Used Paul Reed Smith (PRS) Hollowbody II Electric Guitar

This used Paul Reed Smith Hollowbody II is a premium hollowbody electric guitar that combines the comfortable feel and playability PRS is known for with the open, resonant character of a fully hollow construction. The Hollowbody II features a carved maple top and back with mahogany sides, giving the guitar a rich, articulate voice with excellent sustain and tonal depth.

The mahogany neck and rosewood fingerboard provide a smooth, familiar playing feel, while dual humbucking pickups offer everything from warm, rounded clean tones to clear and powerful amplified sounds. Its hollow construction adds an airy, acoustic quality that makes the Hollowbody II equally at home playing jazz, blues, rock, worship, and a wide range of other styles.

This instrument is used stock and is a great option for a player looking for the craftsmanship, versatility, and distinctive tone of a PRS Hollowbody at a more affordable used price.

Main Switch: Standard 3-way pickup selector (Neck / Both / Bridge).

Two 3-way mini-toggles: Coil selectors for each pickup. Up = Full Humbucker. Middle = P-90 mode. Down = Rail Single-Coil.   Two 2-way mini-toggles: Phase reversal for each pickup. Flips the phase for a scooped, hollow out-of-phase tone when both pickups are active.   Volume Knob (Push-Pull):  Down = normal volume Up = Blower switch that bypasses all volume and tone pots, sending the raw, full-power signal straight to the amp.   Tone Knob: Master tone control.

Features:

• Used Paul Reed Smith Hollowbody II

• Fully hollowbody construction

• Carved maple top and back

• Mahogany sides

• Mahogany neck

• Rosewood fingerboard

• 22-fret design

• Dual humbucking pickups

• PRS bird inlays

• Premium PRS construction and playability

• Excellent for clean, jazz, blues, rock, and versatile electric tones

A beautiful and versatile instrument for players looking for the resonance of a hollowbody guitar combined with the comfortable feel, craftsmanship, and playability associated with Paul Reed Smith.