Certified by Gruhn Guitars in an appraisal dated May 23, 2018 to be a 1931 Gibson model L-O acoustic flattop guitar, made in August of 1931 based on the FON. My Father originally owned it and it was passed to me. It has received little play in its 87 years so the frets etc show little wear. It is a beautiful instrument that deserves to be with someone who will master it, play it, as it was always intended to be played.
Here is a copy of the appraisal by Gruhn:
We
appreciate you reaching out to Gruhn Guitars to find out more about
your instrument. The appraisal you requested is copied below and the
original will be sent to you by mail. As always, please feel free to get
in touch with any questions or if there is anything further we can do
to help.
Sincerely,
Gruhn Guitars
May 23, 2018
I have examined the
attached photos of the instrument described below, but have not seen the
instrument itself. Below is my estimate, based on these photos, of the
instrument’s value; however, it is not possible to judge from photos alone the
exact state of originality and need of repair, so my appraisal is only accurate
insofar as the photos are representative of the actual condition of the
instrument.
We certify the
instrument described below is, in our opinion, a Gibson L-0 model acoustic
flattop guitar, made in the year 1931.
Description: We have been provided the
following information: “My Father received this guitar when he was 12 years old
in 1931 and he subsequently passed it to me at age 14 in 1964. The frets are
like new. It has a top crack below the pickguard which occurred when it was
dropped, and it is missing one black bridge pin, and has some finish scratches.”
Factory order number (FON): 134. Recent advances in Gibson scholarship indicate
that it was produced in August of 1931. The owner has identified a number of
condition issues, as described above. Upon examination, we also note that the
celluloid pickguard is curling and is lifting from the top. Otherwise, this
guitar appears structurally to be in excellent condition. The finish exhibits
typical light deterioration with small dings, surface scratches, compression
marks and edge-chipping (peghead). In other respects, this instrument conforms to
the typical specifications of the model for the period in which it was made
with 14 ¾” wide flattop body, mahogany top, back and sides, “Firestripe” tortoiseshell
grain celluloid pickguard, white/black/white soundhole rosette, rectangular
Brazilian rosewood bridge, black bridge pins (one missing), mahogany neck with
adjustable truss-rod, classic “open-book” peghead shape, white silk-screened
script “Gibson” peghead logo, single-ply black celluloid bell-shaped truss-rod
cover, three-on-a-strip open-back tuners with white buttons, ebony nut, 20-fret
Brazilian rosewood fingerboard (12 frets clear of the body) with
mother-of-pearl dot inlays, and single-ply white binding on body top and back
edges. We were unable to make an in-hand assessment of the bridge plate,
internal bracing and kerfing, but for the purposes of this appraisal we assume
them to be correct (no photos of interior
components were provided to Gruhn Guitars). No information concerning a
case was provided to Gruhn Guitars.
Current market value:
$4,000 (four thousand dollars)