These are excellent for desktop near field monitoring - light use by me for playback and light listening

They are:

Powerful compact bi-amplified studio monitor with superb impulse response and resolution.

  • Compact bi-amplified studio monitor with a high efficiency 
  • Exceptional bass depth and transient response from 52 to 21k Hz
  • Precise dispersion, optimized for near-field applications
  • AcousticsFree field frequency response ±6 dB46 Hz … 24 kHzFree field frequency response ±3 dB52 Hz … 21 kHzPass band free field frequency response54 Hz … 20 kHz, ±2 dBFree field frequency linearity deviation between 100 Hz and 10 kHz± 1.0 dBReproduction accuracy between 100 Hz and 10 kHz: 100%, 80%, 50% of loudspeakers produced±0.97; ±0.40; ±0.23 dBSelf-generated noise at 10 cm (with input gain set to 100 dB SPL for 0 dBu)<20 dB(A) SPLSine wave output with a THD < 0.5 % at 1 m in half space95 dB SPL (>120 Hz)Max. SPL calc. in half space at 3% THD at 1m (averaged between 100 Hz and 6 kHz)111.1 dB SPLMax. SPL in full space at 3% THD at 1m (averaged between 100 Hz and 6 kHz)105.1 dB SPLBass capability: Max. SPL in half space at 3% THD at 1m (averaged between 50 Hz and 100 Hz)104.8 dB SPLMax. short term SPL with IEC-weighted noise (IEC 60268-5) at 1 m, in typical listening conditions107 dB(C) SPLMax. short term SPL with music material at 2.3 m in typical listening conditions (pair / full range)97 dB(C) SPLMax. short term SPL with music material at 2.3 m, in typical listening conditions (pair with subwoofer)104 dB(C) SPLMax. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair full range)88 / 93 dB(C) SPLMax. long term SPL with pink noise at 2.3 m, in typical listening conditions (single / pair with subwoofer)89 / 94 dB(C) SPLDolby DARDT. Max SPL bass managed118 dBRecommended Listening Distance1.0 … 2.0 m (3'… 6')Feasible Listening Distance0.75 … 4.0 m (2'6"… 12')Acoustical PrincipleBassreflex, Ports at the front
  • Analog Inputs and OutputsAnalog input(s)XLR: analog electronically balancedAnalog input impedance10k Ohms in position 94/108 dB SPL at 1 m 20k Ohms in position 100/114 dB SPL at 1 mMax. input level+24 dBuCommon mode rejection ratio (CMRR)>56 dB @ 15kHz
  • User Interfaces (Backplate)Input gain control (sensitivity)0 dB ... -15 dBOutput level control (output level in 1 m based on 0 dBu input level)94; 100; 108; 114 dB SPLEqualization: Bass0; -2.5; -5; -7.5 dBEqualization: Low-Mid0; -1.5; -3; -4.5 dBEqualization: Treble+1; 0; -1; -2 dBGround LiftYes
  • Output power woofer amplifier (THD+N with limiter deactivated: 10%)80 WOutput power tweeter amplifier (THD+N with limiter deactivated: 10%)80 WOutput power woofer amplifier (THD+N with limiter deactivated: 0.1%)50 WOutput power tweeter amplifier (THD+N with limiter deactivated: 0.1%)50 W

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Inseriertvor 12 Tagen
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Hervorragende Artikel sind fast ohne Gebrauchsspuren oder optische Fehler, aber wurden gespielt und vorsichtig benutzt.Weitere Informationen
Marke
Modell
  • KH 120 A 5.25" Active Nearfield Studio Monitors (Pair)
Farbe
  • Black
Kategorien
Jahr
  • Late 2010's
Hergestellt in
  • Irland
Verstärkung
  • Aktiv

Möglicherweise sind hier Informationen zur Produktsicherheit verfügbar.

MT WASH AUDIO LOCKER

Brooklyn, NY, Vereinigte Staaten von Amerika
Mitglied bei Reverb seit:2020

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