 VIP members of the audience within the stage),
stairways, lift and tusk arm elements of the stage were all tailor made in
STAGECO’s Belgian fabrication facility.”
The final result was a “62 meter wide by 27 meter deep by 26 meter high
structure that required 34 articulated trailers to transport the steel work of
each of the three sets”.
From its designers:
The A
Bigger Bang Tour stage was
designed by . Production design was by Fisher, , and . The show included
state-of-the-art electronics that presented visual screen shots of the Stones
Tongue and live footage. The stage was 25 m (84 ft) tall. The
multi-level construction included balconies behind the stage with accommodation
for 400 audience. As on the and tours, the band
played part of the set on a 'B' stage in the center of the field. A section of
the stage detached itself and rolled the entire band along a catwalk, creating
an "island" in the middle of
the stadium. Unusual stage designs in and of themselves have been a feature
since .
The introduction featured and computer-generated graphics
representing the literal . The four band members' faces hazily
appear, and further graphics depicting fast travel through a city's streets
before Keith Richards appeared on the screen to the sound of the band's opening
song (mainly "" or "" although a handful of
other numbers opened shows on the tour).
During the concerts, one large central
screen played live footage of the various band members, predominantly Jagger.
Either side of the main screen, there were two sets of lighting effect panels
that combine with the main screen to produce visual effects at various points
in the show.
THE ROLLING
STONES A BIGGER BANG WORLD TOUR 2005-2006
The first
sketches for the stage design explored decadent, picturesque fantasies of grand
19C opera house décor. These studies were distilled into the proposition
that some of the audience should be placed behind the band in opera
boxes. As the design developed, the boxes metamorphosed into sweeping
expressionist balconies that form a streamlined back wall to the stage.
Centred between the balconies was a large hi-resolution LED video screen.
Upstage of the balconies, panels of lo-resolution LED video created a luminous
backdrop to silhouette the opera audience. The primary structure was
mostly constructed from rented StageCo stock components. Two lines of
masts and trusses supported a series of cantilever brackets that provided
bearing for the audience balconies and lifting points for the fascia
panels. The cantilever brackets and audience decks were custom
fabrications. The two levels of audience balconies (at heights of 12m
(40ft) and 15m (50ft) commanded remarkable views of the performance
stage. They were accessed by code-compliant escape stairs and an ADA
compliant elevator.
The primary
structure took approximately 30 hours to erect. Three sets of the primary
structure 'leapfrogged' between venues. One set only of the fascia
panels, video screens, performance stage and other technical components
travelled from show to show. They were installed during the final 24
hours before the show, and taken down and moved on to the next city immediately
afterwards.
MARK FISHER WRITES
Early conversations about the design for the Rolling Stones 2005 ‘Bigger Bang’
tour focused on ideas for placing the band in an ‘operatic’ environment.
The first sketches explored decadent, picturesque fantasies of grand 19C opera
house décor. These studies were distilled into the proposition that some
of the audience should be placed behind the band in ‘boxes’. As the
design developed, the boxes metamorphosed into sweeping expressionist balconies
that form a streamlined back wall to the stage. Centered between the
balconies is a large hi-resolution LED video screen. Upstage of the
balconies, panels of lo-resolution LED video create a luminous backdrop to
silhouette the opera audience.
The primary structure was organized
into two lines of masts and trusses that supported a series of cantilever
brackets to provide bearing for the audience balconies and lifting points for
the fascia panels. The primary steelwork was mostly from rented StageCo
stock components, stabilized by a custom base frame of ‘I’ beams set out
beneath the 3ft high substage. The cantilever brackets and audience decks
were custom fabrications. The primary steelwork took approximately 30
hours to erect. Three sets of primary steelwork ‘leapfrogged’ between
venues. One set only of the fascia panels, video screens and other show
components travelled from venue to venue for fit-up during the final 24 hours
before the show.
Please contact me if you have additional questions. These are from my personal collection of Rock
and Roll Memorabilia.
Shipping in the USA is $45.00 by USPS and $85.00 outside the
USA.